
BY DAN GARCIA
Beyoncé might not control the weather, but don’t be surprised if she starts trying.
What was supposed to be a breezy spring night for the launch of The Cowboy Carter Tour in Chicago turned into a rain-soaked, lightning-filled test of patience, endurance, and fandom. But despite the hours-long weather delay that sent fans scurrying to Soldier Field’s covered concourses and pushed the concert start time past 10 p.m., Beyoncé didn’t just save the show, she turned the storm into part of the spectacle.
With severe thunderstorm alerts hitting the greater Chicagoland area Thursday afternoon and torrential rain flooding the stadium gates, Soldier Field issued the official word around 5 p.m.: The show would be delayed and wouldn’t begin before 9 p.m. Fans, many in full western-inspired glam, waited it out in ponchos and boots, crowding under awnings and huddling beneath stairwells, clutching their glittering cowboy hats in their hats to save their outfits from the heavy winds. The concourse buzzed with excitement and frustration, but no one dared leave, not when the Queen was still set to take the stage.
When the lights finally dimmed at 10:15 p.m., hours behind schedule, the eruption from the crowd said it all. The storm may have flooded the parking lots, but it couldn’t dampen Beyoncé’s thunder.
Beyoncé opened with “AMERIICAN REQUIEM,” the soaring curtain-raiser from Cowboy Carter, emerging in gold on a massive stage that stretched deep into the crowd. The stormy night immediately shifted into sacred territory. From there, she rolled into a cover of The Beatles’ “Blackbird,” and used the moment to connect with the crowd after the delay:
“Thank you guys for your patience through the weather. Thank you for all your love, even throughout the storm,” Beyoncé said with a smile. “Y’all are here, I am here, and we’re gonna have ourselves a good ole time.”
She wasn’t lying. From there, the show exploded with powerful visuals and emotional punch. Her soulful rendition of “The Star-Spangled Banner” (in the style of Jimi Hendrix) bled seamlessly into “Freedom,” which hit even harder under the post-storm skies. “YA YA” followed, with choreography that nodded to her Super Bowl show, while “Why Don’t You Love Me” reintroduced early Beyoncé sass into the cowboy universe.

As she transitioned into the second act with “AMERICA HAS A PROBLEM” behind a transparent podium, the political messaging ramped up. That led into the spaghetti western spectacle of “SPAGHETTII,” followed by hat-tipping versions of “Formation,” “MY HOUSE” (complete with a collapsing inflatable red house), and “Diva.”
The next act ushered in ballads and boundary-pushers, including “ALLIIGATOR TEARS,” the flirty “JUST FOR FUN,” and “PROTECTOR,” (with a special cameo from Rumi Carter) which brought a tender moment to the arena. After an emotional interlude, “FLAMENCO” and “DESERT EAGLE” brought back the footwork, followed by the atmospheric “RIIVERDANCE” and “II HANDS II HEAVEN.”
A standout of the night came next: during “TYRANT,” Beyoncé faced off with a golden mechanical bull. Then came “THIQUE” and the sultry denim-styled “LEVII’S JEANS,” followed by the genre-melting “SWEET ★ HONEY ★ BUCKIIN’,” which blended elements of “PURE/HONEY” and “SUMMER RENAISSANCE.”
Entering the second half of the long night, Beyoncé delivered the crowd-favorite “TEXAS HOLD ’EM” to deafening screams before firing into a run of classics, “Crazy in Love,” “Single Ladies (Put a Ring on It),” “Love on Top,” “Irreplaceable,” and “If I Were a Boy”, as Soldier Field turned into one massive singalong.
She floated above the crowd during her now-iconic cover of Dolly Parton’s “Jolene,” before bringing it back to her southern roots with “Daddy Lessons” and “BODYGUARD.” The party didn’t stop as she rode the neon horseshoe to the B-stage for “CUFF IT,” then gave fans the silky slow jam “Dance for You.”
“HEATED” and her cover of “Before I Let Go” brought out full choreography and pure crowd energy, and then came one of the most jaw-dropping moments of the night: during “DAUGHTER,” Beyoncé sat at a gold-plated piano, only for the piano to suddenly erupt in flames. The effect was fiery, bold, and pure Beyoncé.
Closing the show was a Renaissance redux of “I’M THAT GIRL,” “COZY,” and “ALIEN SUPERSTAR,” complete with LED visuals, intergalactic staging, and golden costuming that evoked her 2023 tour, but elevated. Then, in one final act of triumph, she returned in an American flag dress for the stunning “16 CARRIAGES,” gliding above the stadium in a floating car, before closing with the emotional, red-white-and-blue finale “AMEN.”
And yes, the concert didn’t end until 1 a.m. Luckily, the City of Chicago literally extended its curfew, a treatment that only an artist of such magnitude would warrant.
From sheltering in place to shouting lyrics into the post-midnight air, Beyoncé’s Chicago faithful proved their devotion. And Beyoncé, ever the showwoman, proved that even a thunderstorm can’t dim her spotlight.
After all, when the Queen says we’re gonna have ourselves a good ole time—she means it. Rain or shine.








