Dreamville rapper Omen announced his debut LP, Elephant Eyes, three years ago. A now it’s almost here. And from the upcoming album, today we have Omen’s Dreamville collaboration with the label’s frontman, J. Cole. The Chicago rapper’s new track is called ‘Things Change’ is one of 11-tracks off the forthcoming LP. Elephant Eyes will release July 21st (tomorrow) via J. Cole’s Dreamville label.
Listen to ‘Things Change’ and check out the tracklist for Elephant Eyes below.
Meek Mill has nothing but positive things to say about his rap peers, J. Cole and Kendrick Lamar. However, when it comes to artists that inspire him, Meek said in a recent interview with Angie Martinez, that Cole and Kendrick do not make the cut. “They’re dope lyricists, great rappers…but they don’t inspire me. They don’t seem like they’re talking to me. And that ain’t no hate,” Meek said when speaking on Kendrick and Cole.
When it comes to the artist that Meek listens to he listed the likes of Future, Dej Loaf, Young Thug and Jay-Z. No disrespect intended from Meek, but it will be interesting to see if Kendrick or Cole give the rapper a friendly reminder of why they should inspire him. After all, they put out two of the best rap albums in the past year (and it isn’t even debtable).
Watch Meek Mill’s full interview with Power 105.1‘s Angie Martinez below.
The sounds of a church choir quickly followed by snapping snares and a heavy-nod at the Notorious B.I.G. Two years-ago today, this is what introduced people to J. Cole’s sophomore album, Born Sinner. This album would go on to be really the first time that Cole would discuss his handling of the level of fame he has attained. In that sense, this album is a lot like Drake’s second project, Thank Me Later. Similar in the sense of reflection and realization that this life of fame isn’t always bright. The ‘mo’ money, mo’ problems’ argument has been beaten to death by this point but J. Cole wants to give it a few more whacks for good measure.
The first song does what it should. It sets the darker tone for the ensuing tracklist and establishes the characters, the struggle and the direction. Cole uses the album to put himself in plenty of different positions of fame. Whether he is imagining what it would be like to succumb to the money and power or driving his points home with his own real-life scenarios, he is strongly representing the dichotomy of his lifestyle.
This album is also the exhibit for his production. Finishing up the basketball theme attached to his last few mixtapes and first LP (The Warm-Up, The Come-up, Friday Night Lights, and The Sideline Story),Born Sinner is a bold new direction for his sound. Full choirs, quick drums, simple synth rhythms and light piano keys represent a more mature and sophisticated Cole. The beats are much simpler and more easily listened to than your typical radio fare. It is clear that Cole’s focus is still what he is saying and he gives listeners a bevy of sounds to hear him talk over.
Cole is a top-tier wordsmith and this album is his best work in that department to date. Lyrically, there are times where his self-checking and reflection are worded in such a way that something so common, sounds exclusive to Cole. Take buying a chain for example. On ‘Chaining Day’, Cole raps about spending money foolishly to give off that perception of a lavish lifestyle. His first two bars are stated so meticulously that you can hear the comedic regret in his voice. “Look at me, pathetic n*gga, this chain that I bought, You mix greed, pain and fame, this is heinous result.” Later on, on ‘Rich N*iggaz’ Cole addresses this topic of senseless spending and how money ruins more than just your sense of appreciation again. This time, he does it in a much more serious manner. His tone is much more relaxed and the beat is laden with the sound of whiney-chimes. His insight into the future of this lifestyle is greatly paired with his own acknowledgment of how extreme he is making it all sound; but he is worried nonetheless.
His songs all work, to a point. His preaching and insight don’t have the impact of his less serious songs because of his crafty lyricism. The songs that hit the hardest are the ones like, ‘Let Nas Down’. Sincere and not worried about how he is expressing his emotion through wordiness you get a much stronger sense of self from Cole. He is teaching humility with this song and teaches everything from being humble to respectful on much of the album. Some of his other songs can sound like he is trying too hard to impress you while simultaneously trying to get his point across, which works, but only to a point. That being said, Cole makes sure to never waste a bar. Each line cohesively works with the next, even if they occasionally lean misogynistic or are playful metaphors, which every artist is entitled to.
There is no discrediting Cole’s ability as either a lyricist or a producer based on this album. It isn’t perfect, but it is progress — and a lot of it. He is passionate about his craft and has an understanding that many artists don’t. People listen to and are affected by the music he makes. This drives him to always be saying something, even when there is very little to be said on a particular subject, Cole will say what he wants to say and more. It is a trait to be admired in a musician today and though we may all be born sinners, Cole’s music will likely help to create some conversation and allow some people to learn from the lessons life taught him. Cole knows that being famous isn’t everything and he emphasizes in fact, that it is nothing if you lose everything else along the way. That is impossible not to respect.
The wait is finally over as Chance The Rapper and The Social Experiment have released the highly anticipated album, Surf, for free on iTunes. The Donnie Trumpet led project comes in at 16-tracks and has an all-star cast (no exaggeration). As expected, Chance The Rapper is featured on most of the album’s tracks, however Surf also has appearances from Big Sean, J. Cole, Raury, B.O.B., BJ The Chicago Kid, Busta Rhymes, Janelle Monae, Noname Gypsy, Jeremih, Quavo (Migos), Kyle, King Louie, Saba, Erykah Badu, Jesse Boykins III, Saba, D.R.A.M. and Joey Purp. Wow!
These are the highlights of this past week in music! Hopefully you can bump these tracks on your way to work to brighten up your Monday mornings, and to stay up-to-date on today’s music.
This week we have a new collaboration by Lil Boosie and the Coles (J. and Keyshia), a moving political track from Mike Posner, a Meek Mill and Travis Scott record dedicated to the late rappers Chinx and Lil Snupe, and an upbeat dance track from The Chainsmokers.
Off his forthcoming Touchdown 2 Cause Hell project, Lil Boosie has released his new record ‘Black Heaven’. The track stands out, not only because it shows a more soulful side of Boosie, but also because he recruited not just one, but two, of the Coles (no relation of course). Boosie, J. Cole, and Keyshia Cole together make for an unlikely but amazing collaboration in the new song. Touchdown 2 Cause Hell drops in a week (May 26th).
Taking to his Instagram, former Duke Blue Devil Nolan Smith shared a hilarious video of his good friend, Duke senior PG Quinn Cook, convincing two North Carolina mall kiosk workers that he is none other than J. Cole. While Cole and Cook have a lot in common (they look A LOT alike, they have North Carolina ties, and they both can ball), we have to say that Cole is a substantially better singer! Sorry Quinn, at least one of your biggest fans is Mia Khalifa. Drake can’t even say that.
Watch Quinn Cook hilariously trick two unsuspecting J. Cole fans, with his awesome rendition of ‘Apparently’.
Ever since the unexpected announcement and release of his 2014 Forest Hills Drivealbum (his best album to date), J. Cole has stayed busy. And with the release of his new music video for his ‘Wet Dreamz’ track (which coincidentally is about the first time Cole got busy), J. Cole is continuing to stay busy. Not only is J. Cole currently on a huge three-part worldwide tour, but now he is recording music videos where Cole co-stars with dogs (you read that right, dogs). Personification at its best use in a rap video for sure!
Watch Cole’s ‘Wet Dreamz’ video below, and Chicago fans be sure to catch Cole’s Chicago stop on his tour, July 28th in Tinley Park with Big Sean, YG and more!
Yesterdau, Jay-Z’s new artist-owned streaming service TIDAL held a huge press conference with a lot of star-power. TIDAL describes itself as “the first music streaming service that combines the best High Fidelity sound quality, High Definition music videos and expertly Curated Editorial.” In attendance for the press conference was Jay-Z, Beyonce, Kanye West, Jack White, Daft Punk, and Rihanna (just to name a few). Seeing so many great artists team up for one common goal, we couldn’t help but be reminded of the artists in the room that have made great music together in the past.
Of course Jay-Z has made a plethora of hits with friend Kanye West and wife Beyonce, but a lot of the collaborations in the room are maybe under your radar. So we took the liberty of creating a huge flowchart and guide to help you follow. Check out our flowchart above and hit the jump for a complete guide to learn which TIDAL artists/owners have worked together in the past.
J. Cole saved hip-hop last year, making him our “2014 Man of the Year”, and while 2015 doesn’t need saving, with a bunch of great rap releases already hitting shelves this year, J. Cole is still finding a way to make 2015 his year as well. Although he is currently on his Forest Hills Drive Tour, which has three different legs this spring and summer, J. Cole today released his official music video for his 2014 Forest Hills Drive track ‘G.O.M.D.’
Check out the Lawrence Lamont directed video for ‘G.O.M.D.’ below.