Tag Archives: Music

Only Wanna Be at Windy City Smokeout: 7 Reasons Day 2 and Hootie& the Blowfish Delivered

Photo by Dan Garcia/The Early Registration

Windy City Smokeout may be built around country music, smoked meats and cold drinks, but Day 2 demonstrated that its musical borders are wide enough to accommodate one of the most successful pop-rock bands of the 1990s.

Hootie & the Blowfish headlined Thursday night’s festivities outside Chicago’s United Center, delivering a nostalgia-heavy performance without allowing nostalgia to become the entire point. Earlier in the evening, Scotty McCreery brought his unmistakably deep voice and traditional-country sensibilities to the stage before creating the day’s defining surprise: the first live performance of his hit collaboration with Hootie & the Blowfish, “Bottle Rockets.”

From enormous choruses to an unexpected onstage reunion, here are seven reasons Day 2 of Windy City Smokeout delivered.

1. Hootie & the Blowfish remain one of music’s greatest singalong bands

Some artists have popular songs. Hootie & the Blowfish have songs that seem to activate an entire crowd within their opening notes.

The band’s catalog is filled with the type of choruses that listeners do not merely recognize—they instinctively join. Decades after songs such as “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You” first dominated the radio, their words remain embedded in the memories of fans who grew up with Cracked Rear View.

That familiarity made Hootie’s headlining performance especially well suited for a festival. Even attendees who may not have considered themselves devoted fans knew considerably more of the set than they might have expected.

When the biggest choruses arrived, the crowd did not need an invitation to participate. Thousands of voices transformed the performance into something resembling a reunion between old friends—even when many of those friends had never met before Thursday night.

2. Darius Rucker’s unmistakable voice still carries the show

Hootie & the Blowfish would not sound like Hootie & the Blowfish without Darius Rucker’s voice.

His rich baritone remains one of the most recognizable instruments to emerge from 1990s rock. Warm enough to sell the band’s most sentimental material and powerful enough to rise above its guitars, Rucker’s vocals gave every familiar song its signature character.

That voice has aged particularly well. Rather than attempting to recreate the exact sound of the band’s earliest years, Rucker performed the material with the depth of someone who has spent decades living alongside it.

The result was comforting without feeling overly polished. As soon as Rucker began singing, the festival grounds could have been almost anywhere: a country festival in Chicago, a summer amphitheater or a car with Cracked Rear View playing through its speakers.

3. The performance proved nostalgia does not have to feel like a novelty act

Nostalgia was undeniably part of Hootie & the Blowfish’s appeal Thursday night. For many fans, the performance offered an opportunity to revisit songs connected to high school, college, family road trips or the seemingly endless radio rotation of the 1990s.

But the set did not feel like a band simply cashing in on memories.

Hootie & the Blowfish still performed like a working group rather than a collection of musicians assembled to reproduce old recordings. The songs were treated as living pieces of the band’s catalog, not museum exhibits that needed to be preserved exactly as they sounded three decades ago.

There was comfort in hearing the hits, but there was also substance behind them. The performance reminded the crowd why the music became so successful in the first place: strong melodies, instantly memorable hooks and a band whose chemistry has always felt refreshingly unforced.

Nostalgia may have drawn some fans to the stage, but the performance gave them more than nostalgia in return.

4. Hootie brought welcome rock energy to a country festival

Windy City Smokeout has increasingly shown that country music does not need to exist inside rigid boundaries. Hootie & the Blowfish pushed those boundaries further by bringing a rootsy pop-rock sound to the festival’s Thursday-night headlining slot.

Their guitars gave the evening a different texture from the more traditionally country performances heard earlier in the day. The change never felt disruptive, though. Hootie’s music shares enough DNA with country—storytelling, acoustic foundations and melodies designed for communal singing—that the band fit comfortably into the Smokeout atmosphere.

At the same time, the group’s rock energy helped distinguish Thursday from the festival’s other days. It provided a refreshing reminder that a strong country festival can become more interesting, not less authentic, when its lineup leaves room for complementary sounds.

Hootie may not fit every narrow definition of a country band, but on Thursday night, the group certainly looked at home.

5. Darius Rucker’s country career made Hootie a natural Smokeout headliner

Had Hootie & the Blowfish appeared at a country festival during the height of the band’s initial success, the booking might have seemed unexpected.

That is no longer the case.

Rucker’s enormously successful country career has connected two major chapters of his musical life. Fans who first discovered him through Hootie now stand beside younger listeners who may know him best through his solo hits and his version of “Wagon Wheel.”

That crossover made Hootie uniquely qualified to headline Windy City Smokeout. The band could satisfy fans looking for 1990s favorites while remaining relevant to an audience accustomed to hearing Rucker on country radio.

Instead of feeling like an artist borrowed from another genre, Hootie felt like part of the extended country family. Rucker’s career has made the distance between those musical worlds seem considerably smaller than it once did.

6. Scotty McCreery’s baritone sounded even bigger in person

Long before Hootie & the Blowfish took the stage, Scotty McCreery gave the crowd one of Thursday’s most distinctly country performances.

McCreery possesses a voice that is almost impossible to mistake for anyone else’s. His low, resonant baritone immediately gave his set an identity of its own, cutting through the open-air festival environment with clarity and authority.

That voice has always made McCreery sound older than his years, but his performance demonstrated the confidence and control that have come with experience. He no longer feels defined by the television competition that introduced him to a national audience. He carries himself like an established country performer with a substantial catalog and a clear understanding of what his audience wants.

The depth of his vocals also created a compelling contrast with Rucker’s later performance. Day 2 featured two of popular music’s most recognizable baritones, each approaching country music from a different direction.

7. Scotty McCreery and Hootie & the Blowfish made “Bottle Rockets” history

The most memorable moment of Day 2 arrived before Hootie’s headlining set had even begun.

During his performance, McCreery welcomed Hootie & the Blowfish to the stage for “Bottle Rockets,” marking the first time the artists had performed their collaboration together in concert.

The song was already a natural fit for the festival. Its easygoing, summertime energy matched an event built around live country music, barbecue and spending an entire day outdoors with friends. Hearing it performed by McCreery alone would have worked perfectly well.

Bringing out Hootie, however, elevated it from another song in the set to a genuine festival moment.

The collaboration also tied the day’s two biggest performances together. Rather than Scotty McCreery’s set ending and Hootie’s beginning as completely separate attractions, “Bottle Rockets” created a bridge between them. It rewarded fans who arrived early, generated anticipation for the headliner and delivered something that could not simply be replicated at the next tour stop.

Festivals are at their best when they produce moments made possible by having so many artists gathered in one place. On Thursday, Windy City Smokeout gave Chicago exactly that.

Hootie & the Blowfish may have supplied the familiar songs that closed the evening, but their surprise appearance with McCreery ensured that Day 2 also offered something entirely new.

PARTYNEXTDOOR – “Kehlani’s Freestyle”

BY TER STAFF

In PND’s new song, he lets out the feelings he has for the R&B singer, Kehlani.  The two were in a relationship for a while, until Kehlani claimed she was single in a recent tweet.  Titled “Kehlani’s Freestyle”, this follows the footsteps of Drake’s “Bria’s Interlude” and “Cece’s Interlude” where the singing rapper also reveals his feelings towards his past girls.  The dreamy beat mixes perfectly with PND’s smooth vocals. Listen to the track below.

Lana Del Rey drops title track off upcoming album, “Honeymoon”

BY TER STAFF

Photo by Dan Garcia/The Early Registration
Photo by Dan Garcia/The Early Registration

After months of tortuous teasing from Lana Del Rey, she has finally decided to drop the single, and the album’s title track, “Honeymoon”.

The single is a slow and swelling six minute burn that floats along sweet and serene strings. Staying in her breathy, whispery pocket, it seems she is continuing the departure of her more pop-friendly sound carved out on her first album Born To Die, as this new track sonically sounds more akin to her last full length LP, Ultraviolence.

Look for her new album Honeymoon to be out this September and listen to the new single with the same name below.

Wizkid – Ojuelegba Remix (feat. Drake & Skepta)

BY TER STAFF

Drake and Skepta

Nigerian artist Wizkid’s infamous song “Ojuelegba” was discovered by many people after playing on OVO Sound’s Beats 1 radio station last Saturday.  The surprise remix with Drake and Skepta premiered on OVO Sound Radio without an announcement beforehand. Today, Skepta released the official audio on his SoundCloud. Listen to the summer jam below.

Is Frank Ocean About to Premiere New Music in the Upcoming Movie ‘Southpaw’? [UPDATED]

BY TER STAFF

Photo by Blake Ponto/HYPETRAK
Photo by Blake Ponto/HYPETRAK

A new Jake Gyllenhaal boxing-themed blockbuster is about to hit theatres on July 24th, but something else even more exciting might be coming our way along with the film.

On the website ‘Letterboxd’, users are able to post reviews for films and filmmaker and reviewer James Healey posted  some very interesting information not only regarding the film, but about a new Frank Ocean song that appears at the end of the film. Read his review below.

“Southpaw is going to be one of the biggest blockbusters of the summer. Jake Gyllenhaal is phenomenal, giving a heart breaking performance. The film is very depressing and a bit manipulative, but overall incredibly touching and made me cry a lot. The plot is formulaic and predictable at times but still enjoyable. Use of color during matches is fucking beautiful. The action is so good, POV shots look so fucking cool. The worst thing Southpaw does is HEAVILY over scoring, but at least there is a new Frank Ocean song at the end.

Wait, what?! Healey might have just informed the world that new music from the one and only Frank Ocean is included in the film, which means that either a new song is going to be exclusively premiered in the film, or, we might even get new music before then and the usage of the song would be used promotionally. Frank Ocean has already teased new music coming this month with a photo he posted on his website back in April with the hashtags underneath it reading “#ALBUM3” and “#JULY2015”.

The music for the film has already been well publicized due to Eminem and Shady Records executive producing it, but a new Frank Ocean track would only add to the hype. Whatever it is, any news regarding new music from Frank Ocean is good news, and we’ve never been more ready.

Peep the trailer for ‘Southpaw’ below, in theatres July 24.

UPDATE: It seems as though the Frank Ocean track included in the movie may be the previously released “Wiseman”. Check out the tweet below.

Songs of the Week | Featuring J. Cole, Drake, Jeezy and More!

BY CHRIS MONTANA

Photo by Dan Garcia/The Early Registration
Photo by Dan Garcia/The Early Registration

From now on every Sunday we will feature “Songs of the Week” to catch you up on the highlights of the past week in music, as well as one throwback track! Hopefully you can bump these on the way to work to brighten up your Monday mornings!

Continue reading Songs of the Week | Featuring J. Cole, Drake, Jeezy and More!

YG Asks Fans on Twitter to Choose the Next Single off “My Krazy Life”

BY CHRIS

Photo by civilclothing.com
Photo via civilclothing.com

 

YG dropped his debut album “My Krazy Life” in March and it was met with critical acclaim and great commercial success. So today the young west coast rapper took to Twitter to ask his fans what his next single should be Continue reading YG Asks Fans on Twitter to Choose the Next Single off “My Krazy Life”