Category Archives: Features

This or That: Taylor Swift’s “folklore” or “evermore”

BY TER STAFF

Taylor Swift
Photo by Dan Garcia/The Early Registration

Taylor Swift has cemented herself as one of the most iconic and influential artists of our time. With each album, she has shown remarkable growth and evolution, constantly pushing the boundaries of what we expect from her music. Two of her most recent albums, “folklore” and “evermore,” have been particularly acclaimed, showcasing her versatility and depth as a songwriter. We will explore the debate of which album is better between “folklore” and “evermore”, both of which were released post-Covid, just a few months from each other. From the cohesive concept of “folklore” to the experimental sound of “evermore,” we will delve into the strengths of each album and make a case for why one may be better than the other. Whether you are a die-hard Taylor Swift fan or a casual listener, this article will provide insight into the nuances of her music and the impact it has had on the industry.

“folklore is the better album”

Taylor Swift’s “folklore” is undoubtedly her most impressive and poignant album yet. From the moment the opening track “the 1” starts, the listener is transported to a world of ethereal melodies, melancholy lyrics, and stunning production. Here are some reasons why “folklore” is superior to “evermore”:

Cohesion and concept

“folklore” is a masterful collection of songs that all feel connected to each other, creating a cohesive album that tells a story. Each song builds on the previous one, adding depth and nuance to the overall narrative. In contrast, “evermore” feels more like a collection of individual tracks that don’t necessarily flow into each other as well.

Standout tracks

While both albums have their fair share of standout tracks, “folklore” has a stronger overall selection. “cardigan” is a beautifully crafted ballad with haunting lyrics and a memorable chorus, while “exile” is a stunning duet with Bon Iver that showcases Swift’s vocal range and emotive delivery. “august” is a wistful, nostalgic song with an infectious melody that will stick in your head long after you’ve finished listening.

Cultural impact

“folklore” was a game-changer for Swift, not only in terms of her musical style but also in terms of the way she was perceived by the public. The album showed a newfound maturity and depth in her songwriting, earning her critical acclaim and cementing her status as one of the most important artists of her generation.

“evermore is the better album”

While “folklore” is undeniably a masterpiece, “evermore” takes everything that made its predecessor great and elevates it to new heights. Here are some reasons why “evermore” is the superior album:

Exploration of new sounds

“evermore” pushes the boundaries of what we expect from a Taylor Swift album. The album features more experimentation with different genres, from the pulsating beats of “long story short” to the haunting harmonies of “coney island.” This willingness to take risks and explore new sounds is what makes “evermore” stand out.

Collaborations

While “folklore” had some great collaborations, such as the aforementioned duet with Bon Iver, “evermore” takes it to the next level. From the duet with Haim on “no body, no crime” to the haunting vocals of The National’s Matt Berninger on “closure,” the collaborations on “evermore” add depth and texture to the album.

Emotional depth

While both albums are emotionally charged, “evermore” takes it to a whole new level. The album explores themes of grief, loss, and heartbreak in a way that feels raw and honest. Songs like “champagne problems” and “tolerate it” are heartbreaking in their vulnerability, while “happiness” is a poignant meditation on the struggle to find joy in the midst of pain.

All in all, both “folklore” and “evermore” are incredible albums that showcase Taylor Swift’s evolution as an artist. While “folklore” may have had a more significant cultural impact and a stronger overall selection of standout tracks, “evermore” takes risks and explores new sounds in a way that makes it feel like a natural progression from its predecessor. Ultimately, the decision of which album is better will depend on personal taste and what aspects of Swift’s music resonate most with the listener.

5 Can’t Miss Chicago Concerts in March: Gracie Abrams, John Mayer, WizKid & More

BY TER STAFF

Gracie Abrams
Photo by Dan Garica/The Early Registration

As winter comes to a close and spring approaches, Chicago’s music scene is heating up with a lineup of highly anticipated concerts featuring some of the biggest names in the industry. Next month promises to be an exciting month for music fans, with a variety of genres and styles represented in a series of concerts across the city. Whether you’re a fan of indie pop, hip-hop, or rock, there’s something for everyone on this list of the most anticipated Chicago concerts in the month of March. From the most exciting up-and-coming artists to seasoned veterans, these performers are sure to put on unforgettable shows that will leave fans talking about the night long after the final encore. So mark your calendars and get ready for a month of incredible live music in the Windy City.

Check out our list of the 5 can’t miss concerts in Chicago in March below!

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A Night to Remember: Noah Kahan Rocks at Milwaukee’s Sold-Out Miller High Life Theatre

BY TER STAFF

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Photo by Tess Trueblood/The Early Registration

Milwaukee was treated to a night of unforgettable live music as singer-songwriter Noah Kahan took to the stage for a sold-out crowd at the Miller High Life Theatre. The Vermont-native, known for his soulful voice and captivating live performances, treated fans to a set filled with crowd-pleasers and cuts from his latest studio album, “Stick Season”, one of the top albums to come out of the quarantine that has resonated with so many fans across the globe.

With a mix of performances from his first three albums, including a memorable encore of his breakout single “Stick Season”, Kahan had the audience of 4,000+ entranced from start to finish. Noah Kahan paid visit to Milwaukee during his first tour, performing for a few hundred at the Turner Hall Ballroom, but last night was evidence of his growth and massive reach in the past couple years.

In what was easily the biggest concert in Milwaukee for the year thus far, we sent our photographer Tess Trueblood to the Miller High Life Theatre to capture the highlights of the memorable night, giving fans a glimpse of Kahan’s unforgettable Milwaukee concert.

Photos by Tess Trueblood/The Early Registration

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5 Can’t Miss Chicago Concerts in February: SZA, Muse, A Boogie Wit Da Hoodie & More

BY TER STAFF

SZA
Photo by Dan Garcia/The Early Registration

Chicago is known for its rich musical heritage and its vibrant live music scene, and this February is no exception. From the biggest names in R&B and rock to the hottest up-and-coming acts, there is something for everyone this month. Here are the most anticipated concerts happening in Chicago this February:

Check out our list of the 5 can’t miss concerts in Chicago in February below!

Continue reading 5 Can’t Miss Chicago Concerts in February: SZA, Muse, A Boogie Wit Da Hoodie & More

Our 5 Favorite Moments from 103.5 KISS FM’s Chicago Jingle Ball with Jack Harlow, Pitbull & More

BY TER STAFF

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Photo via Instagram

It was was Christmas in Texas last night at iHeartRadio’s massive annual Jingle Ball Tour returned to the Dallas-Fort Worth area for an unforgettable night of live music at the Dickies Arena. As the crowd got to unwrap gifts from major music artists, new and old across all different genres, including Jack Harlow, the Black Eyed Peas, Lauv, Khalid and many more, the Jingle Ball is as amazing and festive as ever.

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Jack Harlow Keeps Us Laughing

“First Class” rapper Jack Harlow had his hits and personality on full display Monday night. Between Harlow’s performances from his first two albums, as well as his massive Lil Nas X collab “Industry Baby”, the Louisville native kept us laughing with his between song banter. “Two white rappers in a row, that’s a bold move,” Harlow joked after following Macklemore. Harlow is impossible to not root for.

Pitbull Closes Out with the Hits

Monday night’s stacked lineup ended with the most seasoned veteran on the whole bill, Mr. Worldwide himself, Pitbull. Delivering a 7-track set to put the cherry on top of a memorable night, Pitbull only brought the hits to the Allstate Arena. Starting with “Don’t Stop the Party” and finishing with “Give Me Everything”, Mr. 305 was easily a highlight in the 847.

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Jax Finds a New Job

Jax is just a few performances into her career but its evident that she will be around for quite sometime as a performer. However she decided to pick up a second job as an arena security guard, as the “Victoria’s Secret” artist sported an arena staff members jacket during her performance. She blamed the wardrobe choice on a malfunction, but we are convinced that she just couldn’t resist making the joke during her opening set on Monday.

Khalid Spreads Positive Vibes

Khalid was nothing but smiles during his Allstate Arena performance for the Jingle Ball crowd. Khalid and his dancers kept us entertained throughout his 5-song set, with standout tracks like “Location”, “Talk”, “Better”, “lovely” and his Halsey collab, “Eastside”.

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Macklemore Shines

Amongst an unbeatable lineup of musicians, one performer stood out the most, that being “Thrift Shop” rapper Macklemore. The Washington native was unstoppable on Monday and delivered an unmatched among of energy the reminded us of how great his live performances are. Macklemore challenged the sold-out arena to make sure that when he talked to his daughter following the Jingle Ball tour, Chicago would be the city that he told her was the most live. Chicago called Macklemore’s bluff and matched his energy from start to finish.

Review: iHeartRadio Jingle Ball Tour Kicks of in Fort Worth with Jack Harlow, Black Eyed Peas & More

BY TER STAFF

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Photo by Dan Garcia/The Early Registration

It was was Christmas in Texas last night at iHeartRadio’s massive annual Jingle Ball Tour returned to the Dallas-Fort Worth area for an unforgettable night of live music at the Dickies Arena. As the crowd got to unwrap gifts from major music artists, new and old across all different genres, including Jack Harlow, the Black Eyed Peas, Lauv, Khalid and many more, the Jingle Ball is as amazing and festive as ever.

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Photo by Dan Garcia/The Early Registration

First up for the night was Atlantic Records recording artist, Jax. One of the many talented artists to emerge into stardom during the quarantine, Jax already has a successful pop record on her résumé but is still a stranger to the big stage. “Oh my god, I’m in an arena,” Jax told fans before kicking off her set. Opening with her nostalgic track “90s Kids”, Jax kept fans singing and laughing with her buff Santa costume throughout her 3-song performance. The New York native closed her set with her biggest record to date, “Victoria’s Secret”, before saying goodbye to her fans and incriminating herself, sharing her plans to sneak into the dressing rooms of some of her favorite musicians who would hit the stage moments later.

Next up was Lauren Spencer-Smith, an American Idol alum who has already surpassed her 18th season peers. The Canadian singer-songwriter performed a few tracks from her growing career, including her single “Narcissist”, which Spencer-Smith foreshadowed in the set by pointing out a fan in the crowd wearing the singles’ merch. Last but not least she ended her set with her breakout single, “Fingers Crossed”, the song that changed her life, which Spencer-Smith credits to its success on iHeartRadio.

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Photo by Dan Garcia/The Early Registration

Following the two newcomers that rewarded fans for finding their seats on time, it was time for a Jingle Ball alum to return to the stage. Opening with her 2020 hit single, “King & Queens” the artistic and talented Ava Max hit the stage. Max was a woman of few words on Tuesday night, making time for her growing catalog of hits like “Sweet But Psycho”, “Weapons” and of course her Tiesto-assisted track, “The Motto”. The 6-song performance wasn’t without issue, as Max was noticeably adjusting her monitor during the set, but she handled it like a pro and sounded perfect dispute any sound issues that she was experiencing behind the mic.

After Ava Max crushed it, it was time for another newcomer, 23-year-old Nicky Youre who gave fans a little bit of everything. Not only did he close things out with his breakout single “Sunroof”, which has been heard by everyone with a TikTok account, but Youre also performed a lesser known single, a Neon Trees cover and even an unreleased track, “Weatherman”, which he told fans they’ll be able to hear soon if Tuesday night’s crowd liked it enough.

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Photo by Dan Garcia/The Early Registration

The arena heard the loudest screams of the night perhaps when it was announced that Lewis Capaldi was up next. Making the journey from Scotland to Texas, Capaldi reminded us of his pipes and vocals throughout his set. When he wasn’t making us tear up with love songs like “Before You Go” and “Someone You Loved” he did a 180 making us crack up (no pun intended), talking about the big sh*ts (his words) that he has had to take due to the Texas BBQ that he has consumed since touching down in Dallas. Although he had a comedy bit about his chaffed buttcheeks practically as long as Jax’s set, he still delivered a number of our favorite songs.

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Photo by Dan Garcia/The Early Registration

Moments later, another man who is no stranger to the Jingle Ball, Khalid, hit the stage to perform a collection of his biggest hits. Opening his set with his 2017 single “Young Dumb & Broke”, the RCA singer then followed things up with his Grammy nominated “Talk” and his Marshmello produced “Numb”, although the crowd could certainly feel every word. Although he performed 7 tracks, everyone was a hit, a trend that would continue throughout the night with the headlining acts.

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Photo by Dan Garcia/The Early Registration

Delivering a dose of rap to the Jingle lineup on opening night was Jack Harlow. Harlow had just landed in Dallas from his homestate of Kentucky an hour before his set and he certainly hit the ground running with tracks like “Tyler Herro”, “I Wanna See Some Ass”, “Already Best Friends” and his massive Lil Nas X collab, “Industry Baby”. Next Harlow had the crowd rapping along with his breakout hit “What’s Poppin”, one of the highlights of the night. Despite the all ages crowd, Jack Harlow was unapologetically himself, but then again he wasn’t talking about his bowel movement like Lewis Capaldi so who would even complain about him wanting to see some ass? Harlow’s performance was evidence of why the Jingle Ball’s diversity across genres makes its such a “First Class” event.

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Photo by Dan Garcia/The Early Registration

Although Jack Harlow is a tough act to follow, singer Lauv was up for the challenge for the second to last performance of the night. Opening with his 2021 single “All 4 Nothing”, Lauv instantly had the crowd dancing to his top songs. With a setlist that included tracks like his Troye Sivan-assisted “i’m so tired…”, “Modern loneliness” and “f*ck, I’m lonely”, Lauv may be tired and lonely in his music but he had a packed arena of screaming fans on Tuesday night. Putting a cherry on top of his set, the San Francisco native said goodbye to Fort Worth with his breakout 2018 single “I Like Me Better”.

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Photo by Dan Garcia/The Early Registration

Last but certainly not least, the Black Eyed Peas performed a huge career spanning set that touched everything in their couple decades of hits but also left the crowd wanting more. The remaining energy Dallas had left was spent dancing and singer to huge hits like “Boom Boom Pow”, “Let’s Get It Started” and “Pump It Louder” to name a few. Jack Harlow wasn’t the only artist on the bill with ties to Fergie, but even without their legendary female vocalist, the will.i.am-led Black Eyes Peas are still a must see act. iHeartRadio couldn’t have picked a better group to end the night with for the first date of 2022’s Jingle Ball Tour.

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7 Songs We Need to Hear at Dallas’ iHeartRadio Jingle Ball with Jack Harlow, Black Eyed Peas & More

BY TER STAFF

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Photo by Dan Garcia/The Early Registration

Christmas comes early whenever iHeartRadio’s Jingle Ball Tour comes to town. Making it’s first stop at the Dickies Arena in Fort Worth, TX, everyone’s favorite holiday concert is again bringing the biggest names in music to a city near you. Kicking things off for the Dallas Jingle Ball this year are names like Jack Harlow, the Black Eyed Peas, Khalid, Ava Max, Lauv and more!

So with so many talented performs sharing the stage, there are of course several songs that we need to hear before the night is over. From Jack Harlow’s big hits from the past two years to the Black Eyed Peas catalog of bangers from the last two decades, check out our set-list wish-list for Tuesday night’s concert.

Here’s our list of the 7 songs that we need to hear at Dallas’ iHeartRadio Jingle Ball this week:

Continue reading 7 Songs We Need to Hear at Dallas’ iHeartRadio Jingle Ball with Jack Harlow, Black Eyed Peas & More

Review: Demi Lovato Makes Amends to Chicago with Entertaining Tour Closer

BY TER STAFF

Photo by Dan Garcia/The Early Registration

Just a month ago Demi Lovato was forced to postpone her October performance at the Rosemont Theatre a few short hours before showtime after the singer woke up with no voice. “I’m so sorry but it breaks my heart to tell you I have to reschedule the show,” wrote Lovato wrote to fans on Instagram. And while the sudden update was heartbreaking to her loyal Chicago fans, Lovato made up for the postponement and then some on Thursday night.

Now treated to the closing night on her headlining “Holy Fvck Tour”, fans at the Rosemont Theatre enjoyed performances from Lovato’s brand new rock album, which debuted a totally new sound from the former Disney star, as well as spins on some of her classic pop songs from throughout her career.

After delivering a few standouts from her new album, “Holy Fvck”, Lovato quickly took time to thank her fans and address the delay:

“First off, I just want to say, thank you so much for coming tonight,” Lovato told fans. “It’s no secret that I was supposed to play here back in October, and I got really really sick, I had no voice and I had to postpone the show, but you guys are here tonight and I promise I’m going to make it up to you guys.”

Although she owed no one an apology for losing her voice for performing with such energy from night to night, Lovato closer her apology by foreshadowing the rest of the evening, “Its the last night of the tour and I’m ending it here with you guys. Are ya’ll ready to have a f*cking good time tonight?”

Lovato delivered on that promise, getting the momentum for the rest of the night started with a familiar tune, a more rock-infused rendition of Demi’s massive hit “Confident”. Although Lovato’s new style and sound is very far removed from her 2015 album and especially her earliest projects, it’s great to see some of her hits still make their way into the setlist.

Next up Demi performed a couple fan favorites from the late 2000s, an unexpected Ashlee Simpson cover and her unapologetic anthem, “Sorry Not Sorry”. The remainder of her career spanning set was full of new tracks and spins on the old, a model which she perfected until the concert’s final moments.

Ending the evening on a high note, Demi finished with her new biggest track, her album’s lead single “Skin Of My Teeth” and perhaps her biggest pop single to date, “Cool For The Summer”, putting a big cherry on top of what was already a night that her Chicago fans will not forget.

Despite the original postponement, Demi more than made up for the new date with her Thursday night performance and now her Chicago fans will have less time to wait before she returns to the Windy City.

Set List

HOLY FVCK

FREAK

SUBSTANCE

EAT ME

Confident

Here We Go Again

Remember December

La La Land / La La (Ashlee Simpson cover)

Don’t Forget

4 EVER 4 ME / Iris (Goo Goo Dolls)

Sorry Not Sorry

CITY OF ANGELS

Skyscraper

29

Heart Attack

SKIN OF MY TEETH

HAPPY ENDING

Cool for the Summer

Photos: Marcus Mumford Returns to Madison for Riveting Solo Performance at The Sylvee

BY TER STAFF

Marcus Mumford performs for a sold out crowd at The Sylvee in Madison, WI (Photo by Dan Garcia).

Just over a month into his first solo headlining tour, Mumford & Sons’ Marcus Mumford paid a visit to The Sylvee in Madison, WI. Returning to Wisconsin’s capital for the first time since 2019, after Mumford & Sons performed for a packed crowd at the Kohl Center, the newly solo Marcus Mumford performed cuts from his new solo release, Self-Titled.

Opening with his Mumford & Sons tracks, “I Will Wait”, “Awake My Soul” and “The Cave”, all from the band’s first two LPs, Marcus eased the crowd into his new project with familiar classics before performing his critically acclaimed solo debut in its entirety. Delivering the entire album from start to finish, fans throughout the sold-out crowd were as familiar with the new tracks as they were his biggest hits as the Mumford & Sons frontman.

But show wasn’t over following the completion of Mumford’s solo catalog, as he put on an encore performance of covers that was worth the price of admission. The final act of Mumford’s set included a cover of Bob Dylan’s “Not Dark Yet” and two tracks from his Jim James, Elvis Costello, Taylor Goldsmith and Rhiannon Giddens supergroup, The New Basement Tapes. The only disappoint of the encore and show was the omission of Mumford’s rendition of Taylor Swift’s “cowboy like me”, which had been performed throughout the tour but not Friday night, which just so happened to be the release date of Swift’s new album “Midnights”.

Marcus Mumford is no stranger to a big stage, but his solo career is quickly paying off as he is releasing some of his best music to date and he still knows how to rock a crowd. But just because he went solo, Mumford will be the first to tell you that he owes his solo success to the talented cast of musicians that he surrounds himself with. However, even if it’s just Marcus Mumford and a guitar on stage, you can guarantee yourself a great performance.

Check out our photos from Marcus Mumford’s Friday night performance at The Sylvee below.

Photos by Dan Garcia

Review: Kacey Musgraves’ Stellar Performance Lights Up Austin City Limits

Kacey Musgraves performs at Weekend One of the Austin City Limits Music Festival (Photo by Dan Garcia/The Early Registration).

Kacey Musgraves’ performance at Weekend One of Austin City Limits 2022 was nothing short of magical. As the Texas native took the stage at Zilker Park, the air was thick with anticipation, and she did not disappoint. Musgraves delivered a performance that was both intimate and electrifying, solidifying her status as a must-see live act.

Opening with “star-crossed,” Musgraves set the tone for an evening that was as much about emotional resonance as it was about musical virtuosity. Her voice, clear and emotive, floated effortlessly over the festival grounds, drawing the audience into her world. The transition into “good wife” showcased her ability to blend personal storytelling with universal themes, a hallmark of her songwriting prowess.

The setlist was a well-curated mix of tracks from her latest album, “star-crossed,” and fan favorites from her earlier work. Songs like “Butterflies” and “Golden Hour” were met with enthusiastic cheers, their uplifting melodies and heartfelt lyrics resonating deeply with the crowd. Musgraves’ ability to connect with her audience was palpable, creating an atmosphere of communal joy and reflection.

One of the standout moments of the night was her performance of “Rainbow.” The song’s hopeful message and stripped-down arrangement allowed Musgraves’ vocal talent to shine, bringing many in the audience to tears. It was a poignant reminder of her gift for crafting songs that speak to the human experience in profound ways.

“Camera Roll” and “Justified” were other highlights, with their introspective lyrics and lush arrangements showcasing Musgraves’ growth as an artist. The visuals, including stunning light displays and carefully crafted stage design, complemented the music perfectly, enhancing the overall experience.

Musgraves’ stage presence was a masterclass in balancing charisma with authenticity. She engaged with the audience through genuine smiles, light-hearted banter, and heartfelt expressions of gratitude. It was clear she was at home on stage, and her comfort translated into a seamless, captivating performance.

Closing with “Slow Burn,” Musgraves left the audience in a state of blissful reverie. The song’s mellow vibe and reflective lyrics provided the perfect end to a set that was as diverse in emotion as it was in musical style.

In a festival known for its eclectic lineup and high-energy performances, Kacey Musgraves’ set stood out for its emotional depth and musical brilliance. Her ability to craft a narrative through her setlist and her impeccable delivery made it a highlight of Weekend One at Austin City Limits 2022. As the final notes faded and the crowd erupted into applause, it was clear that Musgraves had not only met but exceeded the high expectations placed upon her.