Tag Archives: T-Pain

Photos: T-Pain’s Wiscansin Fest Returned to Milwaukee Bigger Than Ever

Photo by Dan Garcia/The Early Registration

What started as a one-off joke in a 2008 T-Pain lyric, rhyming “mansion” with “Wiscansin”, has evolved into one of the Midwest’s most consistently stacked and wildly entertaining hip-hop events of the summer. On Friday night, T-Pain’s Wiscansin Fest returned to The Rave in Milwaukee for its latest installment, and the “Buy U a Drank” hitmaker once again proved he knows how to throw a party, even in a state he has no formal ties to, except in rhyme.

This year’s lineup was easily one of the most eclectic and star-studded yet. The crowd was already buzzing early in the night when viral rapper Armani White, best known for his TikTok hit “Billie Eilish,” opened things up. The energy continued with NLE Choppa, who gave fans both high-octane bangers and a heartwarming moment by bringing his young daughter on stage. Prof followed with a set tailored to the hip-hop purists in the crowd, delivering clever rhymes and offbeat humor with the confidence of an underground king.

The night’s biggest curveball, in the best way, came courtesy of DJ Diesel, a.k.a. Shaquille O’Neal. Towering over his turntables like a living meme, Shaq unleashed an electrifying set that fused hip-hop with EDM drops, shaking the entire ballroom. It wasn’t his first time bringing chaos to The Rave, and based on crowd reaction, it better not be his last.

While the schedule ran about 15 minutes behind throughout the night, it was Glorilla’s delayed set that drew the most attention, and not the good kind. The Memphis rapper, who headlined and sold out The Rave earlier this year, took the stage late and left after performing only one song (“TGIF”), resulting in a wave of boos from disappointed fans. Her brief appearance felt more like a cameo than a performance, especially considering her prominence on the flyer.

Kash Doll got the show back on track with a fan-involved set that included a surprise onstage duet with one lucky audience member, who nailed every word. Wale followed with one of the most engaging performances of the night, jumping into the crowd and spitting bars shoulder-to-shoulder with fans. A regular at The Rave, Wale’s familiarity with the venue shined through, making his set feel like a reunion more than a concert.

The night also included a surprise that didn’t disappoint: Flo Milli. Unbilled until she hit the stage, the rising rap star brought infectious energy and gave fans a teaser of what they can expect when she returns to Milwaukee later this summer to open for Megan Thee Stallion at Summerfest.

Still, all eyes turned to the stage when Pusha T arrived. One-half of the legendary duo Clipse, Pusha tore through his solo catalog with razor-sharp precision, giving Milwaukee fans a preview of what’s to come when he returns with Malice later this year for the Clipse reunion tour.

Just as many fans, however, came for Colombian superstar Feid, who nearly matched T-Pain in crowd size and energy. Donning his signature green shades and delivering hit after hit in Spanish, Feid transformed The Rave into a reggaeton hotspot, proving why he’s become one of Latin music’s most in-demand names.

T-Pain, of course, closed out the night, and as always, he delivered. Backed by a full band and a catalog packed with timeless party anthems, Pain balanced hype and heart as only he can, moving effortlessly from chart-toppers like “Bartender” and “Can’t Believe It” to deeper cuts for the day-one fans. His charisma filled the room, his vocals were sharp, and his genuine joy in hosting Wiscansin Fest was unmistakable.

Despite a couple hiccups, including Keyshia Cole’s unexplained last-minute absence, Wiscansin Fest 2025 was a celebration of music, community, and T-Pain’s ever-growing impact on hip-hop and pop culture. From start to finish, the night reminded us why this fest has become such a staple, even if it all started with a made-up word.

Photos by Dan Garcia/The Early Registration

Photos: T-Pain’s “Wiscansin Fest” Returns to The Rave in Milwaukee

Photo by Dan Garcia/The Early Registration

The Rave was buzzing with excitement on Saturday as T-Pain’s “Wiscansin Fest” made its much-anticipated return. The one-day music festival, curated by the Grammy-winning artist, paid homage to his hit song “I Can’t Believe It,” where he famously rhymed “mansion” with “Wiscansin.” The event featured an impressive lineup of artists that included Akon, Soulja Boy, the Ying Yang Twins, and more. Each act brought their unique style and energy, making the night unforgettable for the enthusiastic crowd.

T-Pain started his headlining set with a mix of classic hits, reminding everyone why he remains a beloved figure in music. Akon supporting set also captivated the audience with smooth vocals on hits like “Smack That” and “Don’t Matter.” His performance was a perfect blend of nostalgia and high energy.

Earlier in the evening, Soulja Boy had the party going with his signature dance moves and crowd favorites like “Crank That (Soulja Boy)” and “Kiss Me Thru the Phone,” energizing the entire venue. The Ying Yang Twins brought their Southern crunk sound to the stage, turning The Rave into a massive dance party with hits like “Salt Shaker” and “Get Low.”

Beyond the music, “Wiscansin Fest” offered a festive atmosphere with fans dressed in their Wisconsin-themed attire. Food trucks, merchandise stalls, and interactive booths added to the overall experience, making it a night to remember.

As the festival concluded, it was clear that “Wiscansin Fest” had again successfully delivered a night of fantastic performances and communal celebration. T-Pain’s unique vision had once again brought together fans for an unforgettable event in Milwaukee.

Check out the photos below to relive some of the best moments from T-Pain’s “Wiscansin Fest” at The Rave!

The Lonely Island Bring Out T-Pain and Jose Canseco for Summerfest Performance

BY TER STAFF

Photo by Dan Garcia

Milwaukee was in for a treat last night, as The Lonely Island (Akiva Schaffer, Andy Samberg, Jorma Taccone) were joined by Bash Brother, Jose Canseco, and their “I’m On A Boat” collaborator, T-Pain for their Summerfest performance.

Currently on their first music tour, The Lonely Island’s live show is full of laughs and hits, and if you’re lucky, even a few special guests. Their act is definitely a must see for the summer.

Check out our photos of The Lonely Island’s Summerfest performance below.

Continue reading The Lonely Island Bring Out T-Pain and Jose Canseco for Summerfest Performance

Summerfest Day 7 In Photos: Kyle, Chris Stapleton, T-Pain & More

BY TER STAFF

Photo by Dan Garcia/The Early Registration

Summerfest kept the momentum going last night with another lineup of great live music. From some memorable hip-hop performances from Kyle and T-Pain, to Chris Stapleton’s first of two Summerfest performances in 2017, last night was one to remember.

Check out our Summerfest Day 7 photos below of Kyle, Chris Stapleton, T-Pain, NEEDTOBREATHE, Phillip Phillips, PnB Rock, gnash and more.

Continue reading Summerfest Day 7 In Photos: Kyle, Chris Stapleton, T-Pain & More

Our 25 Most Anticipated Headliners of Summerfest’s 50th Anniversary

BY TER STAFF

Photo by Dan Garcia/The Early Registration

Summerfest went all out for its huge 50th Anniversary! After the Milwaukee festival announced the release of its lineup last night on Jimmy Kimmel Live!, fans were instantly relieved to see that Summerfest nailed it! Joining its previously announced American Family Insurance Amphitheater headliners, the ground stage headliners which were shared last night also show why Summerfest is a can’t miss festival this year.

This year Summerfest will take place from June 28 – July 2 and July 4 – July 9 at the Summerfest Grounds in Milwaukee, WI, and fans can check here for ticket information. Ticket prices start at just $13 and $90 right now for an 11-day pass, with various promotions that run all festival long. Summerfest is one of the most unique music festivals that the country has to offer, so don’t miss out!

It wasn’t easy to decide who we are most excited to see at Summerfest this year, but definitely hit the jump to check out our 25 most anticipated acts of Summerfest 2017. And be sure to check out Summerfest.com for more information!

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Throwback Thursday Review: Rappa Ternt Sanga | T-Pain

rappa-ternt-sanga
BY EVAN VOGEL

T-pain crafted both a dance-floor/bedroom epic with Rappa Ternt Sanga. Chalked full of layered harmonies, acoustic six-strings, rhythmic snaps, claps and just the right amount of bass. T-Pain took his southern coast-style of rap and infused it with intense vocal pitches and alterations, effectively becoming the poster boy for autotuned music. Let’s clear one thing up too, T-Pain has an incredible natural voice. People tend to think that he uses autotune because he can’t sing, but that couldn’t be more incorrect. He is a perfectly competent singer but simply strives for a different sound by utilizing the vocoder. That is actually what makes his music so interesting to listen to, its uniqueness.

Take the tonal changes and other altered elements out and what you have is an R&B album. What autotune did was give him the ability to amplify his voice and turn a typical, soft-spoken verse into an orchestral, room-filling emission. Clean vocal echoes stream over both light electronic and acoustic elements with efficiency and ease. Really, the only purpose the instrumentals need to serve is to give us something to rhythmically nod our heads or move our feet to. In that, they more than fulfill their musical duty. Highlighting T-Pain’s voice as an instrument makes every note, be it instrumental or vocal sound as though they have a cohesive bond to one another. From the sporadic hi-hats of ‘I’m Sprung’ to the revolving flute sounds of ‘I’m In Luv’, few elements mean few distractions.  

The subject matter never strays too far from T-Pain’s adoration of love and women. Clearly easily persuaded by the sight and touch of a beautiful woman, T-Pain succumbs to his sexual vices more often than not. And more often than not, the music’s subject matter and vocal arrangements work as audible advantage, contextualizing it to the bedroom. The moments where he steps out into the world and deals with the stress of bills and even family alienation reveal how much more there is to this sang-rappa.

His music doesn’t need to be particularly deep, honest or telling. Rather than trying to be an open book here, he instead concerns himself with his fantasies. It plays much like a dream. His sweeping vocals layer the musical landscape with enough energy and emotion to keep his narrow lane of subject matter engaging for most of the 71-minute runtime. T-Pain crashed onto the scene with a sound that no other artists possessed at the time. It came as a sort of culture shock to both R&B and Hip-hop because of its unique take on both. It polarized conversations about music for years to come. Is autotune really singing? Yes, yes it is. Far from a perfect album but close to a revolutionary one that would go on to change elements of music production forever. T-Pain will always hold a special undocumented place in Hip-Hop and R&B where there are no rules to abide by and autotune runs rampantly and beautifully free.

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