Orville Peck performs at The Sylvee in Madison, Wisconsin, on Wednesday, November 4, 2026, as part of his Man Turned Mule Tour. (Photo by Dan DeSlover/The Early Registration)
Photos by Dan DeSlover
Orville Peck has a baritone built for songs about leaving town. At The Sylvee in Madison last night, the masked country singer put that voice to work telling a story about starting over. With Abbie Callahan opening the night, Peck’s Man Turned Mule Tour drew heavily from his latest album, a record that turns the hardest year of his life into country songs with room for both grief and a good punch line.
Released in September, Mule traces the year Peck got sober. Its prologue, which played before he began singing, imagines a funeral for the man he had been. Emmylou Harris, Noah Cyrus and Allison Russell sing on the recording, and their harmonies give that opening a solemnity that carries into songs like “Rehab Blues.” The record’s humor comes through elsewhere in the set, particularly in the bluntly titled “You’re an Asshole, I Can’t Stand You (and I Want a Divorce).”
Peck gave the new material plenty of room while reaching back to the songs that established his sound. “Turn to Hate” and “The Curse of the Blackened Eye” arrived early, while “Daytona Sand” closed the main set. The Magnetic Fields’ “Papa Was a Rodeo” fit right into Peck’s world of lonesome cowboys, while “Maybe This Time” brought a bit of Cabaret to a country show.
Peck saved “Dead of Night” for the encore. After a set that spent so much time with Mule, ending with the first song on his debut album, Pony, brought the night back to the spare, lonely sound that made his baritone so recognizable in the first place.
Dan DeSlover was at The Sylvee to photograph the show for The Early Registration. Check out his photos from Orville Peck’s Madison stop below.
Orville Peck performs at The Sylvee in Madison, Wisconsin, on Wednesday, November 4, 2026, as part of his Man Turned Mule Tour. (Photo by Dan DeSlover/The Early Registration)
Singer Chappell Roan proved why her star is on the rise with a memorable golden hour set for the final day of the Austin City Limits Music Festival (Photo by Dan Garcia/The Early Registration).
Day 3 of the Austin City Limits Festival’s second weekend capped off the event in a sweltering fashion, with temperatures hitting record highs. Despite the heat, festival-goers were treated to a diverse lineup of artists, delivering high-energy performances across multiple stages. Here’s a recap of the highlights from the final day.
Petey Petey kicked off the day on the IHG Stage with his usual quirky charm, drawing the audience in by broadcasting the Bears vs. Jaguars game on a giant screen behind him while he performed. His mix of comedic antics and emotional alt-pop songs set the tone for a fun-filled day.
Misterwives On the Honda Stage, Misterwives brought an electrifying performance, with lead singer Mandy Lee delivering her signature dynamic stage presence. Their set closed with fan-favorites “Reflections” and “Our Own House,” complete with energetic guitar riffs and infectious beats that had the crowd bouncing along.
Medium Build Next up was Medium Build on the Miller Lite Stage, blending alt-rock and introspective lyrics into a soulful performance. Their set captivated the crowd as they shared personal stories through music, creating a strong connection with the audience.
Bakar On the T-Mobile Stage, Bakar delivered his unique blend of indie rock and hip-hop. His laid-back yet powerful performance stood out as one of the cooler moments of the hot afternoon, with tracks like “Hell N Back” getting the crowd swaying despite the heat.
Orville Peck Orville Peck graced the Honda Stage in his signature fringed mask, bringing a blend of country and alternative music to life. His haunting baritone voice and western aesthetic captivated the audience, especially during tracks like “Dead of Night.” And for the cherry on top, Peck invited Willie Nelson on stage for a memorable collaboration.
Kevin Abstract Over on the IHG Stage, Kevin Abstract, formerly of Brockhampton, brought an introspective and energetic performance, blending his personal, raw lyrics with an upbeat production. His set was a mix of old favorites and newer tracks, as he engaged with the crowd, offering a deeply personal connection through his music.
That Mexican OT Bringing his blend of Texas hip-hop to the T-Mobile Stage, That Mexican OT had the crowd hyped with tracks like “Johnny Dang.” His rapid-fire flow and heavy beats kept the energy high as festival-goers flocked to his set, even as fans for Chappell Roan began gathering nearby.
Chappell Roan The star of the day was Chappell Roan, who performed to one of the largest crowds ACL has ever seen. Her energetic and theatrical set on the American Express Stage was a festival highlight, especially when she performed “Pink Pony Club,” her final performance of the track in 2024. Fans sporting pink cowboy hats and “Midwest Princess” merch filled the area, making this one of the most memorable moments of the weekend.
Qveen Herby Closing out the night on the IHG Stage was Qveen Herby, whose unique blend of hip-hop, R&B, and witchy visuals made for a spellbinding performance. Dressed in a flowing purple velvet cloak, she moved through her set with hits like “Balenciaga Dreams” and “Abracadabra,” offering a perfect close to the final day of ACL.
Day 3 was packed with unforgettable moments, from Petey’s humor to Chappell Roan’s record-breaking crowd. Despite the heat, the artists brought their best, closing out Weekend 2 of ACL with a bang.
Photos by Dan Garcia/The Early Registration
Your Music Source for News, Reviews, Interviews and Much More!
