Category Archives: Concert Photos

Concert Photos, Features, News

Photos: Cameron Whitcomb Brings the Fragile Egos Tour to The Sylvee in Madison

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Photo by Dan DeSlover for The Early Registration

Madison music fans packed The Sylvee on Tuesday, March 17, as rising singer-songwriter Cameron Whitcomb brought his Fragile Egos Tour to the city for a memorable night of heartfelt storytelling and powerful vocals. The British Columbia native has quickly built a passionate following thanks to his raw honesty and emotionally charged songs, and his Madison stop showcased exactly why he’s one of the most exciting new voices in country-leaning folk and Americana.

The show drew fans of all ages to the downtown venue for an evening that balanced quiet, reflective moments with big sing-along choruses. Whitcomb’s music often pulls from his own life experiences, including leaving home at 17 and eventually channeling those struggles into songwriting that tackles vulnerability and recovery with striking honesty.

The young artist has seen a meteoric rise over the past year, amassing hundreds of millions of global streams and landing on several major “Artist to Watch” lists while touring across North America and Europe. His 2024 debut EP Quitter helped introduce his deeply personal storytelling style, and the songs translated effortlessly to the stage during his Madison performance.

Photographer Dan DeSlover was on hand to capture the evening’s highlights, from Whitcomb’s commanding stage presence to the crowd’s enthusiastic response throughout the set. Check out our gallery below for a look at Cameron Whitcomb’s stop at The Sylvee in Madison.

Photos by Dan DeSlover.

  • Photo by Dan DeSlover for The Early Registration
Concert Photos, Features, News

Check Out Our Photos of Rise Against’s Concert at The Sylvee in Madison

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Photo by Dan DeSlover/The Early Registration

Madison’s vibrant live music scene welcomed a powerful night of punk rock as Rise Against took over the stage at The Sylvee on Sunday, March 15. The Illinois-based band brought their signature blend of melodic punk, socially conscious lyrics, and explosive energy to the popular downtown venue, giving fans a night full of sing-along anthems and high-octane moments.

The evening featured a stacked lineup, with Destroy Boys and Koyo joining Rise Against as support acts. The evening drew fans from across Wisconsin to the 2,500-capacity venue for a packed night of live music.

For more than two decades, Rise Against has built a reputation as one of punk rock’s most impactful bands, combining driving guitars with lyrics that tackle social and political issues. Their live shows are known for their relentless energy and connection with the crowd, and their stop in Madison proved no different as fans filled The Sylvee to hear a mix of beloved hits and newer material.

Photographer Dan DeSlover was there to capture the night’s biggest moments, from the band’s electrifying performance on stage to the sea of fans singing along throughout the venue. Check out our gallery below for a closer look at Rise Against’s Madison stop.

Photos by Dan DeSlover.

  • Photo by Dan DeSlover/The Early Registration
Concert Photos, Features, News

Photos: Sips & Sounds 2026 Day 2, Foster the People, Flipturn and Calvin Harris Lead the Finale

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After an unforgettable opening night featuring Christina Aguilera, Day 2 of the Sips & Sounds Music Festival brought another stacked lineup to Auditorium Shores on Saturday, March 14, wrapping up the two-day event in style. Timed alongside the annual SXSW festivities across Austin, the festival once again drew thousands of fans to the waterfront park for a day packed with indie rock, rising pop stars, and one of the biggest names in electronic music.

With two stages, the Coca-Cola Stage and the SXSW Stage, the second day of the festival offered a steady flow of performances from early afternoon through late night, giving fans plenty of reasons to bounce between stages and soak in the festival atmosphere.

Mallrat Opens the Coca-Cola Stage

Australian pop artist Mallrat kicked off the afternoon on the Coca-Cola Stage, launching the day’s performances on the festival’s main stage. Her dreamy blend of indie pop and electronic elements made for a perfect early-day soundtrack as fans trickled into the park and spread out across the lawn. With Austin’s skyline rising behind the stage, Mallrat’s laid-back yet catchy set helped ease the crowd into the final day of the festival.

Jade LeMac Brings Rising Star Energy

Over on the SXSW Stage, Canadian singer-songwriter Jade LeMac delivered a set that showed why she’s quickly becoming one of pop’s most exciting young voices. With a powerful vocal presence and emotionally driven songs, LeMac connected easily with the audience.

Fans will have more chances to catch her soon, she’s slated to hit the road this summer as a supporting act on Hilary Duff’s upcoming tour, making her Sips & Sounds appearance feel like an early glimpse at a rapidly rising artist.

Stephen Sanchez Channels Vintage Pop Charm

Back on the Coca-Cola Stage, Stephen Sanchez transported the crowd with his retro-inspired sound and crooning vocal style. His set blended nostalgic influences with modern pop songwriting, creating a performance that felt both classic and fresh. Sanchez’s smooth delivery and charismatic stage presence turned the mid-afternoon slot into one of the day’s standout performances.

The Runarounds Keep the Momentum Going

The SXSW Stage then welcomed The Runarounds, who kept the festival energy rolling with an upbeat performance packed with indie-rock hooks and energetic guitar work. By this point in the afternoon, the crowd had grown considerably, and the band’s lively set helped push the festival atmosphere into full swing.

Foster The People Reflect on Their SXSW Roots

One of the day’s most memorable sets came from Foster the People, who returned to Austin with a performance that felt both celebratory and reflective. During the set, frontman Mark Foster told the crowd about playing one of the band’s very first shows at SXSW years ago for a crowd of just seven people.

The moment served as a reminder of how far the band has come, and a message about staying grounded even as success grows. With fans singing along to their signature indie-pop anthems, the performance felt like a full-circle SXSW moment.

Flipturn Closes the SXSW Stage

As evening approached, Flipturn took the stage to close out the SXSW Stage lineup for the weekend. The indie-rock group delivered a soaring, emotionally charged performance that drew one of the largest crowds the stage had seen all day. Their expansive sound and passionate delivery made for the perfect lead-in to the festival’s final headliner.

Calvin Harris Turns the Festival into a Massive Dance Party

To close out the festival, global EDM superstar Calvin Harris headlined the Coca-Cola Stage, delivering a massive set that transformed Auditorium Shores into a full-scale dance party.

As darkness fell over the Austin skyline, Harris unleashed a high-energy mix of chart-topping hits, club anthems, and festival favorites. Massive drops, pulsing lights, and thousands of fans dancing along created a fitting finale to the weekend.

The performance served as a high-octane ending to two days of music, bringing the 2026 edition of Sips & Sounds to an electrifying close.

A Perfect SXSW Weekend Finale

Across two days, Sips & Sounds once again proved why it has become one of Austin’s most exciting spring festivals. With a lineup that blended major global acts, beloved indie bands, and emerging artists, the event captured the creative energy that makes SXSW week in Austin so special.

And judging by the crowds and the performances, the festival’s 2026 edition left fans already looking forward to next year.

Photo Gallery

Scroll down to check out our full gallery of photos from Day 2 of the 2026 Sips & Sounds Music Festival at Auditorium Shores in Austin.

Concert Photos, Features, News

Photos: Sips & Sounds 2026, A Star-Studded First Night at Austin’s Waterfront Festival

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Photo by Dan Garcia/The Early Registration

Austin’s spring festival season kicked off in style Friday night as the Sips & Sounds Music Festival returned to Auditorium Shores for the first of two days of music along the scenic banks of Lady Bird Lake. Timed to coincide with the buzz of SXSW, the two-day event brings major headliners and rising artists to one of the city’s most scenic outdoor spots, offering festivalgoers skyline views, local food and drinks, and back-to-back performances across two stages.

With a lineup spanning indie rock, R&B, electronic music, and pop royalty, Day 1 (Friday, March 13) delivered a packed schedule that kept fans bouncing between the SXSW Stage and the Coca-Cola Stage all afternoon and evening.

Skateland Opens the Festival

Local Austin energy set the tone early as Skateland kicked off the festival on the SXSW Stage. The opening set felt like a perfect warm-up for the weekend, with early arrivals gathering on the lawn as the afternoon sun hung over the downtown skyline. With a laid-back but lively sound, the band provided the kind of local kickoff that Austin festivals are known for.

Aidan Bissett Gets the Crowd Moving

Next up on the main Coca-Cola Stage, rising pop artist Aidan Bissett delivered one of the day’s first big crowd-drawing sets. Bissett’s upbeat songs and charismatic stage presence connected instantly with the early crowd, with fans singing along and filling in the open spaces near the barricade. His set injected a youthful pop energy into the festival lineup and proved why he’s quickly becoming a festival favorite.

The Two Lips Bring Indie Charm

Back on the SXSW Stage, The Two Lips leaned into a breezy indie vibe that perfectly matched the outdoor setting. Their performance felt like the soundtrack to a perfect Austin afternoon, jangly guitars, catchy melodies, and a steadily growing crowd settling in on the grass as the day transitioned toward evening.

Ravyn Lenae Delivers Soulful Highlights

As the sun dipped lower, Ravyn Lenae took over the Coca-Cola Stage with a captivating R&B performance. Her smooth vocals and atmospheric sound gave the festival its most soulful moment of the day. Lenae’s set created a hypnotic mood across the park, with fans swaying along as the skyline lit up behind the stage.

Between Friends Keeps the Momentum Going

Electronic-pop duo Between Friends followed on the SXSW Stage with a genre-blending set that kept the energy high. Their mix of dreamy pop hooks and electronic textures made for one of the most danceable moments of the early evening, with the crowd clearly enjoying the shift toward a more upbeat vibe.

Major Lazer Soundsystem Turns the Festival into a Dance Party

Nightfall brought one of the most electrifying performances of the day as Major Lazer Soundsystem took over the Coca-Cola Stage. Known for their high-energy electronic sets, Diplo and company transformed Auditorium Shores into a full-on dance party. Pulsing beats, massive drops, and crowd-hype moments had thousands of fans jumping in unison as the festival reached peak energy.

Grouplove Ignites the SXSW Stage

Meanwhile, indie-rock favorites Grouplove headlined the SXSW Stage with a joyous, sing-along-heavy performance. Their feel-good anthems and colorful stage presence made their set one of the most uplifting moments of the night, with fans shouting lyrics back toward the stage as the band delivered hit after hit.

Christina Aguilera Closes Night One in Iconic Fashion

Finally, pop icon Christina Aguilera closed out the first night of the festival on the Coca-Cola Stage. Aguilera’s powerhouse vocals and decades-spanning catalog made for a headlining performance that reminded everyone why she remains one of pop’s most celebrated voices.

Her setlist leaned heavily into fan favorites and career-defining hits, including songs like “Dirrty,” “Genie in a Bottle,” “Ain’t No Other Man,” and “Beautiful,” all delivered with the kind of vocal intensity that has defined her career. The performance provided a dramatic and nostalgic finale to a night already packed with memorable moments.

With the Austin skyline glowing behind the stage and thousands of fans singing along, Aguilera’s set was the perfect way to cap off an eventful opening night.

A Strong Start for Sips & Sounds 2026

Day one proved that Sips & Sounds has quickly become a major highlight of Austin’s spring music calendar. The festival blends major headliners with emerging talent across two stages, creating a dynamic experience that feels both massive and intimate at the same time.

And with Day 2 still ahead, featuring another slate of big performances, the weekend at Auditorium Shores is only just getting started.

Photo Gallery

Scroll down to check out our full gallery of photos from Day 1 of the 2026 Sips & Sounds Music Festival at Auditorium Shores in Austin.

  • Photo by Dan Garcia/The Early Registration
Concert Photos, Features, News

Photos: Jesse Welles Brings His Under The Powerlines Tour to The Sylvee in Madison

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Photo by Deanna Glatczak

Madison fans gathered at The Sylvee on Wednesday, March 11, for an intimate and powerful evening with rising folk songwriter Jesse Welles, who brought his Under The Powerlines 2026 tour to the downtown venue. The show was part of a national run of dates highlighting Welles’ raw songwriting and politically charged folk music.

The night began with a stripped-down approach as Welles took the stage alone with an acoustic guitar, performing the first six songs solo. “Sometimes You Bomb Iran,” “The Great Caucasian God,” and “Join Ice” set a poignant and reflective tone early in the set, showcasing the kind of sharp storytelling and protest-leaning folk that has helped Welles build a rapidly growing audience online and on tour. His music often echoes the spirit of classic folk revival artists, using simple arrangements and pointed lyrics to tackle social and political themes.

After the acoustic opening stretch, the show expanded sonically as Welles was joined onstage by a full electric band, shifting the concert into a fuller, more dynamic performance. The added instrumentation brought new energy to the songs while still keeping the focus on Welles’ thoughtful lyrics and distinctive vocal delivery.

From the attentive crowd on the packed floor to fans watching from The Sylvee’s balcony, the Madison stop highlighted why Welles has become one of the most talked-about emerging voices in modern folk music.

Below, check out our photos from the show at The Sylvee.

Photos by Deanna Glatczak.

  • Photo by Deanna Glatczak
Concert Photos, Features, News

Photos: The Floozies Bring the Funk to The Sylvee in Madison

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Madison music fans packed into The Sylvee on Saturday, March 7, for a high-energy night of funk, electronic grooves, and brass-driven chaos as The Floozies brought their Too Many Flooz Tour to town. The evening featured a stacked lineup with Too Many Zooz and Bray Radbury, delivering a genre-bending mix of sounds that kept the crowd moving from the moment the doors opened.

The Floozies, the electro-funk duo made up of brothers Matt and Mark Hill, have built a reputation for turning concerts into full-blown dance parties. Blending live instrumentation with electronic production, the group’s funky guitar riffs, punchy drums, and bass-heavy beats transformed The Sylvee into a pulsing dance floor. Their energetic style has helped them carve out a unique niche in the live electronic scene, where improvisation and musicianship collide with EDM-inspired production.

Saturday’s Madison stop was part of a wider tour pairing The Floozies with the wildly entertaining brass trio Too Many Zooz. Known for their explosive “Brass House” sound, a fusion of jazz, EDM, and punk influences, the trio brought a theatrical intensity to the stage, complete with high-octane saxophone lines and crowd-hype moments that complemented the funky electronic vibe of the night.

From the packed general-admission floor to the balcony overlooking the stage, fans at the downtown Madison venue soaked in the electric atmosphere. Between dazzling stage lighting, thumping basslines, and an enthusiastic crowd, the concert showcased why The Floozies continue to be a must-see act on the touring circuit.

Below, check out our photos from the show at The Sylvee.

Photos by Dan DeSlover.

Concert Photos, Features, News

Photos: Garbage Returns to Madison with a Fierce and Reflective Set at The Sylvee

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Photo by Deanna Glatczak for The Early Registration

Madison got loud on Friday night as Garbage brought their Happy Endings Tour to The Sylvee for a sold-out show that reminded fans why the band remains one of alt-rock’s most fearless forces. Returning to Wisconsin with a mix of nostalgia, raw honesty, and new material, Shirley Manson and company filled the room with sound and soul, proof that their fire still burns just as bright decades into their career.

Performing in support of their latest album, Let All That We Imagine Be the Light, the show carried an undercurrent of resilience and renewal. The project was born from Manson’s recovery following a serious hip injury that forced her off the road, and that sense of fragility turned into power pulsed through the night’s set. Garbage balanced moments of vulnerability with the snarling confidence that’s long defined them.

The 20-song performance moved between eras with ease. Early favorites like “Vow” and “I Think I’m Paranoid” were met with roaring recognition, while deeper cuts like “Bleed Like Me” and “The Trick Is to Keep Breathing” carried new emotional weight in light of the band’s recent journey. Newer material, including “There’s No Future in Optimism” and “Chinese Fire Horse,” sat comfortably alongside the classics, blending reflection with rebellion.

Between songs, Manson was her signature mix of candid and commanding, telling stories about label rejections, old auditions, and the unpredictable road that’s kept Garbage moving forward. By the time the encore closed with “Stupid Girl” and “Only Happy When It Rains,” the crowd was completely in sync, echoing every lyric back toward the stage.

Garbage’s night at The Sylvee wasn’t just a concert, it was a celebration of endurance, artistry, and the beauty of imperfection. And for the thousands who packed the venue, it was clear that Madison will always make room for a little glorious noise.

Photo by Deanna Glatczak for The Early Registration

Concert Photos, Features, News

Review: Twenty One Pilots Deliver a Thrilling, Career-Spanning Set at Milwaukee’s AmFam Amp

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Photo by Jay Cuzman/The Early Registration

On a crisp early fall night on Milwaukee’s lakefront, Twenty One Pilots brought their signature blend of theatricality, raw emotion, and communal energy to the American Family Insurance Amphitheater. The duo of Tyler Joseph and Josh Dun transformed the Summerfest venue into something closer to a fever dream than a concert, pulling fans into their world from the first chords of Overcompensate to the final cathartic singalong of Trees. It wasn’t just another Midwest tour stop, it was an immersive experience that made the amphitheater feel like an extension of the band’s imagination.

The setlist was a true gift to both casual listeners and longtime members of the “Skeleton Clique,” longtime diehard fans of 21P. Milwaukee was treated to highlights from across the band’s catalog: the ukulele-driven nonestalgia of House of Gold, the genre-bending chaos of Lane Boy, and the cinematic sweep of newer tracks like Next Semester. A fan was even pulled onstage to help lead Ride, one of the many moments that reminded the crowd how Joseph and Dun use their shows to dissolve the line between performer and audience. No matter how big the venue, they have a knack for making it feel like a basement show with friends.

But as much as the night celebrated the duo’s music, it also showcased their showmanship. Joseph darted across the massive stage and even found himself perched in the crowd throughout the evening. His energy felt uncontainable, keeping fans on their toes as he shifted between instruments, stories, and physical stunts. Dun, meanwhile, delivered a jaw-dropping drum feature, hammering out rhythms on a portable kit hoisted by fans in the crowd. The production matched the energy, bursts of pyro and a lighting design that swung from intimate spotlight moments to blinding, arena-worthy spectacle.

Those shifts in mood are what make a Twenty One Pilots concert so distinct. One moment, the amphitheater was holding its collective breath during stripped-down ballads like Tear in My Heart and Message Man; the next, it was a riot of color, sound, and sweat as fans jumped to Heavydirtysoul or Jumpsuit. That ability to pivot between vulnerability and chaos is at the heart of their live reputation, and Milwaukee’s crowd leaned into every note.

By the time the encore rolled around, including City Walls, and the Grammy-winning Stressed Out, the AmFam Amp felt less like a music venue and more like a gathering of friends who’d weathered storms together. And as Trees closed the night with its trademark group chant, thousands of voices echoed into the Wisconsin night, a reminder that Twenty One Pilots aren’t just performers but ringmasters of one of live music’s most unique communities. Walking out into the cool air after, fans knew they had been part of a memory only Joseph and Dun could orchestrate.

Check out our photos from Jay Cuzman below.

Photo by Jay Cuzman/The Early Registration
Concert Photos, Features, News

Photos: The Who Say Farewell at Chicago’s United Center

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Photo by Dan Garcia/The Early Registration

Chicago’s United Center pulsed with electric nostalgia as rock titans The Who took the stage for one of the most emotionally charged shows of their The Song Is Over: North American Farewell Tour, delivering a performance that felt both like a grand goodbye and a triumphant celebration of a six-decade legacy.

Announced in May as their last-ever run across the U.S. and Canada, this farewell tour sees founding members Pete Townshend and Roger Daltrey closing the book on a storied career with passion and tribute to fans past and present. The Windy City stop, supported by the blues virtuoso Joe Bonamassa, was one of the defining moments of the tour, a soaring blend of rock anthems, cinematic flair, and heartfelt reflection.

Performing to a sold-out crowd, The Who offered fans a taste of every era in their expansive catalog, from early revolutionary hits to timeless rock operas, delivered by two legends who still exude fiery stage presence and musical integrity. As the house lights dimmed one last time, the Chicago audience was left awestruck, united in appreciation, memory, and the bittersweet realization of an era’s end. Punk-powered riffs met tender moments, and emotional crescendos reminded everyone why The Who’s music still resonates across generations.

Relive the evening through our exclusive photo gallery, capturing the raw energy, iconic stagecraft, and timeless magic of The Who’s farewell night in Chicago.

Concert Photos, Features, News

Ty Myers Proves He’s More Than a Viral Hit at The Sylvee in Madison

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Ty Myers performs during his headlining stop at The Sylvee in Madison, Wis., on Friday, Sept. 5, 2025. (Photo by Deanna Glatczak/The Early Registration)

Friday night, rising country artist Ty Myers brought his Select Tour to The Sylvee, filling the downtown Madison venue with a mix of youthful energy and old-soul authenticity. Doors opened early for a crowd that spanned from longtime country fans to college-aged newcomers eager to see a 18-year-old who’s already making waves nationwide.

Myers, who grew up on a six-generation cattle ranch outside Austin, has quickly earned a reputation as a voice to watch. Influenced as much by Stevie Ray Vaughan and Bill Withers as by Chris Stapleton and George Strait, his style blends classic grit with modern storytelling.

The Sylvee show leaned on that growing catalog. The crowd came alive when Myers launched into “Drinkin’ Alone” and “Tie That Binds,” two clear highlights of the night. Backed by his talented band, he delivered the kind of performance that balanced polish with raw honesty, showing why his star continues to rise.

Madison got a glimpse of a young artist still building his career but already commanding the stage with confidence. Myers left The Sylvee with more than applause, he left with the impression that his name will be on much bigger marquees before long.

Photos by Deanna Glatczak/The Early Registration