Singer Alessia Cara is our favorite emerging artist right now, and our next favorite is not even close. Earlier this year we interviewed the Canada native, and in only a few month’s time her single ‘Here’ has sky rocketed up the charts and she released her debut project Four Pink Walls and her debut album Know-It-All, two of our favorite projects of 2015. An LP and EP later, fans could not wait for their first chance to see Alessia on her own tour and now they finally have the chance as Alessia will be kicking off a North American headlining tour in 2016.
Supported by the talented Kevin Garrett for the tour’s U.S. dates, Alessia will be kicking off her tour in her Montreal on January 15th, will hit a number of stops throughout the United States, and then ends her tour back in Canada on April 1st. Pre-sale for the tour begins this Wednesday (11/18) and you can check out Alessia’swebsite for more info!
We love the Based God, and so does Odd Future and A$AP Rocky, so when A$AP and Tyler The Creator’s “Rocky and Tyler Tour” finished off it’s current leg in San Francisco, it was only destined that the Bay’s own, rapper Lil B, make a surprise appearance. During A$AP Rocky’s headlining set last night, the At. Long. Last. ASAP rapper brought out Lil B the Based God for a very rare and based surprise performance. #TYBG
Watch fan clips from Lil B’s surprise appearance below.
Earlier this week, Vic Mensa took to social media to tease a forthcoming collaboration with producer Young Chop, known most for his production on Chief Keef’s Chi-town banger ‘I Don’t Like’, which was later remixed by Kanye West and played a huge role in shaping Chicago’s drill sound. Now today we have the Chicago collab, as Chop recruited Vic and King100James for his ‘Around My Way’ track from his new Finally Rich Too project, which released a few hours ago via iTunes and Soundcloud.
“I don’t where ya’ll from, I’m right here. From them South Side of Chicago streets turn dreams to a nightmare,” raps Mensa on ‘Around My Way’.
Stream ‘Around My Way’ below and download Finally Rich Too now on iTunes.
If the above photo looks familiar, it may be for one of many different reasons. First, you may have seen it used on my website here, at The Early Registration. Although I have took photos of Chance The Rapper more times than I can count, including his headlining set at Lollapalooza in 2014 and his Milwaukee stop on the Family Matters Tour, this photo from the Revelry Music and Arts Festival in Madison, WI is one of my favorites. Second, you may have seen this photo used by a website with more web traffic than my own, illRoots for example, which was nice enough to credit my work. Third, and least likely, you may have seen this photo used by Elevator Mag, a small-scale Chicago based website that used my image, without my permission, on multiple occasions and without crediting my name or my publication.
Ask any photographer, at least those lucky enough to have their work shared by others, a huge pet peeve is to have your work taken from you without your permission, without compensation, and without even being credited. It is no mystery that many photographers do a lot of work which they are no compensated for. Being that I take photos for my own publication, I receive compensation in other forms (ad revenue), but unless I’m also working for an artist or record label, no one is paying me to take photos in the pit at a particular concert. I have the luxury of being my own boss, which has endless benefits, but just because you see one of my photos of Chance The Rapper, or even my shots from Coachella, Bonnaroo or Lollapalooza, it does not mean I’m making money off it.
In the same breath, I understand that it is often unrealistic to ask for compensation. Why would anyone pay to use my picture of Chance The Rapper, which they aren’t directly profiting from, when they can go on Google and pick one of the thousand other photos of Chance? It just isn’t going to happen, whether my photos of Chance and other artists are worth the money or not.
It is also unrealistic, in many circumstances, to expect that those who want to use my photos ask me for permission. Recently rapper Travis Scott used one of my photos. While it would be awesome for him to call me up and say “Hey Dan, this photo you took is fire, can I use it on my Instagram?”, that’s just not going to happen. Also, I probably would have since no, since I don’t really like the photo I took of him, as it was shot from the sound board in low lighting and reshared by Travis in a much poorer quality. But before he posted it, he was likely hanging out on the tour bus, Googled “Travis Scott Chicago”, then stumbled upon my website and picked out his favorite photo I took of him at the United Center when he was opening for The Weeknd. People and artists alike post so many pictures on Instagram, many of which are not theirs, so should we expect them to track down the owner for something so small like a blog post or an IG photo? No, hell no.
Photo by Dan Garcia/The Early Registration
Crediting can also be a problem at times. If it isn’t obvious who took a photo, then how much work is someone reasonably expected to do to find the true owner/photographer so that they can properly credit someone? My photos get used without credit on Tumblr all the time, and by the time someone uses my photo it may have been shared around multiple times before I see it used without credits. It just takes one of those persons to not credit me, for my name to get lost in the system. A lot of photographers will certainly disagree with all the above, as there are many that believe you should always get permission, always provide compensation, and always credit. I get that, but it’s just not my opinion.
However, there is one thing that I will always take issue with. If you are contacted by a photographer whose photo you used (whether on social media or your inbox), and they want you to credit them, especially after you used their photo without permission and compensation… Do it, just give them the proper credit, apologize even, and move on.
From time to time I will reverse image search my photos to see who used my shots. This is especially fun because when I have my work shared by big outlets like Complex and MTV, it makes me proud of my work. However, occasionally I will notice when a website saves my photo, uploads it on their own, and then posts it in an article and without crediting my name or publication. When this happens, I find the correct email address or contact and I ask that my work be credited. It’s not a huge deal, but it happens a lot and it is something I’m used to. Still though, I would like my name to be credited.
Earlier this month, after noting my photo of Chance The Rapper went uncredited on Elevator Mag, I reached out to their general inquiries email address. I kept it short and simple, as to not waste anyone’s time,
“Please properly credit my photo of Chance the Rapper that you used for the below article. (Dan Garcia/The Early Registration). Thank you.”
Photo by Dan Garcia/The Early Registration
I soon found out that such a request, politely asking for a proper credit, was a huge burden. Despite the fact that their publication had stolen my work, not compensated me for my work, and used it without crediting me, giving me a credit now was an issue.
“Could we? yes. your welcome.”
If you can’t read into their tone and sarcasm, than look again. In this person’s mind, I should have asked for them to credit me, instead of just saying please and telling them to credit me. Although I was not rude in my initial message, this Elevator Mag representative felt that I owed them a huge thank you for granting them a free license to use my photo for the low cost of a simple photo credit. After I reminded them, that they were not doing me a huge favor by crediting me for the photo they took without my permission, things elevated to a new level.
“And you wont be invited to any show, production, event or any of those of our partners to take your photos. So congrats to you for making the no fly list. You’ve been marked as spam,” Elevator Mag wrote.
Photo by Dan Garcia/The Early Registration
Now before you start to feel bad for me, because asking for a photo credit led to the eventual end of my career, by being placed on the “no fly list”, don’t you worry. While I don’t doubt that this person has a connection here or a connection there, there is no person (short of President Obama) that could have the pull to stop me from getting credentials to shoot at the concerts that I want to shoot at. While this is not unlike a lot of my peers, I have established many strong relationships with publicists, managers, and other persons in the music industry that allow me to take photos at the nation’s biggest concerts and festivals, while in return I provide their artists with some great shots and a little added press and exposure. It is a relationship that benefits all parties.
My likelihood of getting into shows, is no different today than it was a month ago. In fact, because of the catalog of shows I shot this past month and because of my recent interview with the great people at Green Label, my likelihood of getting into big concerts is greater than it has ever been.
So why am I writing this? Not to put someone on blast for being rude and trying to threaten the career of a photographer who was simply trying to get credit for his work, but to tell the next guy, if someone asks you politely to credit their work, just do it. Because you aren’t doing them a favor, and in fact you should be happy that they aren’t making a bigger deal or even pursuing legal action. If you ask 1,000 different photographers what other’s should do when using their work, you will get 1,000 different answers. But at the lowest floor of all those answers, at the very least you should always credit a photographer’s work when you are asked to do so.
If you would like to ever use and credit some of my shots, you can find my best photos of some of your favorite artists (Kanye West, Drake, Taylor Swift, Paul McCartney, Eminem, Outkast, Kings of Leon, Ed Sheeran, Foo Fighters, Billy Joal, Metallica and many more) at DanGarciaPhotography.com.
A couple weeks ago we became suspicious that a new tour from Kid Cudi was forthcoming, as his December 2nd show at Madison’s Orpheum Theater was announced. And now yesterday, the full tour was announced by Cudi himself, via Twitter. Kicking off later this month in Denver, Cudi will be hitting the road throughout the country on a 16-date tour, with stops in Chicago, New York, Texas, Washington D.C. and many more.
Check out the full tour dates below and be sure to stay tuned to Kid Cudi’sofficial website for upcoming ticket information, but some datesare already on sale and going fast now!
Next year, in support of his forthcoming album Purpose (which releases in just a couple days), singer Justin Bieber will be heading on a massive 58-date North American tour. Similarly titled, the Purpose Tour, Bugatti Biebs will kick off the tour March 9th in Seattle and the tour will run well into July as he will end things on the east coast at New York’s historic Madison Square Garden. Pretty much, if you don’t live in the middle of nowhere, there is a good chance that Justin is coming to a city near you!
Bieber is no stranger to controversy as of late, but there is no better way of saying ‘Sorry’ than a huge live tour. American Express card holders will be able to purchase advance tickets for the U.S. shows starting November 16th-19th. General ticket sales for all shows will begin Friday, November 20th at 10 a.m. local time at AEGLive.com.
After a photo of a man wearing black face, purportedly country music star Jason Aldean, went viral, a rep for Aldean has now confirmed that the man is in fact Aldean. In the photo Jason Aldean is dressed up as rapper Lil Wayne, and to complement his costume he wore fake dreadlocks and black face. It is one thing to wear black face, but so far, Aldean has issued no apology for his highly racist and offensive costume.
A representative was able to confirm the photo’s authenticity on behalf of Aldean, but Aldean himself (or through his representatives) chose not to issue an apology. It is uncertain whether an apology will later follow, as the backlash will certainly build up, but it will likely be too little, too late. In no circumstances is wearing black face acceptable, Halloween or not, and let’s only hope that the country music star’s career will soon pay the consequences for his October 31st racism.
Donald Trump and Hillary Clinton’s election day is still a year away, but today a new president has been named. Now heading Kanye West’s Def Jam imprint, G.O.O.D. Music, rapper Pusha T has been named as the label’s new president, Billboard reports. This decision has been ongoing for months and all started from a phone call from the label’s founder, Mr. West himself.
“Ye had called me and he was like, ‘Tell me something, What do you think about being the president of G.O.O.D. Music’ And I was like, ‘Well, what are the things that you’re looking for?’ And he was basically just like, to manicure the label, make it profitable and be very business-oriented about it going forward in a manicured type of way.” – Pusha T told Billboard.
We don’t know if this means a hiatus in music from Push, but we couldn’t be happier for the Virginia native.
Premiering on Complex earlier today, Jeezy (formerly Young Jeezy), released another new Sunday record. This one, titled ‘Where I’m From’ and complete with its own music video, is another track from Jeezy’s forthcoming Church In These Streets. The new project drops this month, onNovember 13th and you can pre-order it now on iTunes.
Watch Jeezy’s video for ‘Where I’m From’ and check out his upcoming tour dates below.
For all the knocks the critics can put on the 2015 Wisconsin Badgers (8-2, 5-1 Big Ten) football team, one thing they cannot deny is their ability to overcome adversity. They are simply resilient.
The Badgers headed into a hostile environment Saturday afternoon in College Park, Maryland to face a Maryland Terrapins (2-7 0-5 Big Ten) team anxious for their first conference win. Stud tailback Corey Clement ended up sitting this game out for Wisconsin dealing with ankle pain.
With their familiar use of the proverbial ‘next-man-up’ philosophy, the Badgers overcame the absence of Clement once again, outlasting a spirited effort from the Terrapins by a score of 31-24.
It wasn’t the start the Badgers, or for that matter the Terrapins, had imagined heading into this one. Maryland gashed the Badgers #1 nationally ranked defense in the first quarter, rushing for 75 yards, outgaining Wisconsin 126 to 90 in total offense. Alas, football is a game of four quarters. Like most of Wisconsin’s opponents this year, the Terrapins just were not able to hang with a far superior Badgers squad as the game wore on.
Both Maryland and Wisconsin went three and out to open the game. Things would heat up white hot from there.
Wisconsin punter Drew Meyer, who’s been miserable at times this year, shanked a 24 yard punt that set up Maryland at the Badgers 32 yard line. The Terrapins took full advantage. Junior quarterback Perry Hills and junior tailback Wes Brown shouldered the load. With the help of a Badgers passing interference call, Brown would cap the short drive with a seven yard dash to opening the scoring 7-0.
Wisconsin sophomore reserve defensive back Natrell Jamerson exploded for a 98 yard kickoff return for a touchdown on the ensuing kickoff, knotting the game at 7-7.
After a Terrapins punt, the Badgers executed an 87 yard drive completed on just five runs. Joe Schoebert rumbled for a 57 yard run on 4th and one from their own 22 yard line, setting up Dare Ogunbowale’s 21 yard score.
Ogunbowale has been a savior for Wisconsin in the wake of Clement’s season long injury problems. Maryland kicker Adam Green would convert from 44 yards out, making it 14-10 Wisconsin. The sophomore would miss a crucial one from 46 yards out on the very next drive after Maryland linebacker Jalen Brooks picked off Badgers quarterback Joel Stave on 2nd down and 10.
Wisconsin prides itself on having a bevy of versatile players. Paul Chryst believes in his players’ abilities to play multiple positions and its positive effect on ballgames. The Badgers most versatile player is without a doubt, the position-less Tanner McEvoy. He’s run out of the backfield. He’s lined up at wide-out and in the slot. He’s lined up at quarterback and cornerback. But McEvoy mostly plays safety. And he does it very well. McEvoy intercepted Perry Hills on 3rd down and long, setting up a Rafael Gaglianone 28 yard field goal.
Later, Wisconsin was facing a 4th and one from their own 22 yard line with just over a minute remaining in the first half. Despite the earlier conversion, the Badgers wisely chose to punt. Unfortunately, the punt was blocked netting only 11 yards.
Special teams play and their inability to convert third downs absolutely killed Wisconsin in the first half against Maryland.
The Terrapins faced a 3rd down and 17 from Wisconsin 40 yard line with 49 seconds remaining in the first half. Perry Hills lofted a perfect throw deep down the left sideline to receiver D.J. Moore who hauled it in for the game tying touchdown. The play sent a confident and engaged College Park crowd into a frenzy.
Maryland won just about every statistic in the first half. The Badgers were very fortunate to just be tied. But as the saying goes, you have got to play a full four quarters to complete an upset.
The Badgers looked like the Badgers again after intermission. The defense did a 180. The offense moved the ball with relative ease, and the special teams’ squad looked like a completely different unit.
Badgers quarterback Joel Stave, who had just 20 yards passing in the first half, found his groove in the second half. Stave would go 4/5 for 63 yards on the Badgers second drive of the third quarter. The 8-play 69 yard drive was punctuated by Wisconsin’s goal line specialist Alec Ingold. A converted big back from linebacker, Ingold punched it in from 1 yard out.
Terrapins Perry Hills and Wes Brown could not find any of their first half magic in the second. The Badgers are the nation’s top defensive unit for a reason. They just shut teams down.
Wisconsin’s second half defensive effort was the MVP in this one.
Following yet another Maryland punt, Wisconsin would put together another long efficient drive going 71 yards on just 7 plays. Joel Stave or Dare Ogunbowale had a hand in all 71 yards. Ogunbowale would scurry in from 7 yards out on a delayed pass play into the left flat from Stave, with no Maryland defender in the vicinity.
Just like that, Wisconsin was up 31-17 early in the fourth quarter. Maryland finally was able to score with 2:39 remaining. Caleb Rowe, backup quarterback who took over for Hills connected with Levern Jacobs on a 27 yard pass and catch bringing Maryland within one score, 31-24.
Near disaster ensued on the onside kick attempt by Maryland. A very fortunate off sides call negated a Terrapins recovery and touchdown return, a play that would have tied it. The referees determined a Terrapins player was just slightly over the line. Replays showed it was very close.
From there, Bucky and company were able to run out the clock.
Badgers senior quarterback Joel Stave, who has faced a fair amount of criticism for his turnover issues, again made just enough plays for Wisconsin. Stave finished the game 15/24 for 188 yards. Stave really stepped it up in the second half.
Six different receivers caught a ball from Stave on Saturday. Senior receiver Alex Erickson, as steady a presence the Badgers have had this season, once again was Stave’s go to guy. Erickson finished the afternoon with 5 catches for 83 yards, both tops on the team.
While Wisconsin was just 3/13 on third down, they were 2/2 on fourth down. Both of the conversions were huge, helping Bucky to another stepping stone win.
Maryland outgained Wisconsin 316 yards to 305. This hadn’t been done since the Badgers week one loss at Alabama. The defense, as always this year, made the difference.
Wisconsin will now embark on a long overdue, much deserved bye week. Injuries have piled up after ten straight weeks of football, and the Badgers will look to get healthy over the next fourteen days. From there, Bucky and company will play host to #21 Northwestern (7-2, 3-2 Big Ten) in the biggest game of the year for both teams thus far.
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