The WorldPride Music Festival 2025 in Washington, D.C., has announced the addition of singer-songwriter and actress Reneé Rapp to its lineup. Rapp, known for her roles in Broadway’s Mean Girls and HBO Max’s The Sex Lives of College Girls, will perform at the RFK Festival Grounds on June 6–7.
Rapp’s performance comes on the heels of her latest single, “Leave Me Alone,” released on May 21, 2025, as the lead track from her upcoming album Bite Me, set to debut on August 1 . The song marks a departure from the cinematic ballad style of her debut album Snow Angel, embracing a funkier, club-inspired sound with bold, playful lyrics. Notably, the track includes the line, “I took my sex life with me, now the show ain’t f—ing,” which many interpret as a pointed reference to her departure from The Sex Lives of College Girls.
The WorldPride Music Festival’s lineup also features headliners such as Jennifer Lopez and Troye Sivan, along with artists like Kim Petras, Zedd, Paris Hilton, RuPaul, Marina, and Tinashe. With over 60 acts across three stages, the festival promises a diverse array of performances celebrating LGBTQIA+ culture and resilience .
For more information on the festival and to view the full lineup, visit worldpride25.com.
If you weren’t at Soldier Field this past weekend for The Weeknd’s “After Hours Til Dawn” Tour stop in Chicago, you missed a spectacle that was just as much dystopian sci-fi as it was pop-R&B party. With a stage setup that looked like Blade Runner meets Mad Max, Abel Tesfaye turned the lakefront stadium into a post-apocalyptic dancefloor—and 60,000 fans couldn’t get enough.
The Canadian megastar performed under a blood-red moon and towering city ruins, leading a faceless army of masked dancers and bathing the night in fire and lasers. But despite the end-of-the-world vibes, the show itself felt like a celebration—of music, of survival, and of The Weeknd’s genre-defying, chart-dominating career.
The setlist was a no-skips mix of greatest hits and deep cuts, opening with the haunting “Alone Again” and flowing into synth-heavy anthems like “Gasoline,” “Sacrifice,” and “How Do I Make You Love Me?” From there, it was wall-to-wall bangers—“Can’t Feel My Face,” “I Feel It Coming,” “Starboy,” “Heartless,” “The Hills,” and of course, the mega-hit “Blinding Lights” that lit up every corner of the stadium. And that’s not even the full list.
The crowd sang every word back to him, arms raised, phones lit. The show wasn’t just performed—it was felt.
And visually? It was absolutely wild. From the mile-long runway to the LED-drenched skyline collapsing in slow motion, every moment begged to be photographed (which, lucky for us, we did; scroll down for our full photo gallery).
The Weeknd’s Soldier Field performance was another reminder that this isn’t just a tour—it’s a fully immersive experience, one of the most cinematic and creatively ambitious stadium shows we’ve seen in a long time. If this is what the end of the world looks like, we’ll take it—so long as The Weeknd is on the aux.
Check out our favorite shots from the night below.
Chicago’s Grant Park turned into a reggaetón dream this Memorial Day weekend as Sueños Festival returned for another stacked two-day party in the heart of the city. Thousands of fans showed up ready to dance, drip, and sing every lyric at the top of their lungs—and the lineup gave them plenty to work with.
Saturday’s lineup was all killer, no filler, capped by a star-powered set from Shakira, who delivered an hour and 45 minutes of nonstop hits. Whether she was throwing it back to “Hips Don’t Lie” or showing love to her newest music, Shakira reminded everyone why she’s one of the greatest global performers alive. Her stage presence? Untouchable. Her vocals? Flawless. And when she closed with “Waka Waka,” it felt like the entire park jumped in unison.
Right before Shakira, Peso Pluma lit up the crowd with a performance that felt like a coronation. The rising superstar brought out surprise guests like Oscar Maydon, El Alfa, Jasiel Nuñez, and Tito Doble P—each one upping the energy and keeping the crowd guessing. Peso’s stage design, charisma, and gritty vocals were a perfect blend of street and spectacle. And don’t forget, this is a guy who’s already worked with Kanye, Kali Uchis, and Rich the Kid. He’s only getting started.
Sunday didn’t slow things down either. Don Omar and Wisin threw it back with classics that still hit as hard as ever, Grupo Frontera showed why they’re one of the most exciting bands in the game right now, and Tito Doble P doubled up with another strong showing. Even in the sweltering heat, the crowd stayed locked in and loud from open to close.
Sueños continues to cement itself as the go-to Latin music festival in the Midwest. If you weren’t there, scroll through our full photo gallery below, then go ahead and set that calendar alert for next May. Because when Sueños returns in 2026, you’ll want to be front and center.
Post Malone’s music may be evolving, but one thing hasn’t changed: the man knows how to put on a show.
Performing under the lights at Chicago’s iconic Wrigley Field, Post brought the latest leg of his tour to the Windy City and gave fans a night packed with heart, hits, and a whole lot of twang. The setlist pulled from every era of his career—hip-hop, heartbreak, and now, honky-tonk—with fans singing along whether he was crooning country ballads or turning up to “Wow.” and “Congratulations.”
Leaning into his new cowboy persona, Post still showed plenty of love to the rap songs that made him a household name. From “Rockstar” to “Psycho” to “I Fall Apart,” he made sure longtime fans felt seen. But it was the new material that really gave the night its flavor. Country Post is officially here, and it works. Songs like “I Had Some Help” had the crowd swaying with their arms around each other, while the stripped-down acoustic moments gave the sold-out stadium a chance to breathe, cheer, and cry (yes, people cried).
Posty was in great spirits all night—grinning, sipping out of a red Solo cup, and thanking the crowd a dozen times over. And the visuals? Fire. Literally. With flames shooting up from the stage and a lighting rig that followed him like a spotlighted lasso, every moment felt tailor-made for your camera roll.
It was a reminder that even as Post Malone continues to genre-hop, his live show remains one of the most consistent and entertaining in the game.
Scroll down to check out our favorite photos from the night, and trust us, if you missed this one, make sure you don’t miss him next time he rides into town.
Photo by Julian Dakdouk, Courtesy of Parkwood Entertainment
BY DAN GARCIA
Beyoncé might not control the weather, but don’t be surprised if she starts trying.
What was supposed to be a breezy spring night for the launch of The Cowboy Carter Tour in Chicago turned into a rain-soaked, lightning-filled test of patience, endurance, and fandom. But despite the hours-long weather delay that sent fans scurrying to Soldier Field’s covered concourses and pushed the concert start time past 10 p.m., Beyoncé didn’t just save the show, she turned the storm into part of the spectacle.
With severe thunderstorm alerts hitting the greater Chicagoland area Thursday afternoon and torrential rain flooding the stadium gates, Soldier Field issued the official word around 5 p.m.: The show would be delayed and wouldn’t begin before 9 p.m. Fans, many in full western-inspired glam, waited it out in ponchos and boots, crowding under awnings and huddling beneath stairwells, clutching their glittering cowboy hats in their hats to save their outfits from the heavy winds. The concourse buzzed with excitement and frustration, but no one dared leave, not when the Queen was still set to take the stage.
When the lights finally dimmed at 10:15 p.m., hours behind schedule, the eruption from the crowd said it all. The storm may have flooded the parking lots, but it couldn’t dampen Beyoncé’s thunder.
Beyoncé opened with “AMERIICAN REQUIEM,” the soaring curtain-raiser from Cowboy Carter, emerging in gold on a massive stage that stretched deep into the crowd. The stormy night immediately shifted into sacred territory. From there, she rolled into a cover of The Beatles’ “Blackbird,” and used the moment to connect with the crowd after the delay:
“Thank you guys for your patience through the weather. Thank you for all your love, even throughout the storm,” Beyoncé said with a smile. “Y’all are here, I am here, and we’re gonna have ourselves a good ole time.”
She wasn’t lying. From there, the show exploded with powerful visuals and emotional punch. Her soulful rendition of “The Star-Spangled Banner” (in the style of Jimi Hendrix) bled seamlessly into “Freedom,” which hit even harder under the post-storm skies. “YA YA” followed, with choreography that nodded to her Super Bowl show, while “Why Don’t You Love Me” reintroduced early Beyoncé sass into the cowboy universe.
Photo by Raven Varona, Courtesy of Parkwood Entertainment
As she transitioned into the second act with “AMERICA HAS A PROBLEM” behind a transparent podium, the political messaging ramped up. That led into the spaghetti western spectacle of “SPAGHETTII,” followed by hat-tipping versions of “Formation,” “MY HOUSE” (complete with a collapsing inflatable red house), and “Diva.”
The next act ushered in ballads and boundary-pushers, including “ALLIIGATOR TEARS,” the flirty “JUST FOR FUN,” and “PROTECTOR,” (with a special cameo from Rumi Carter) which brought a tender moment to the arena. After an emotional interlude, “FLAMENCO” and “DESERT EAGLE” brought back the footwork, followed by the atmospheric “RIIVERDANCE” and “II HANDS II HEAVEN.”
A standout of the night came next: during “TYRANT,” Beyoncé faced off with a golden mechanical bull. Then came “THIQUE” and the sultry denim-styled “LEVII’S JEANS,” followed by the genre-melting “SWEET ★ HONEY ★ BUCKIIN’,” which blended elements of “PURE/HONEY” and “SUMMER RENAISSANCE.”
Entering the second half of the long night, Beyoncé delivered the crowd-favorite “TEXAS HOLD ’EM” to deafening screams before firing into a run of classics, “Crazy in Love,” “Single Ladies (Put a Ring on It),” “Love on Top,” “Irreplaceable,” and “If I Were a Boy”, as Soldier Field turned into one massive singalong.
She floated above the crowd during her now-iconic cover of Dolly Parton’s “Jolene,” before bringing it back to her southern roots with “Daddy Lessons” and “BODYGUARD.” The party didn’t stop as she rode the neon horseshoe to the B-stage for “CUFF IT,” then gave fans the silky slow jam “Dance for You.”
“HEATED” and her cover of “Before I Let Go” brought out full choreography and pure crowd energy, and then came one of the most jaw-dropping moments of the night: during “DAUGHTER,” Beyoncé sat at a gold-plated piano, only for the piano to suddenly erupt in flames. The effect was fiery, bold, and pure Beyoncé.
Closing the show was a Renaissance redux of “I’M THAT GIRL,” “COZY,” and “ALIEN SUPERSTAR,” complete with LED visuals, intergalactic staging, and golden costuming that evoked her 2023 tour, but elevated. Then, in one final act of triumph, she returned in an American flag dress for the stunning “16 CARRIAGES,” gliding above the stadium in a floating car, before closing with the emotional, red-white-and-blue finale “AMEN.”
And yes, the concert didn’t end until 1 a.m. Luckily, the City of Chicago literally extended its curfew, a treatment that only an artist of such magnitude would warrant.
From sheltering in place to shouting lyrics into the post-midnight air, Beyoncé’s Chicago faithful proved their devotion. And Beyoncé, ever the showwoman, proved that even a thunderstorm can’t dim her spotlight.
After all, when the Queen says we’re gonna have ourselves a good ole time—she means it. Rain or shine.
After more than a half a decade without a major tour and fresh off her Las Vegas residency, Katy Perry made her grand return to the road with The Lifetimes Tour and Chicago got one of the first sparkling glimpses.
Performing at the United Center on Monday night, the pop powerhouse proved she’s still one of the genre’s most theatrical and hit-packed performers. From the second she emerged in a shimmering silver bodysuit, descending amid a dazzling burst of light like a disco ball turned human, Perry commanded the attention of a packed arena like few others can.
The setlist played out like a well-curated time capsule of the last 15 years in pop music. Early fan favorites like “Hot n Cold” and “Waking Up in Vegas” brought the nostalgic energy, while chart-toppers like “Teenage Dream” and “Firework” were delivered with arena-sized spectacle and emotion. But this wasn’t just a retro greatest-hits parade. Perry smartly wove in newer tracks like “Woman’s World” and “Electric,” showing she’s still evolving and isn’t afraid to blend synth-forward, pop-futurist textures into her sound.
Between songs, Perry showcased her signature mix of quirk and heart, cracking jokes, making a few perfectly awkward dad-worthy puns, and sharing reflections on motherhood, creativity, and what it means to live through several “lifetimes” in the public eye.
The staging was grand and often cinematic, think oversized flower props, digital dreamscapes, and one jaw-dropping moment involving a lifesize, animatronic carousel horse. And yes, the costume changes were as frequent as they were fantastic: campy, couture, and always uniquely Katy.
While Perry may no longer dominate the charts the way she once did, her live show reminded everyone in attendance just how deep her catalog runs and how enduring her star power truly is. For a generation of fans who grew up with her, Monday night felt less like a comeback and more like a triumphant reunion.
For those who missed this tour stop? Consider this your notice: Katy Perry is back and she still knows how to throw a damn good pop party.
Next month, Washington, D.C., transforms into the epicenter of global LGBTQ+ celebration as the World Pride Music Festival takes over the RFK Festival Grounds on June 6–7. Coinciding with the 50th anniversary of Capital Pride, this two-day extravaganza promises over 60 performances across three stages, blending pop, electronic, drag, and queer artistry into an unforgettable experience.
Jennifer Lopez brings her iconic energy to the stage, delivering chart-topping hits and electrifying dance routines.
Troye Sivan, known for his synth-pop anthems, is set to captivate the audience with his emotive performances.
Zedd will close the festival with a high-octane DJ set, ensuring the weekend ends on a euphoric note.
Other notable performers include Kim Petras, Rita Ora, RuPaul, Sofi Tukker, Raye, Purple Disco Machine, Paris Hilton, Tinashe, and Reneé Rapp. The festival also features dynamic drag performances from stars like Sasha Colby, Symone, and Asia O’Hara, alongside DJ sets from LP Giobbi, Dombresky, and Spencer Brown.
🌈 Immersive Festival Experience
Beyond the music, attendees can explore interactive art installations, savor diverse culinary offerings—including vegan and gluten-free options—and enjoy specialty cocktail lounges. The festival grounds are designed to be a vibrant, inclusive space celebrating LGBTQ+ culture and community.
🎟️ Tickets & Access
General Admission (GA) and VIP tickets are available, with VIP perks including front-of-stage viewing, air-conditioned restrooms, and exclusive lounge areas. Tickets are selling fast, so secure yours soon to be part of this historic event.
🏳️🌈 More Than a Festival
The World Pride Music Festival is part of a broader series of events celebrating LGBTQ+ pride and rights. Highlights include the Capital Pride Parade, the Human Rights Conference, and various cultural exhibitions throughout the city.
📍 Plan Your Visit
For more information on event schedules, ticket purchases, and travel accommodations, visit the official World Pride Music Festival website: worldpride25.com.
Milwaukee got a full blast of nostalgia on Saturday night as The Millennium Tour rolled into town, packing the Fiserv Forum with screaming fans, throwback vibes, and a stacked lineup that made it feel like the early 2000s never left.
From start to finish, this diverse tour brought together R&B smoothness, club bangers, and chart-dominating hits that defined an era. With Trey Songz, Rick Ross, Omarion, Bow Wow, Plies, Boosie, the Ying Yang Twins, RSVP (Ray J, Sammie, Bobby V and Pleasure P) and Nivea all taking the stage, this year’s edition of the tour leaned heavy on nostalgia without ever feeling dated. The energy? Immaculate. The setlist choices? All killer, no filler.
Nivea Starts the Night With Sass and Soul
Opening up the evening was R&B singer Nivea, who warmed up the crowd with soulful vocals and serious Y2K diva energy. Her time on stage may have been short, but with a classic like “Don’t Mess With My Man,” she had R&B fans singing every word.
Ying Yang Twins Didn’t Make Fans “Wait”
Next up were the Ying Yang Twins, and if anyone thought a Saturday night in Milwaukee needed a jumpstart, these guys made sure that wasn’t the case. Their club anthems like “Salt Shaker” and “Wait (The Whisper Song)” had the crowd moving like it was a crunk-era basement party. It’s impressive how this ATL duo can still bring this much chaotic, booty-shaking energy with nothing but a couple of mics and massive charisma.
RSVP: An R&B Dream Team
RSVP—made up of Ray J, Sammie, Bobby V, and Pleasure P (formerly of Pretty Rick) —proved that R&B supergroups are still very much a vibe. Each brought their own solo hits to the stage, while also showing off their synergy as a group. Between the outfits, dancing, and playful energy, they served up pure entertainment and some of the smoothest moments of the night.
Boosie Brings the Unfiltered Energy
When Boosie hit the stage, the energy turned all the way up. He brought his signature raspy intensity and straight-from-the-block realness to the Fiserv Forum, performing street anthems like “Wipe Me Down” and “Set It Off” that had the entire building yelling along. Boosie doesn’t sugarcoat a thing—his set was raw, passionate, and unapologetically Boosie. The crowd ate up every minute, reminding us that his music still hits just as hard in 2025 as it did back in the day.
Plies Brings the Southern Swagger
Following Boosie, Plies delivered one of the most charismatic sets of the night. With tracks like “Bust It Baby,” “Shawty,” and “Hypnotized,” he brought that distinct Southern charm mixed with club-ready confidence. His stage presence was effortless, vibing with the crowd and making it feel like we were all invited to a private party. Plies knows his hits have aged like fine wine, and he served them with style.
Rick Ross Delivers a Masterclass in Swagger
When Rick Ross took the stage, it felt like the whole arena shifted. The Boss, and the biggest name on the lineup, brought a sense of grandeur to his set, commanding the stage with luxury, confidence, and a string of anthems like “Hustlin’” and “Aston Martin Music.” He didn’t need theatrics, his catalog and presence were more than enough.
Omarion Brings the Smooth
Omarion’s performance was part concert, part dance clinic. From “Ice Box” to “Touch,” the former B2K frontman moved like he hasn’t aged a day. He might have had the most well-rounded set of the night—equal parts sultry, nostalgic, and high energy. And yes, the signature moves made an appearance.
Bow Wow Proves He’s Still Got It
Bow Wow entered with the confidence of someone who’s been doing this since before he hit puberty and he reminded the Fiserv crowd why he was once the prince of teen rap. From “Let Me Hold You” to “Bounce With Me,” he delivered a crowd-pleasing set that had everyone singing and was far from “lil”.
Trey Songz Closes With R&B Fireworks
Trey Songz took the headline spot and absolutely delivered with a seductive, high-energy finale that capped off the night perfectly. Songs like “Bottoms Up,” “Say Aah,” and “Can’t Help But Wait” proved why he’s still a dominant voice in modern R&B. He brought just the right mix of vocal acrobatics, shirtless moments, and crowd interaction to send fans home smiling.
A Nostalgic Night Worth Every Minute
While each artist had around 15 to 30 minutes, none of the sets felt rushed or incomplete. In fact, the brevity meant there was no room for fille, just hit after hit, woven together into a non-stop mixtape of our teenage years. The production was slick, the transitions smooth, and the love in the crowd was undeniable.
The Millennium Tour has always been more than just a concert, it’s a celebration of an era, a shared playlist of our formative years and perhaps our iPad Nanos, and a reminder that good music never gets old. Milwaukee showed up and showed out, and this tour proved it’s still got plenty of gas in the tank.
Kid Rock performs during his high-energy headlining set at Fiserv Forum in Milwaukee, WI, on March 29, 2025 (Photo by Dan Garcia).
Last night Kid Rock brought his no-holds-barred spring tour to Milwaukee’s Fiserv Forum, and as expected, it was nothing short of a wild ride. Blending rock, country, rap, and rebellion into one explosive performance, the genre-bending icon packed the arena with a set that spanned decades of hits, crowd-pleasing anthems, and a few surprises thrown in for good measure.
Known for his unapologetic attitude and larger-than-life stage presence, Kid Rock gave fans exactly what they came for—an electrifying mix of classics like “Bawitdaba,” “Cowboy,” and “Picture,” alongside newer cuts that prove he’s still got something to say. With lights flashing, guitars wailing, and the crowd on their feet for nearly the entire show, the night served as a reminder of why he’s been able to command stages for over 30 years.
Kicking off the night was none other than Chris Janson, one of country music’s most exciting live acts. With hits like “Buy Me A Boat,” “Good Vibes,” and his latest single climbing the country charts, Janson got the crowd warmed up with infectious energy and a high-octane set that had the Fiserv Forum singing along long before Kid Rock took the stage.
Check out our favorite photos from the night below and relive one of Milwaukee’s most rowdy nights of the year.
Role Model made his Madison debut at The Sylvee for his No Place Like Tour on Tuesday night (Photo by Dan Garcia/The Early Registration).
There may be “No Place Like” home, but Role Model sure made The Sylvee feel pretty close to it Tuesday night. The rising pop star brought his “No Place Like” Tour to Madison, Wisconsin last night, captivating a packed crowd with his signature blend of vulnerability, swagger, and self-deprecating charm.
With a new viral hit under his belt and a growing reputation from his recent stint opening for Gracie Abrams, Role Model proved that he’s no longer just a supporting act—he’s a main event.
Opening the show was singer-songwriter Debbii Dawson, who immediately set the tone with her nostalgic yet fresh take on pop. Seamlessly blending modern sensibilities with retro influences, Dawson delivered a magnetic set that showcased her unique sound and emotional depth. She performed standout tracks from her How To Be Human project, which reflected on themes of solitude and escapism. Her newest single, the electric “You Killed The Music,” shimmered live with a disco-tinged sadness, capturing the audience’s attention with both style and substance. Having previously toured with the likes of Orville Peck and Suki Waterhouse, Dawson’s trajectory is clearly on the rise.
When Role Model took the stage, it was with the energy of someone who’s been waiting to headline. Kicking off the set with “Writing’s on the Wall,” Role Model, who jokingly introduced himself as Ed Sheeran, confidently moved through an 18-song performance that wove heartbreak, humor, and hope into one cohesive night. Tracks like “Look at That Woman” and “Scumbag” showcased his knack for raw lyricism and subtle sarcasm, while “a little more time” and “Frances” drew out some of the loudest singalongs of the evening. He’s a self-described diva, and that flair came through in his performance—every move intentional, every note drenched in emotion.
Adding to the evening, Tuesday night’s crowd included some extra special guests: the University of Wisconsin Badgers Women’s Hockey Team, who just days earlier won the 2025 NCAA D1 National Championship. Lacey Eden, Laila Edwards, Maggie Scannell, Chloe Baker, Kirsten Simms (who stunned fans with her clutch game-tying penalty shot and the overtime game-winner), and their teammates brought their championship trophy along for the ride, celebrating in the audience like true fans. Their presence added an extra jolt of local pride to the night.
The biggest eruption from the crowd came during “Sally, When the Wine Runs Out,” Role Model’s current social media smash. Keeping with tour tradition, he invited a fan onstage to join him, making the moment feel spontaneous, special, and utterly TikTok-worthy. The crowd chanted every lyric with the kind of cathartic joy that only a viral song can spark. It was a reminder of how quickly Role Model’s songs can travel from bedroom-recorded heartbreak anthems to massive cultural moments.
He also paid tribute to The 1975 with a cover of “Somebody Else,” bridging generations of emotionally honest alt-pop, before diving into deeper cuts like “Old Recliners” and the tender “Slipfast.” The night closed with “Deeply Still in Love,” a poignant closer that lingered long after the lights came up.
Role Model’s Sylvee stop was a whirlwind of connection, catharsis, and charm. There may be no place like Madison for Role Model, but if Tuesday night was any indication, there’s no stopping where he’s headed next.
Role Model
Debbii Dawson
Setlist
Writing’s on the Wall
Look at That Woman
Scumbag
Oh, Gemini
a little more time
Superglue
The Dinner
Frances
Slut Era interlude
Somebody Else (The 1975 cover)
The Longest Goodbye
Old Recliners
Slipfast
that’s just how it goes
Some Protector
blind
Sally, When the Wine Runs Out
Deeply Still in Love
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