BY TER STAFF

Jason Isbell & The 400 Unit helped wrap up Ravinia’s impressive 2024 season last night with a masterclass in Americana, offering a night of soul-searching lyrics and spine-tingling melodies under the stars. With the Pavilion and lawn packed with Isbell’s Chicagoland fans, the singer’s anticipated return to the festival felt more like a private intimate set than a performance for thousands. Having played here before, both he and opener Alejandro Escovedo proved to be Ravinia alumni who understand the unique charm of this venue.
Isbell kicked off his set with “24 Frames,” immediately grabbing the audience’s attention with a song that perfectly encapsulates his ability to turn personal reflection into something universal. He quickly followed it up with “Save the World” and “King of Oklahoma,” selections from his 2023 Grammy-winning album Weathervanes. The new tracks stood proudly alongside fan-favorite older songs, showing just how seamlessly Isbell continues to evolve as both a songwriter and performer. As the night progressed, Isbell’s rich vocals and searing guitar solos were beautifully complemented by the tight musicianship of The 400 Unit. Together, they create a sound that’s both deeply intimate and capable of filling a venue as large and open as Ravinia.
For those unfamiliar with Isbell’s journey, he first gained prominence as a member of Drive-By Truckers before forging a solo career that would cement him as one of the greatest storytellers of his generation. A six-time Grammy winner, Isbell’s music blends rock, country, and folk, making him a stalwart of the Americana genre. His sobriety and personal growth have been key themes in his work, particularly on the album Southeastern, which propelled him to critical acclaim. Fast forward to today, and his latest release, Weathervanes, continues his tradition of introspective, heart-wrenching storytelling, tackling themes of love, loss, and redemption.
The audience was treated to a full spectrum of emotions as Isbell moved through his 19-song set. Songs like “Cover Me Up” — a staple of his catalog and a declaration of love and sobriety — hit just as hard as ever, bringing an emotional crescendo to the end of his main set. Isbell’s ability to captivate with his lyrics, particularly lines like “I sobered up, and I swore off that stuff,” resonated deeply with the crowd, many of whom sang along, their voices rising to meet the starry sky.

Of course, no night would be complete without a surprise or two. Isbell’s three-song encore began with a heartfelt cover of The Cure’s “Just Like Heaven,” which he injected with his own Americana flair, giving the iconic tune a warm, acoustic feel. He followed it with “Cast Iron Skillet,” a poignant track from Weathervanes, before closing out the night with “Miles,” leaving the audience in a contemplative mood.
Before Isbell and The 400 Unit took the stage, Alejandro Escovedo delivered a 10-song set that served as the perfect primer for the night. Escovedo, whose career has spanned punk, rock, and roots music, brought an infectious energy to songs like “John Conquest” and “Castanets.” Escovedo, like Isbell, is no stranger to Ravinia, and his performance was entertaining and familiar.

Ravinia itself added its usual magic to the night. There’s something special about seeing a show at North America’s oldest music festival, where lawn chairs and picnic baskets blend with world-class performances. The intimacy of the Pavilion, combined with the communal atmosphere of the lawn, makes every concert here a unique experience. Isbell’s music, with its themes of self-reflection and connection, felt right at home.
This was one of the final big shows of the season, and as the night drew to a close, there was a sense of bittersweetness in the air — not only because Isbell’s set was over, but because it marked the end of another unforgettable Ravinia summer.
If you weren’t at this show, you missed out on a master storyteller at the height of his powers, backed by one of the tightest bands in the business. But don’t worry, Isbell’s music — like a perfect summer night at Ravinia — will stay with you long after the final note fades.
Check out of photos from photographer Linda O’Connell below!
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