Tag Archives: Fiserv Forum

Review: Linkin Park Numbs the Noise With Pure Energy at Fiserv Forum

Photo by Dan Garcia/The Early Registration

Linkin Park made their long-awaited return to Milwaukee on Monday night, and the Fiserv Forum crowd was more than ready to welcome them back with open arms and louder-than-life voices. The From Zero World Tour has been a victory lap of sorts for the band, not just celebrating their legacy but proving that they are very much rocking and thriving in 2025.

With their new album From Zero fueling the setlist and Emily Armstrong stepping confidently into her role as the band’s vocalist, this wasn’t just a nostalgia trip. It was a reminder that Linkin Park can still shake the walls and hearts of an arena as if no time had passed. In fact, after nearly a decade since their last Milwaukee appearance, at Summerfest 2015, you could say fans were crawling in their skin waiting for this night.

From the moment the band launched into “Somewhere I Belong,” the energy inside Fiserv Forum was electric. Fans erupted as if the song had been bottled up inside them for years, finally able to be unleashed in one euphoric scream. The production pulled no punches either. An immersive stage at the center of the arena with 360 degrees of fans on the GA floor and throughout all levels of the arena made for a great night. Milwaukee got the full Linkin Park experience, complete with moments that felt like thunderclaps one second and hushed confessions the next. The group leaned into their act-based structure that has been a consistent thread throughout the tour, giving the night a cinematic flow, almost like flipping through the chapters of a diary.

Emily Armstrong continues to be the standout story of this era. In city after city, she has shown that she doesn’t need to mimic or replace what can never be replaced. Chester Bennington’s absence will always be felt, but instead of trying to fill his shoes, Armstrong honors the spirit he left behind while bringing her own grit, range, and stage presence to these songs.

During “Numb” and “In the End,” Armstrong often let the audience carry the weight, creating one of those goosebump-inducing moments when thousands of voices blended into one. Then she’d turn right around and ignite new songs like “The Emptiness Machine” and “Heavy Is the Crown,” pouring so much fire into them that you could feel the arena collectively buying in to Linkin Park’s next chapter.

Of course, Mike Shinoda remains the heartbeat of the show. His raps on “Papercut” and “Remember the Name” (from his hip-hop side project, Fort Minor) hit with machine-like precision, and his voice on tracks like “Waiting for the End” gave the night a spiritual quality.

The setlist was built to please everybody, from the diehard Hybrid Theory fans who have had these songs tattooed on their souls since 2000, to the fans embracing the shiny new material. Old favorites like “Crawling,” “Faint,” and “One Step Closer” hit as hard as they ever did, proving the band hasn’t lost a single ounce of its ferocity. Then came the new songs from From Zero, which flowed seamlessly into the night instead of feeling like an intermission. “Cut the Bridge” and “Overflow” showed off the band’s modern muscle, while “Lost” acted as the emotional centerpiece, silencing the room before turning it into a chorus of catharsis.

By the encore, everyone knew what was coming, but that didn’t make it any less explosive. The band returned with “Heavy Is the Crown,” giving one last punch of new material, before unleashing “Bleed It Out.” As Shinoda commanded the crowd to chant along, the noise grew so deafening that it felt like the entire Deer District could hear it. Fans jumped, shouted, and emptied their lungs on that finale, leaving the arena buzzing long after the last note. If the Bucks ever need a new pump-up anthem, they might want to consider putting this closer in their pregame playlist.

By the end of the night, Milwaukee had witnessed something bigger than just a rock concert. Linkin Park turned Fiserv Forum into a time machine, a therapy session, and a celebration all at once. They honored the past while embracing the future, and they did it with enough energy to power the city’s skyline. For longtime fans, it was validation that the wait was worth it, and for new ones, it was proof that this band is still one of the most important in rock. Linkin Park didn’t just bring the house down in Milwaukee. They built it back up again, stronger than ever, from zero.

Review: Millennium Tour Delivers All Killer and No Filler to the Fiserv Forum

Photo by Dan Garcia/The Early Registration

Milwaukee got a full blast of nostalgia on Saturday night as The Millennium Tour rolled into town, packing the Fiserv Forum with screaming fans, throwback vibes, and a stacked lineup that made it feel like the early 2000s never left.

From start to finish, this diverse tour brought together R&B smoothness, club bangers, and chart-dominating hits that defined an era. With Trey Songz, Rick Ross, Omarion, Bow Wow, Plies, Boosie, the Ying Yang Twins, RSVP (Ray J, Sammie, Bobby V and Pleasure P) and Nivea all taking the stage, this year’s edition of the tour leaned heavy on nostalgia without ever feeling dated. The energy? Immaculate. The setlist choices? All killer, no filler.

Nivea Starts the Night With Sass and Soul

Opening up the evening was R&B singer Nivea, who warmed up the crowd with soulful vocals and serious Y2K diva energy. Her time on stage may have been short, but with a classic like “Don’t Mess With My Man,” she had R&B fans singing every word.

Ying Yang Twins Didn’t Make Fans “Wait”

Next up were the Ying Yang Twins, and if anyone thought a Saturday night in Milwaukee needed a jumpstart, these guys made sure that wasn’t the case. Their club anthems like “Salt Shaker” and “Wait (The Whisper Song)” had the crowd moving like it was a crunk-era basement party. It’s impressive how this ATL duo can still bring this much chaotic, booty-shaking energy with nothing but a couple of mics and massive charisma.

RSVP: An R&B Dream Team

RSVP—made up of Ray J, Sammie, Bobby V, and Pleasure P (formerly of Pretty Rick) —proved that R&B supergroups are still very much a vibe. Each brought their own solo hits to the stage, while also showing off their synergy as a group. Between the outfits, dancing, and playful energy, they served up pure entertainment and some of the smoothest moments of the night.

Boosie Brings the Unfiltered Energy

When Boosie hit the stage, the energy turned all the way up. He brought his signature raspy intensity and straight-from-the-block realness to the Fiserv Forum, performing street anthems like “Wipe Me Down” and “Set It Off” that had the entire building yelling along. Boosie doesn’t sugarcoat a thing—his set was raw, passionate, and unapologetically Boosie. The crowd ate up every minute, reminding us that his music still hits just as hard in 2025 as it did back in the day.

Plies Brings the Southern Swagger

Following Boosie, Plies delivered one of the most charismatic sets of the night. With tracks like “Bust It Baby,” “Shawty,” and “Hypnotized,” he brought that distinct Southern charm mixed with club-ready confidence. His stage presence was effortless, vibing with the crowd and making it feel like we were all invited to a private party. Plies knows his hits have aged like fine wine, and he served them with style.

Rick Ross Delivers a Masterclass in Swagger

When Rick Ross took the stage, it felt like the whole arena shifted. The Boss, and the biggest name on the lineup, brought a sense of grandeur to his set, commanding the stage with luxury, confidence, and a string of anthems like “Hustlin’” and “Aston Martin Music.” He didn’t need theatrics, his catalog and presence were more than enough.

Omarion Brings the Smooth

Omarion’s performance was part concert, part dance clinic. From “Ice Box” to “Touch,” the former B2K frontman moved like he hasn’t aged a day. He might have had the most well-rounded set of the night—equal parts sultry, nostalgic, and high energy. And yes, the signature moves made an appearance.

Bow Wow Proves He’s Still Got It

Bow Wow entered with the confidence of someone who’s been doing this since before he hit puberty and he reminded the Fiserv crowd why he was once the prince of teen rap. From “Let Me Hold You” to “Bounce With Me,” he delivered a crowd-pleasing set that had everyone singing and was far from “lil”.

Trey Songz Closes With R&B Fireworks

Trey Songz took the headline spot and absolutely delivered with a seductive, high-energy finale that capped off the night perfectly. Songs like “Bottoms Up,” “Say Aah,” and “Can’t Help But Wait” proved why he’s still a dominant voice in modern R&B. He brought just the right mix of vocal acrobatics, shirtless moments, and crowd interaction to send fans home smiling.

A Nostalgic Night Worth Every Minute

While each artist had around 15 to 30 minutes, none of the sets felt rushed or incomplete. In fact, the brevity meant there was no room for fille, just hit after hit, woven together into a non-stop mixtape of our teenage years. The production was slick, the transitions smooth, and the love in the crowd was undeniable.

The Millennium Tour has always been more than just a concert, it’s a celebration of an era, a shared playlist of our formative years and perhaps our iPad Nanos, and a reminder that good music never gets old. Milwaukee showed up and showed out, and this tour proved it’s still got plenty of gas in the tank.

Photos: Jonas Brothers Electrify Milwaukee at Fiserv Forum

BY TER STAFF

Photo by Dan Garcia/The Early Registration

The Fiserv Forum was pulsating with energy and excitement as the Jonas Brothers took the stage last night. The beloved pop-rock trio, known for their dynamic performances, delivered an electrifying show that took their fans on a nostalgic yet fresh musical journey.

The concert opened with a bang as the Jonas Brothers emerged, instantly capturing the audience with their charisma and vibrant stage presence. They kicked off with a high-energy performance of one of their classic hits, setting the tone for an unforgettable evening where they would perform the vast majority of their extensive discography.

As the night unfolded, the brothers seamlessly blended their well-loved classics with tracks from their latest album, simple titled “The Album”. The setlist was a perfect mix of up-tempo numbers and soulful ballads, showcasing their versatility as artists.

The crowd’s response was electric. Fans of all ages sang along, danced, and cheered, creating a sea of energy that resonated throughout the venue. The connection between the band and their fans was tangible, a testament to the Jonas Brothers’ enduring appeal and the impact of their music.

The night concluded with a powerful encore, featuring their massive Marshmello collab, “Leave Before You Love Me”. The energy in the arena reached its peak, leaving the audience on a high, wanting more.

As the concert came to a close, it was evident that the Jonas Brothers had delivered more than just a performance; they had created an experience. Their ability to blend nostalgia with contemporary appeal, engaging their fans across generations, was on full display. 

Check out our photos from the Jonas Brothers’ Milwaukee performance below.