Category Archives: News

Review: Linkin Park Numbs the Noise With Pure Energy at Fiserv Forum

Photo by Dan Garcia/The Early Registration

Linkin Park made their long-awaited return to Milwaukee on Monday night, and the Fiserv Forum crowd was more than ready to welcome them back with open arms and louder-than-life voices. The From Zero World Tour has been a victory lap of sorts for the band, not just celebrating their legacy but proving that they are very much rocking and thriving in 2025.

With their new album From Zero fueling the setlist and Emily Armstrong stepping confidently into her role as the band’s vocalist, this wasn’t just a nostalgia trip. It was a reminder that Linkin Park can still shake the walls and hearts of an arena as if no time had passed. In fact, after nearly a decade since their last Milwaukee appearance, at Summerfest 2015, you could say fans were crawling in their skin waiting for this night.

From the moment the band launched into “Somewhere I Belong,” the energy inside Fiserv Forum was electric. Fans erupted as if the song had been bottled up inside them for years, finally able to be unleashed in one euphoric scream. The production pulled no punches either. An immersive stage at the center of the arena with 360 degrees of fans on the GA floor and throughout all levels of the arena made for a great night. Milwaukee got the full Linkin Park experience, complete with moments that felt like thunderclaps one second and hushed confessions the next. The group leaned into their act-based structure that has been a consistent thread throughout the tour, giving the night a cinematic flow, almost like flipping through the chapters of a diary.

Emily Armstrong continues to be the standout story of this era. In city after city, she has shown that she doesn’t need to mimic or replace what can never be replaced. Chester Bennington’s absence will always be felt, but instead of trying to fill his shoes, Armstrong honors the spirit he left behind while bringing her own grit, range, and stage presence to these songs.

During “Numb” and “In the End,” Armstrong often let the audience carry the weight, creating one of those goosebump-inducing moments when thousands of voices blended into one. Then she’d turn right around and ignite new songs like “The Emptiness Machine” and “Heavy Is the Crown,” pouring so much fire into them that you could feel the arena collectively buying in to Linkin Park’s next chapter.

Of course, Mike Shinoda remains the heartbeat of the show. His raps on “Papercut” and “Remember the Name” (from his hip-hop side project, Fort Minor) hit with machine-like precision, and his voice on tracks like “Waiting for the End” gave the night a spiritual quality.

The setlist was built to please everybody, from the diehard Hybrid Theory fans who have had these songs tattooed on their souls since 2000, to the fans embracing the shiny new material. Old favorites like “Crawling,” “Faint,” and “One Step Closer” hit as hard as they ever did, proving the band hasn’t lost a single ounce of its ferocity. Then came the new songs from From Zero, which flowed seamlessly into the night instead of feeling like an intermission. “Cut the Bridge” and “Overflow” showed off the band’s modern muscle, while “Lost” acted as the emotional centerpiece, silencing the room before turning it into a chorus of catharsis.

By the encore, everyone knew what was coming, but that didn’t make it any less explosive. The band returned with “Heavy Is the Crown,” giving one last punch of new material, before unleashing “Bleed It Out.” As Shinoda commanded the crowd to chant along, the noise grew so deafening that it felt like the entire Deer District could hear it. Fans jumped, shouted, and emptied their lungs on that finale, leaving the arena buzzing long after the last note. If the Bucks ever need a new pump-up anthem, they might want to consider putting this closer in their pregame playlist.

By the end of the night, Milwaukee had witnessed something bigger than just a rock concert. Linkin Park turned Fiserv Forum into a time machine, a therapy session, and a celebration all at once. They honored the past while embracing the future, and they did it with enough energy to power the city’s skyline. For longtime fans, it was validation that the wait was worth it, and for new ones, it was proof that this band is still one of the most important in rock. Linkin Park didn’t just bring the house down in Milwaukee. They built it back up again, stronger than ever, from zero.

Preview: Jonas Brothers Bring Their 20th Anniversary Tour to Tinley Park on Aug. 26

Photo by Dan Garcia/The Early Registration

Fresh off a sold-out kickoff at New Jersey’s MetLife Stadium and various huge performances across the country, including a show at Fenway Park, the Jonas Brothers are headed to the Chicago area this week with their JONAS20: Greetings From Your Hometown Tour, a career-spanning celebration of two decades of music, growth, and fan connection. The trio will take the stage at the Credit Union 1 Amphitheatre in Tinley Park on Tuesday, August 26, with tickets available now.

A Full-Circle Celebration

The tour opener in East Rutherford set the tone for what Tinley Park fans can expect: a setlist packed with hits from every chapter of the brothers’ 20-year career. From early favorites like “Lovebug” and “S.O.S.” to arena staples like “Burnin’ Up” and “Sucker,” the show also spotlights material from their brand-new album Greetings From Your Hometown, including singles “No Time to Talk” and “Love Me to Heaven.” Nick and Joe even go head-to-head with mini-sets from their solo eras, and yes—“Cake By The Ocean” is still in the mix.

Kevin’s Solo Spotlight

Adding to the nostalgia and surprises, Kevin Jonas recently stole the spotlight with a rare solo guitar-and-vocal performance during the tour’s stop at the historic Fenway Park, a heartfelt moment that left his wife, Danielle Jonas, in tears in the crowd. Whether Kevin reprises his solo turn in Tinley Park remains to be seen, but fans will be watching closely for that emotional highlight.

Surprise Guests Galore

If the MetLife opener is any indication, Tinley Park audiences should brace for surprises. The Jonas Brothers have been inviting special guests nightly, with the New Jersey crowd treated to Demi Lovato (“This Is Me”), Jesse McCartney (“Beautiful Soul”), Switchfoot (“Meant to Live”), and Dean Lewis (“Loved You Better”). Future stops are set to feature Marshmello, The All-American Rejects, and Boys Like Girls on select dates but the real fun is in the unknown. With their track record, Chicago-area fans can expect at least one guest star moment worth buzzing about.

More Than Just a Concert

Beyond the music, the brothers have built out JONASCON ON TOUR, an immersive fan experience that opens ahead of showtime with exclusive merch, photo ops, contests, and even celebrity meet-and-greets. It’s a festival-like prelude to the main event, giving fans of all generations a chance to step deeper into the Jonas world.

Remaining Tour Dates

  • Aug 26 – Tinley Park, IL – Credit Union 1 Amphitheatre
  • Aug 28 – Detroit, MI – Little Caesars Arena
  • Aug 30 – Rogers, AR – Walmart AMP
  • Aug 31 – Dallas, TX – Dos Equis Pavilion
  • Sep 4 – Chula Vista, CA – North Island Credit Union Amphitheatre
  • Sep 6 – Los Angeles, CA – Intuit Dome
  • Sep 13 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
  • Sep 18 – Vancouver, BC – Rogers Arena
  • Sep 20 – Portland, OR – Moda Center
  • Sep 22 – Seattle, WA – Climate Pledge Arena
  • Sep 25 – San Francisco, CA – Chase Center
  • Sep 26 – Sacramento, CA – Golden 1 Center
  • Sep 27 – Anaheim, CA – Honda Center
  • Sep 28 – Phoenix, AZ – PHX Arena (Formerly Footprint Center)
  • Sep 30 – Albuquerque, NM – Isleta Amphitheater
  • Oct 2 – Denver, CO – Ball Arena
  • Oct 5 – Des Moines, IA – Wells Fargo Arena
  • Oct 6 – Omaha, NE – CHI Health Center
  • Oct 7 – Kansas City, MO – T-Mobile Center
  • Oct 8 – St. Louis, MO – Enterprise Center
  • Oct 10 – St. Paul, MN – Xcel Energy Center
  • Oct 12 – Milwaukee, WI – Fiserv Forum
  • Oct 14 – Nashville, TN – Bridgestone Arena
  • Oct 16 – Tulsa, OK – BOK Center
  • Oct 17 – Austin, TX – Moody Center
  • Oct 18 – San Antonio, TX – Frost Bank Center
  • Oct 19 – Houston, TX – Toyota Center
  • Oct 22 – Tampa, FL – Amalie Arena
  • Oct 24 – Sunrise, FL – Amerant Bank Arena
  • Oct 26 – Orlando, FL – Kia Center
  • Oct 28 – Atlanta, GA – State Farm Arena
  • Oct 29 – Raleigh, NC – Lenovo Center
  • Nov 1 – Lexington, KY – Rupp Arena
  • Nov 2 – Indianapolis, IN – Gainbridge Fieldhouse
  • Nov 4 – Knoxville, TN – Thompson-Boling Arena at Food City Center
  • Nov 5 – Charlotte, NC – Spectrum Center
  • Nov 6 – Columbia, SC – Colonial Life Arena
  • Nov 8 – Columbus, OH – Schottenstein Center
  • Nov 9 – Buffalo, NY – KeyBank Center
  • Nov 11 – Cleveland, OH – Rocket Arena
  • Nov 12 – Pittsburgh, PA – PPG Paints Arena
  • Nov 14 – Uncasville, CT – Mohegan Sun Arena

Benson Boone Brings Acrobatics Heart and Humor to Sold Out United Center Stop of American Heart Tour

Photo by Dan Garcia/The Early Registration

Benson Boone brought his first ever headlining arena tour to Chicago on Saturday night and the United Center was more than ready for him. The American Heart World Tour kicked off just the night before in Saint Paul but already felt like a well-oiled machine as Boone stepped in front of a sold out crowd that proved he has quickly outgrown theaters.

The extended stage stretched the length of the arena floor with a massive heart shaped platform at the end, giving fans throughout the building a clear view of the action. The setup allowed Boone to cover nearly every inch of the arena and made the show feel as personal as it did larger than life. From the opening moments to the final notes, the energy in the building never wavered.

The night started with a humorous skit on the video screens featuring Boone and his “agent” from the fictional Industry Plant Records, poking fun at the chatter surrounding his quick ascent in the industry. It was a clever way to break the ice and set the tone, showing fans that Boone is fully aware of the talk around him and not afraid to laugh about it. When he finally took the stage, the cheers were deafening and the playful mood carried over into his performance. The United Center is known for hosting some of the biggest names in the world, but Boone carried himself as though he had been playing arenas for years.

Part of what separates Boone from many of his peers is his ability to combine athleticism with musicianship. His acrobatics were a constant thrill throughout the night, as he executed flip after flip across the stage. We counted eight in total, though without an abacus on hand it is possible we missed one. Each flip drew a roar from the crowd and became a signature punctuation mark on the performance. None stood out more than the backflip off his piano, which came after a moving rendition of “Slow It Down” played on a disco ball coated instrument at the top of the stage. It was a moment that summed up Boone’s style perfectly, seamlessly blending heartfelt sincerity with show-stopping flair.

There was no shortage of emotional moments either. “Momma Song” featured home video clips projected on the arena screens, including touching family footage and a clip of his father doing a backflip. The crowd responded warmly, applauding the gesture and embracing the sense of family woven into Boone’s art. Later, during “In The Stars,” he was raised into the air at the B stage while seated at a sparkling blue piano, creating a visual that turned the arena into something out of a dream. And perhaps the most ambitious staging of the night came during “Mystical Magical,” when Boone was strapped to a massive chandelier that floated through the air above the floor before gently landing above the heart shaped B stage. It was the kind of theatrical spectacle you might expect from pop veterans, not someone on their very first arena run, and it left the crowd in awe.

Of course, Boone also left room for surprises. Halfway through the set he invited his friend and tour photographer Mclean Long on stage to help announce the night’s special cover song. Long fired a shirt into the crowd with a t-shirt cannon, and when a fan held it up for the camera it revealed the title of Creedence Clearwater Revival’s “Fortunate Son.” Boone and his band tore through the track with a raw edge that felt like a change of pace from the polished pop that filled the rest of the night. It was one of those moments that reminded fans that Boone is not just an entertainer but also a music fan eager to share his own influences.

The stage itself became as much a part of the show as Boone. The catwalk allowed him to run the length of the floor and greet fans on both sides of the arena, while the heart shaped B stage created a natural focal point for some of the night’s biggest numbers. Even in an arena the size of the United Center, Boone managed to create intimacy, crouching down to interact with fans and letting the crowd carry parts of songs. At times it felt less like a pop concert and more like a community gathering, which only added to the sense of celebration.

Benson also showcased his sense of humor throughout the night. “One of the most terrifying things about this stage is no matter where I’m singing, someone is staring at my front, my back and my side.” “He continued “I feel like a clinch my butt a lot when I sing… I’m so sorry but I have to do it when I sing”. The clinching definitely paid off as he hit the high notes all night.

By the encore of “Cry” it was clear that Boone had left everything on the stage. His mix of humor, high flying acrobatics, heartfelt piano ballads, and his ability to connect with tens of thousands of fans at once made the evening feel like more than just another tour stop. For a first headlining arena run, the polish and confidence were striking, but what stood out most was Boone’s genuine joy. He smiled through nearly every song, often looking as if he could not quite believe the size of the crowd in front of him.

In a building that has hosted legends from every genre, Benson Boone managed to leave his own mark. The sold out crowd of fans singing along to every word made clear that he is not just filling arenas but commanding them. The American Heart Tour feels like the next chapter in a career that is only just getting started, and on Saturday night in Chicago, fans were there for every flip, every laugh, and every heartfelt note.

Simple Plan Energizes Milwaukee with a Nostalgia-Fueled Pop-Punk Performance

Photo by Dan Garcia/The Early Registration

Under a golden dusk at the Summerfest ground’s scenic BMO Pavilion in Milwaukee, last night Simple Plan delivered a high-octane, feel-good show, celebrating their 25th anniversary on the aptly named Bigger Than You Think! Tour, with spirited support from 3OH!3, Bowling for Soup, and LØLØ.

LØLØ kicked things off with infectious energy and charisma, her voice slicing through the breeze and warming the crowd instantly. Though brief, her set hinted at the indie-sleaze flair that earned her a spot on this stacked bill.

Bowling for Soup followed with their signature tongue-in-cheek humor and years of hits. Their self-deprecating jokes and crowd-pleasing tracks like “1985” had fans roaring and laughing in equal measure.

3OH!3 wrapped up the opening acts, unleashing electronic-pop bangers like “Don’t Trust Me” with pulsing beats and playful stage banter. The duo had the amphitheater bouncing, half dancing, half singing along, setting a buoyant tempo for the evening.

By the time Simple Plan took the stage, excitement pulsed through the crowd like electricity. They opened with “I’d Do Anything,” “Nothing Changes,” “Shut Up!,” “Jump,” “Addicted,” and “Jet Lag” (the latter featuring LØLØ joining for a memorable duet).

From that moment, it was a seamless, high‑voltage romp. The band’s precision was striking, tight riffs and polished harmonies. Lead singer Pierre Bouvier addressed the audience with warm familiarity, the band clearly feeding off Milwaukee’s energy.

Highlights followed at a rapid clip: “Can’t Keep My Hands Off You,” “Welcome to My Life,” and “Summer Paradise” found a perfect spot early, blending heartfelt nostalgia with anthemic hooks. The emotional mid‑set pivot came with “Untitled (How Could This Happen to Me?)” where Pierre was on the keys in the crowd, who was collectively holding its breath at the raw sentiment on display.

Playful chaos ensued later with a series of covers and mash‑ups. And as the main set wrapped, they capped things off with a flawless encore, delivering “I’m Just a Kid” followed by “Perfect”, a heartfelt, nostalgic send‑off that left the Pavilion glowing in unison.

Milwaukee’s BMO Pavilion, framed by Lake Michigan and built for concerts, proved the ideal setting. The sound was crisp and powerful without distortion, allowing every chord and vocal flourish to hit home. Lighting and stage visuals were dynamic but never overblown, reinforcing the joyous spirit of the evening.

Simple Plan’s performance at BMO Pavilion was a masterclass in balancing nostalgia with tight modern showmanship. From the opening trio of support acts to the heartfelt encore, the evening was paced with precision and brimming with pop-punk joy.

They reminded Milwaukeeans, and perhaps themselves, just how big this band still feels. The Bigger Than You Think! Tour isn’t just a title, it’s a promise that, even after 25 years, Simple Plan can still ignite crowds and make us feel young again.

Benson Boone Set to Bring His “American Heart Tour” to the United Center this Saturday

Benson Boone performs at SXSW’s “Sips & Sounds” Music Festival in Austin, TX (Photo by Dan Garcia/The Early Registration).

Pop sensation Benson Boone, fresh off the release of his second studio album American Heart in June, lands at Chicago’s United Center this Saturday, August 23, 2025, at 8:00 PM (Doors open at 7:00 PM) as part of his American Heart World Tour. The tour, set to launch just one day earlier at the Xcel Energy Center in Saint Paul, marking Boone’s first all‑arena run across North America and Europe, set to wrap up in Stockholm in mid‑November.

Boone’s sophomore LP, American Heart, dropped June 20 and debuted at No. 2 on the Billboard 200. The album features singles like “Sorry I’m Here for Someone Else,” the retro‑tinged “Mystical Magical,” and the soaring “Mr Electric Blue,” all showcasing his theatrical pop‑rock flair and vocal prowess.

Getting There: Benson Boone Style

In a playful nod to fans on the move, Google has rolled out a Benson Boone–themed navigation experience in Maps ahead of the tour. From August 14 onward, fans in the U.S. can swap their standard navigation arrow for Boone’s Mustang, tap the arrow during route navigation, and voilà, Mr. Boone is your co‑pilot.

On desktop Street View, the famous Google Pegman transforms into Boone himself, dressed in his signature jumpsuit performing a backflip—whenever you explore the locations of tour venues like the United Center.

What to Expect at United Center

As Benson Boone brings the American Heart tour to one of Chicago’s most iconic venues, fans can expect a high-energy arena performance that leans into his vibrant pop‑rock aesthetic and signature theatrics, from backflips to soaring vocals.

The evening promises a journey through his new album’s eclectic tracks, including “Mystical Magical” with its Seventies‑vibe and “Mr Electric Blue” that taps into classic rock and Americana roots. And of course, the show will likely feature “Beautiful Things,” the hit that cemented his breakout success.

Whether you’re there in person, or navigating via Google Maps, this performance is set to be one of the stand‑out dates of the summer concert season for Boone.

Quick Info

  • Date & Time: Saturday, August 23, 2025 — show begins at 8:00 PM; doors open at 7:00 PM
  • Venue: United Center, Chicago, IL
  • Album: American Heart, released June 20, 2025
  • Tour: American Heart World Tour — first arena tour, spanning North America and Europe
  • Google Maps Features: Mustang driving avatar, back‑flipping Pegman in Street View, “Go List” of Boone’s favorite tour‑city spots

Preview: John Legend Brings 20 Years of “Get Lifted” to Ravinia This Weekend

Photo by Dan Garcia/The Early Registration

Dates & Times

  • Saturday, August 23, 2025, and Sunday, August 24, 2025
  • Doors: Donor Gates at 4:30 PM; Public Gates at 5:00 PM; show starts at 7:30 PM in the Pavilion.

Location

  • Pavilion, Ravinia Festival, Highland Park, IL

Tickets

  • Reserved Seat: $215
  • Discover Reserved Lawn (per person, blocks of 2/4/6): $165
  • General‑Admission Lawn: $69–$74

The Show
Multi‑platinum and 13‑time Grammy Award‑winning artist John Legend delivers a heartfelt performance celebrating 20 years of his debut album, Get Lifted. The evening revisits the album that launched his career, now featuring an anniversary edition with 11 bonus tracks, 8 new remixes and rare B‑sides. It’s a night of soulful nostalgia and storytelling under the summer sky.

Artist Reflections
Legend shares:

“I’m so thrilled to be celebrating 20 years of the album that introduced me to the world… I’m so grateful for the career that this album launched. These last 20 years have taken me far beyond my wildest dreams.”

He adds:

“Revisiting the original album and some of the unreleased songs from that era has been such a meaningful experience. Reinvigorating the music with fresh remixes and collaborations featuring some of my favorite artists makes this celebration even more special.”

Why You’ll Want to Be There
This performance isn’t just another concert, it’s a poignant tribute to the work that defined John Legend as an artist. Whether you’re a longtime fan or discovering Get Lifted anew, it’s a chance to experience the album’s soul-stirring tracks, enhanced with fresh remixes and rare gems.

Planning Your Visit

  • Picnics are welcome! Ravinia is famous for its relaxed atmosphere, bring a picnic, enjoy lawn seating, and maybe pair it with a pre-show meal at the Festival Park View or Lawn Bar .
  • Getting There: Metra’s Union Pacific North Line stops at the venue—super convenient! For those driving, check the specific event page for parking details and consider using the Park & Ride or shuttle options .
  • Cashless Venue: Everything from concessions to merchandise at Ravinia is cashless—credit/debit or mobile payment only .

Preview: Maren Morris’ “Dreamsicle Tour” Lands at Ravinia This Weekend

Photo by Dan Garcia/The Early Registration

Country-pop superstar Maren Morris will bring her Dreamsicle Tour to the Pavilion at Ravinia in Highland Park on Friday, August 22, 2025. Known for blending the storytelling roots of country with pop, R&B, and soul influences, Morris has established herself as one of the most versatile voices in contemporary music. Fans at Ravinia can expect an evening filled with her powerful vocals and genre-spanning catalog.

The show is scheduled to begin at 7:30 p.m., with Miya Folick opening the night. Gates will open for donors at 4:30 p.m. and for the general public at 5:00 p.m., giving attendees plenty of time to settle in and enjoy the Ravinia experience before the music starts.

Morris has been captivating audiences since the release of her breakout single My Church in 2016, earning multiple Grammy nominations and a Grammy win. Along the way, she has released hits like The Bones, Rich, and her smash collaboration with Zedd, The Middle. Her most recent work continues to showcase her growth as a songwriter and performer, making her upcoming Ravinia stop a highlight of the summer concert season.

The evening promises to be more than just a concert—Ravinia’s outdoor setting offers fans the chance to enjoy Morris’s music under the stars, surrounded by one of the most unique and scenic venues in the country. With tickets ranging from $54 to $125, this performance is accessible to a wide range of fans eager to see one of Nashville’s brightest stars live.

Review: Backstreet Boys Turn Back Time and Step Into the Future with Dazzling Sphere Residency

Photo by Dan Garcia/The Early Registration

The Backstreet Boys have always been larger than life, but this year, inside the towering, otherworldly walls of the Sphere in Las Vegas, they finally had a venue that matched the scope of their ambition. Their “Into the Millennium” residency has quickly become one of the Strip’s most essential tickets, and after seeing it unfold in person, it’s easy to understand why. What might have been a straightforward nostalgia play, a 25-song set built around their blockbuster 1999 album Millennium, instead felt like an epic collision of memory, pop spectacle, and futuristic stagecraft, a show that pushed the concept of a boy band reunion far beyond the expected.

From the opening blast of “Larger Than Life,” the group made it clear that this wasn’t going to be just another Vegas residency. The Sphere’s 160,000-square-foot LED dome, which has hosted some of the most ambitious visual productions in music history thus far, transformed the familiar anthem into something transcendent. Massive intergalactic backdrops engulfed the audience, as if AJ, Brian, Howie, Kevin, and Nick were inviting fans on a ride through space itself. When the chorus hit, the visuals exploded into a burst of neon stars and galaxies, and the crowd of thousands screamed like it was 1999 all over again.

But while the technology stole glances throughout the night, the show’s heart remained in its setlist. The band leaned heavily into Millennium, not just the chart-toppers that defined Y2K radio, but also the deep cuts that longtime fans never thought they’d hear live. Hearing “I Need You Tonight” sung in the middle of the Sphere, with its acoustic arrangement accompanied by visuals of swirling city lights, felt like stepping back into a forgotten memory. “The Perfect Fan,” a ballad often overlooked in the group’s catalog, was delivered with disarming sincerity, accompanied by a montage of childhood photos projected around the dome, a reminder that beneath the gloss and choreography, this band has always thrived on its emotional connection with fans.

The surprises didn’t stop with the old material. Midway through the show, the Boys slipped in “Hey,” a brand-new single released as part of the Millennium 2.0 reissue. It was a bold statement in a show otherwise fueled by nostalgia: proof that the band still sees itself as a creative force, not just a legacy act. And while some fans might have come purely for the classics, the reception was deafening. For a few minutes, the Sphere was less a time capsule and more a bridge between eras, showing that the Backstreet Boys aren’t finished writing their story.

Still, the production flourishes couldn’t be ignored. The Sphere’s enveloping visuals gave every song its own cinematic universe. During “As Long As You Love Me,” the group performed in a giant immersive spaceship. And then there was “I Want It That Way,” performed on a levitating platform that slowly rose in the sky. While the moment was breathtaking, the entire room gasped as the platform floated upward under a canopy of glowing constellations, it carried a touch of real tension. At a show so dedicated to spectacle, that moment of vulnerability stood out as one of the night’s most affecting.

The group’s chemistry, honed over three decades, gave the night its warmth. Between songs, they cracked jokes, made “we’re back again” puns, teased one another, and shared gratitude with the crowd, balancing the larger-than-life setting with moments of intimacy. They know exactly who their audience is and how to make them feel seen, whether that was through extended sing-alongs on “Shape of My Heart” or simply pausing to take in the roar of fans who have been waiting decades for an event of this magnitude.

By the time the encore rolled around, the night had built into a euphoric release. “I Want It That Way” left the room swaying in unison, voices echoing through the cavernous dome, but it was “Everybody (Backstreet’s Back)” that brought the house down at the end of the night. Lasers cut across the sky and the band danced with the same energy they did in their prime. For a few minutes, it didn’t matter that we were in 2025, or that the band has been around for more than 30 years. The Backstreet Boys had collapsed time entirely, pulling everyone into the same timeless joy.

Walking out of the Sphere, the sense was overwhelming: this wasn’t just another Vegas spectacle. It was a reminder that pop music at its best can be both comfortingly familiar and daringly ambitious, that nostalgia doesn’t have to be passive, and that the right band in the right venue can still surprise you decades into their career. The Backstreet Boys didn’t just bring their fans back to the late ’90s; they redefined what that era means in the present. With their new residency, the Backstreet Boys proved that the phrase “Backstreet’s back” isn’t just a chorus. It’s a promise!

Outside Lands 2025 Day 3 in Photos: Hoziers, Anderson .Paak, Bleachers & More

Jack Antonoff’s Bleachers performed for packed crowd on the final day of Outside Lands 2025 (Photo by Dan Garcia).

The final day of Outside Lands 2025 closed out the weekend on a high note, delivering a genre-spanning lineup that felt like a victory lap for both the artists and the thousands of fans packing Golden Gate Park. From afternoon sunshine singalongs to after-dark light shows, Sunday’s performances gave festivalgoers one last reason to dance, cheer, and maybe even shed a tear before heading back to reality.

Here are some of our favorite moments from the third and final day of this year’s festival.

Hozier

The Irish singer-songwriter brought his soulful, arena-filling voice to the Lands End stage, weaving through fan favorites and new cuts alike. As the fog rolled in, “Take Me to Church” turned the park into a giant choir, proving why Hozier is one of the most magnetic live performers today.

Anderson .Paak

Closing out the Sutro stage, Anderson .Paak brought pure California energy, blending slick funk grooves with his signature charisma. Backed by the Free Nationals, his set was a non-stop party that felt tailor-made for the festival’s final hours.

Bleachers

Jack Antonoff and company kept spirits high with an anthemic set that had fans jumping and shouting along to every word. “I Wanna Get Better” and “Don’t Take the Money” hit especially hard as the crowd soaked up the last bits of summer daylight.

Bigxthaplug

The Texas rapper delivered one of the day’s most high-octane sets, charging through bass-heavy tracks that rattled the Golden Gate Park. His stage presence was all grit and swagger, turning casual passersby into instant fans.

Rebecca Black

Once a viral pop figure, Rebecca Black showed just how far she’s come, owning the stage with polished electro-pop bangers and playful energy. Her crowd was all smiles, dancing without a care as she turned nostalgia into something bold and fresh.

Glass Animals

The indie-pop favorites turned the main stage into a technicolor dream, pairing lush visuals with their tropical beats. “Heat Waves” was the obvious highlight, sending the audience into a swaying, euphoric haze.

Jorja Smith

Closing out her U.S. festival run, the British R&B star captivated with a silky, understated set. Her voice carried effortlessly over the park, inviting the crowd into her world one smoky note at a time.

Photos by Dan Garcia

Outside Lands 2025 Day 2 in Photos: Vampire Weekend, Ludacris, LaRussell & More

LaRussell jumps into the pit to greet his hometown crowd at Outside Lands 2025 Day 2 (Photo by Dan Garcia).

Saturday brought a different kind of electricity to Golden Gate Park, one built on nostalgia, hometown pride, and unexpected genre mash-ups. The second day of Outside Lands wasn’t about easing into the weekend; it was about hitting the gas and keeping it there until the last note rang out.

Crowds spilled between stages chasing everything from Bay Area hip-hop to polished indie rock, never staying still for long. Here’s a look at some of the standout performances that defined the festival’s middle day.

Ludacris

With the confidence of someone who’s been commanding stages for decades, Ludacris turned the Lands End field into one giant block party. His rapid-fire delivery, playful banter, and string of early-2000s anthems had fans rapping along like muscle memory.

LaRussell

Few artists can connect with a hometown crowd the way LaRussell can. Between sharp verses and motivational asides, the Vallejo native made his set feel like a rally for the Bay, drawing cheers that echoed well beyond the stage.

Bakar

Bakar’s genre-bending sound was tailor-made for a festival afternoon, smooth one moment, jagged the next. “Hell N Back” became a full-on park-wide singalong, while his more off-kilter tracks kept listeners leaning in.

Matt Champion

Shedding expectations from his Brockhampton days, Matt Champion delivered a set that felt forward-looking and unpredictable. Swapping between laid-back flows and bursts of high energy, the former Brockhampton standout showed just how far his artistry has evolved.

Vampire Weekend

Bathed in natural lighting and backed by a crowd that knew every word, Vampire Weekend brought an easygoing close to the day. The classics from their matinee set hit like old friends, while newer songs proved the band’s charm hasn’t faded.