Category Archives: News

Preview: Troye Sivan and Charli XCX Set to Electrify Chicago’s United Center This Month

BY TER STAFF

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Chicago is about to experience one of the most dynamic pop pairings of the decade as Charli XCX and Troye Sivan will co-headline their “Sweat” tour at the United Center this month. Taking their talents to the UC on September 30, this highly anticipated collaboration between two of pop’s most progressive voices promises a night filled with infectious beats, bold visuals, and nonstop energy. For fans of genre-defying sounds, this is a concert you can’t afford to miss.

Troye Sivan, fresh off the release of his latest album Something to Give Each Other, is in top form. His infectious single “Rush” has been making waves, offering a perfect preview of the high-energy performance fans can expect. Sivan’s mastery of creating emotional yet danceable tracks makes his set a guaranteed highlight of the night. Fans will get to experience both new material and his iconic hits like “My My My!” and “Bloom,” all infused with his trademark euphoric style.

Charli XCX, always pushing the boundaries of pop music, will bring her unique sound and visual aesthetic to the stage as well. With hits like “Vroom Vroom” and “Boom Clap,” she is known for turning concerts into full-throttle experiences. Charli’s futuristic pop combined with her unapologetically bold attitude ensures her set will be a sonic and visual feast. Her recent collaborations with artists across the pop spectrum only add more fire to her already electric presence. Brat summer will extend into the fall this month!

Supporting these pop powerhouses is the genre-bending Shygirl, whose experimental approach to music blends elements of hyperpop, hip-hop, and electronic. Shygirl’s unique style is the perfect complement to Charli and Troye, setting the stage for an eclectic and dynamic show.

This tour is more than just a concert; it’s a celebration of pop music in all its forms—blending mainstream appeal with experimental edge. For Chicagoans, the United Center will become the ultimate party as Troye Sivan and Charli XCX bring their vision to life. Tickets are all sold-out so hopefully you got yours before it was too late!

CHARLI XCX & TROYE SIVAN PRESENT: SWEAT TOUR DATES

Sat Sep 14, 2024 – Detroit, MI – Little Caesars Arena

Mon Sep 16, 2024 – Laval, QC – Place Bell

Wed Sep 18, 2024 – Toronto, ON – Scotiabank Arena

Fri Sep 20, 2024 – Columbus, OH – Nationwide Arena

Mon Sep 23, 2024 – New York, NY – Madison Square Garden

Wed Sep 25, 2024 – Philadelphia, PA – Wells Fargo Center

Thu Sep 26, 2024 – Baltimore, MD – CFG Bank Arena

Sat Sep 28, 2024 – Boston, MA – TD Garden

Mon Sep 30, 2024 – Chicago, IL – United Center

Wed Oct 02, 2024 – Nashville, TN – Bridgestone Arena

Thu Oct 03, 2024 – Atlanta, GA – State Farm Arena

Sat Oct 05, 2024 – Miami, FL – Kaseya Center

Sun Oct 06, 2024 – Orlando, FL – Kia Center

Wed Oct 09, 2024 – Dallas, TX – American Airlines Center

Fri Oct 11, 2024 – Denver, CO – Ball Arena

Sun Oct 13, 2024 – Phoenix, AZ – Footprint Center

Tue Oct 15, 2024 – Los Angeles, CA – Kia Forum

Fri Oct 18, 2024 – San Diego, CA – Viejas Arena

Sun Oct 20, 2024 – San Francisco, CA – Chase Center

Tue Oct 22, 2024 – Portland, OR – Moda Center

Wed Oct 23, 2024 – Seattle, WA – Climate Pledge Arena

Review: Kacey Musgraves Takes Fans to New Heights in Chicago for Deeper Well World Tour

BY DAN GARCIA

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Kacey Musgraves levitates into the air during a memorable opening to her Chicago performance at the Allstate Arena on September 12, 2024 (Photo by Dan Garcia/The Early Registration).

“High Horse” singer Kacey Musgraves rode into Rosemont, Illinois last night with her unmistakable charisma, leaving fans at the Allstate Arena thoroughly charmed. On tour supporting her 2024 album Deeper Well, the country-pop queen managed to sprinkle in her signature humor, levitate (yes, you read that right), and dish on Chicago’s finest foods—all while delivering one of the most memorable sets of the year.

For the somehow uninitiated, Musgraves is a genre-defying singer-songwriter whose rise to stardom was kickstarted by her 2013 breakout hit Follow Your Arrow. Since then, she’s collected a slew of Grammy Awards, melted hearts with her ethereal 2018 album Golden Hour, one of the most complete and perfect LPs, and is now back with Deeper Well, a project that dives into emotional depths with as much honesty as her fans have come to love.

Cardinal Takes Flight

Musgraves opened her 20-song set with “Cardinal,” and, no big deal, casually levitated toward the stars (and somehow without any visible wires). As her video backdrop displayed a stunning starry night, the “Star-Crossed” singer gave us another reason to believe she might actually be otherworldly. The crowd went wild, though to be fair, flying isn’t even the most impressive thing she did—her vocals and songwriting might still take the cake there.

A & B, Plus a Little S-Z-A Midway through the set, Musgraves made her way to a B-stage in the middle of the general admission floor, giving fans a closer look (some maybe a little too close). Decked out in a low-cut dress, she joked, “I’m pretty sure some of you behind me can see my butt cheeks, I should have charged y’all extra.” It was this blend of wit and warmth that made her set feel intimate, even in the massive arena.

On the B-stage, she stripped things down with heartfelt performances of Follow Your Arrow, Family Is Family, The Architect, and a surprise cover of SZA’s Kill Bill. The latter was made even more special when she brought out her tour’s opening act, Nickel Creek, to join her. It’s not every day you hear a country star tackle a moody R&B revenge anthem, but leave it to Musgraves to pull it off.

Deep Well and Deeper Dish In between songs, Musgraves made sure to give some love to Chicago’s famous food. Craving for a Chicago style hot dog and some Pequod’s Pizza, the “Deeper Well” singer told the crowd “that s***t’s deep”, speaking on the deep dish pizza. The humor continued, a signature trait of hers, even when she delivered emotionally charged songs like Golden Hour. For instance, in the final moments of that track, she cheekily swapped out the words “golden hour” for “golden shower,” much to the crowd’s delight.

Confirmed Chappell Stan One of the night’s best moments came near the end when she followed a beautiful cover of Chappell Roan’s Pink Pony Club with her chart-topping anthem High Horse. Watching Musgraves transition from a sultry ballad to the upbeat, disco-infused hit had the entire arena up on their feet, dancing like it was a Friday night at Chappell’s now famous fictional club.

No Encore, But Maybe? Musgraves closed out her set with Deeper Well and Rainbow, though she hilariously admitted she wouldn’t call it an encore because they’re too planned. “But,” she quipped, “it’d be funny if I came out after anyway, right?” While she didn’t do a second appearance, her humor kept the vibe light, leaving everyone with the perfect mix of emotions as the night drew to a close.

From the incredible production (including that mind-boggling levitation) to the stripped-down B-stage moments, Kacey Musgraves’ performance felt like a journey—one that was as deep as a well and as high as a horse. And if you missed it, well, next time she rolls into town, you might want to follow your arrow straight to the box office.

Review: Dylan Gossett Delivers a Homecoming Performance at the Stubb’s Waller Creek Amphitheater

BY TER STAFF

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Photo by Camryn Hutchens

Dylan Gossett’s homecoming show at Stubb’s Waller Creek Amphitheater last night was nothing short of electrifying. The 25-year-old Austin-native brought an infectious energy to the iconic Austin venue, blending his Americana roots with a modern twist that has made him a rising star in the country music scene. Performing under the open sky at Stubb’s, a venue renowned for its laid-back, rustic vibe and Texas barbecue, Gossett’s soulful melodies felt right at home. The crowd, packed into the 2,200-person standing-room venue, welcomed him with open arms, and from the first note, it was clear that this performance was going to be something special.

One of the obvious highlights of the evening was Gossett’s performance of his breakout hit “Coal,” which was hotter than the Texas barbecue served just steps away from the crowd. The crowd immediately embraced the familiar tune, proving that this hometown crowd knows their Austin-native star well.

Additionally he performed fan favorites like “Bitter Winds” and “Lone Ole Cowboy,” each song layered with raw emotion and sincerity. You could feel the connection between Gossett and his audience, a mix of his local Day 1 followers and new fans who have been swept up in his meteoric rise.

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Stubb’s, with its open-air, creekside atmosphere, brought an extra layer of authenticity to the performance. There’s something magical about hearing Gossett croon about “Beneath Oak Trees” under actual oak trees, surrounded by Austin’s natural beauty. If there’s any venue that could match Gossett’s grounded, earthy sound, it’s this one.

When Dylan performed “To Be Free,” it felt like the anthem of the night, resonating with a sense of liberation that only live music can bring. Gossett’s Texas roots shone through in every strum of his guitar and every lyric, reminding everyone just why this 25-year-old singer-songwriter has quickly become a rising star.

All in all, last night at Stubb’s was more than just a concert, it was a homecoming celebration of Gossett’s journey, Austin’s music scene, and the undeniable bond between artist and audience. If you missed this show, you missed more than just great music, you missed the heart of Austin.

Check out of photos from photographer Camryn Hutchens below!

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Photos: Jason Isbell & The 400 Unit Captivate the Ravinia Festival

BY TER STAFF

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Photo by Linda O’Connell/The Early Registration

Jason Isbell & The 400 Unit helped wrap up Ravinia’s impressive 2024 season last night with a masterclass in Americana, offering a night of soul-searching lyrics and spine-tingling melodies under the stars. With the Pavilion and lawn packed with Isbell’s Chicagoland fans, the singer’s anticipated return to the festival felt more like a private intimate set than a performance for thousands. Having played here before, both he and opener Alejandro Escovedo proved to be Ravinia alumni who understand the unique charm of this venue​.

Isbell kicked off his set with “24 Frames,” immediately grabbing the audience’s attention with a song that perfectly encapsulates his ability to turn personal reflection into something universal. He quickly followed it up with “Save the World” and “King of Oklahoma,” selections from his 2023 Grammy-winning album Weathervanes. The new tracks stood proudly alongside fan-favorite older songs, showing just how seamlessly Isbell continues to evolve as both a songwriter and performer. As the night progressed, Isbell’s rich vocals and searing guitar solos were beautifully complemented by the tight musicianship of The 400 Unit. Together, they create a sound that’s both deeply intimate and capable of filling a venue as large and open as Ravinia​.

For those unfamiliar with Isbell’s journey, he first gained prominence as a member of Drive-By Truckers before forging a solo career that would cement him as one of the greatest storytellers of his generation. A six-time Grammy winner, Isbell’s music blends rock, country, and folk, making him a stalwart of the Americana genre. His sobriety and personal growth have been key themes in his work, particularly on the album Southeastern, which propelled him to critical acclaim​. Fast forward to today, and his latest release, Weathervanes, continues his tradition of introspective, heart-wrenching storytelling, tackling themes of love, loss, and redemption.

The audience was treated to a full spectrum of emotions as Isbell moved through his 19-song set. Songs like “Cover Me Up” — a staple of his catalog and a declaration of love and sobriety — hit just as hard as ever, bringing an emotional crescendo to the end of his main set. Isbell’s ability to captivate with his lyrics, particularly lines like “I sobered up, and I swore off that stuff,” resonated deeply with the crowd, many of whom sang along, their voices rising to meet the starry sky.

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Of course, no night would be complete without a surprise or two. Isbell’s three-song encore began with a heartfelt cover of The Cure’s “Just Like Heaven,” which he injected with his own Americana flair, giving the iconic tune a warm, acoustic feel. He followed it with “Cast Iron Skillet,” a poignant track from Weathervanes, before closing out the night with “Miles,” leaving the audience in a contemplative mood​.

Before Isbell and The 400 Unit took the stage, Alejandro Escovedo delivered a 10-song set that served as the perfect primer for the night. Escovedo, whose career has spanned punk, rock, and roots music, brought an infectious energy to songs like “John Conquest” and “Castanets.” Escovedo, like Isbell, is no stranger to Ravinia, and his performance was entertaining and familiar.

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Ravinia itself added its usual magic to the night. There’s something special about seeing a show at North America’s oldest music festival, where lawn chairs and picnic baskets blend with world-class performances. The intimacy of the Pavilion, combined with the communal atmosphere of the lawn, makes every concert here a unique experience. Isbell’s music, with its themes of self-reflection and connection, felt right at home.

This was one of the final big shows of the season, and as the night drew to a close, there was a sense of bittersweetness in the air — not only because Isbell’s set was over, but because it marked the end of another unforgettable Ravinia summer​.

If you weren’t at this show, you missed out on a master storyteller at the height of his powers, backed by one of the tightest bands in the business. But don’t worry, Isbell’s music — like a perfect summer night at Ravinia — will stay with you long after the final note fades.

Check out of photos from photographer Linda O’Connell below!

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Review: TLC and Shaggy Deliver Good Vibes and Nostalgia to the Ravinia Festival

BY DAN GARCIA

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Photo by Dan Garcia/The Early Registration

Last night, the Ravinia Festival in Highland Park, IL, was transformed into a nostalgic paradise as TLC and Shaggy took the stage for a night of throwback hits and feel-good vibes. With a lineup like this, you couldn’t help but ask, “What About Your Friends?” because they should have been right there with you, reliving the ’90s and early 2000s.

Despite many expecting TLC to headline, the legendary group kicked off the evening at 7:30 PM. The moment Tionne ‘T-Boz’ Watkins and Rozonda ‘Chilli’ Thomas stepped on stage, the crowd was hit with an overwhelming wave of nostalgia. The duo, back in action after T-Boz’s recent health scare, showed no signs of slowing down. Opening with “Ain’t 2 Proud 2 Beg,” TLC immediately reminded us why they’re icons of the R&B scene.

The setlist was a mix of their greatest hits, including “What About Your Friends,” “Red Light Special,” and of course, the timeless “Waterfalls.” Each song brought back memories of cassette tapes, MTV music videos, and those middle school dance moments where you pretended you didn’t care about “No Scrubs,” but you totally did.

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T-Boz, who recently overcame an abdominal blockage, delivered a performance that was nothing short of inspiring, not missing a beat. Her vocals were strong, and her energy was infectious. And let’s not forget Chilli, who brought the heat with her flawless dance moves and ageless beauty. Together, they proved that even decades later, they still have what it takes to “Creep” into our hearts.

Following TLC’s stellar performance, Shaggy took to the stage as the night’s headliner—a surprise to many but a welcome one. The reggae-fusion artist, known for his smooth voice and cheeky lyrics, immediately set the tone with his opening track, “Mood.”

Shaggy’s set was nothing short of a party, filled with hits that had the audience dancing in their seats and on the lawn. From “Boombastic” to “Angel,” the crowd was transported to a Caribbean paradise, even if we were just in Highland Park. His cover of Mungo Jerry’s “In The Summertime” was a delightful addition, bringing that summer festival vibe to life.

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One of the highlights of Shaggy’s set was his humorous interaction with the audience. Despite repeatedly referring to the venue as “Ravina” instead of Ravinia, Shaggy’s charm and wit won everyone over. By the time he launched into “It Wasn’t Me” for the double billing’s encore, the entire venue was singing along, proving that some songs are truly timeless.

His rendition of Eddy Grant’s “Electric Avenue” added an extra spark to the night, and his performance of “Luv Me Luv Me” had everyone swaying. Shaggy might have been expected to open, but he delivered a headlining set that felt like a Jamaican carnival—full of life, energy, and irresistible rhythms.

Ravinia Festival provided the perfect setting for this night of nostalgia. Known for its unique atmosphere, Ravinia is not just a concert venue—it’s an experience. The sprawling lawn, picnic-friendly policies, and intimate pavilion seating make it a beloved spot for music lovers.

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There’s something magical about watching a concert under the stars, surrounded by trees and fellow fans. As the music played, the crowd relaxed on their blankets, sipped wine, and let the good vibes wash over them.

TLC and Shaggy delivered a night that was as much about reminiscing as it was about celebrating the present. For anyone who grew up with these artists on their mixtapes, last night was a reminder of why we fell in love with their music in the first place.

As the crowd dispersed into the night, you could hear echoes of “Waterfalls” and “It Wasn’t Me” mingling with the laughter and chatter of satisfied concertgoers. Ravinia, with its unique charm, had once again hosted a night to remember. If you missed it, don’t be a scrub next time!

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Review: Hozier Delivers ‘Sweet’ Performance to Madison’s Breese Stevens Field

BY DAN GARCIA

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Hozier brings his Unreal Unearth Tour to the Breese Stevens Field in Madison, WI on Friday, August 16, 2024 (Photo by Dan Garcia/The Early Registration).

Hozier’s sold-out performance at Breese Stevens Field in Madison, WI, as part of his “Unreal Unearth Tour” was a night filled with electric energy, both from the weather and the music. After a brief delay due to an incoming thunderstorm, the skies cleared, and Hozier took the stage, ready to Madison to church and beyond.

Hozier’s headlining set kicked off with “Jackie and Wilson” from his 2014 self-titled debut, setting the tone for a night where every song felt like a journey through Hozier’s ethereal soundscapes. Madison’s Breese Stevens Field, usually home to soccer matches, transformed into a sanctuary for fans of all ages. The venue, just a stone’s throw from the Wisconsin State Capitol, provided a scenic backdrop, although some fans opted for a more comfortable view from their condo balconies nearby. Hozier even joked about crashing for an impromptu after-party, a testament to his ability to connect with the audience.

One highlight of the night was his performance of “Nobody’s Soldier”, a song released just yesterday, from his upcoming “Unaired EP.” The crowd was all in, singing along as if they’d known the song for years. 

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Midway through the set, Hozier treated the audience to “Too Sweet,” his current massive single, which was met with raucous applause. And of course, no Hozier concert would be complete without “Take Me To Church,” which closed the regular set and had the crowd singing along with every word, reminding us all why we first fell in love with his music.

The encore was a rollercoaster of emotions. “Cherry Wine” set a romantic tone that saw two fans getting engaged mid-song—a magical moment that only added to the song’s tender atmosphere. Following that, “Unknown/Nth” and “Nina Cried Power” brought the energy back up, culminating in “Work Song,” which he performed with his opener, Allison Russell. Their voices blended seamlessly, closing the night on a powerful note.

In the end, the night was a perfect blend of new songs, fan favorites, and unexpected surprises—all in a venue that felt both intimate and grand.

Check out last night’s setlist and our favorite photos from the performance below.​

Setlist

  1. Jackie and Wilson
  2. Eat Your Young
  3. Nobody’s Soldier
  4. Angel of Small Death and the Codeine Scene
  5. Dinner & Diatribes
  6. Francesca
  7. Like Real People Do
  8. I, Carrion (Icarian)
  9. From Eden
  10. Wildflower and Barley
  11. Would That I
  12. De Selby (Part 2)
  13. Too Sweet
  14. NFWMB
  15. Almost (Sweet Music)
  16. Movement
  17. Take Me to Church
  18. Cherry Wine
  19. Unknown/Nth
  20. Nina Cried Power
  21. Work Song

Review: Mimi Webb’s Full Circle Performance at the House of Blues Chicago

BY DAN GARCIA

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Mimi Webb performs at the House of Blues in Chicago, IL on Saturday August 3, 2024 (Photo by Dan Garcia).

On a night buzzing with Lollapalooza excitement, Mimi Webb took the stage at the iconic House of Blues Chicago, delivering a performance that was nothing short of spectacular. This show was part of Tate McRae’s Lollapalooza aftershow, making it a full-circle moment for both artists, as they had shared the same stage at this very venue in 2022 during the extended Lollapalooza weekend. From the moment she stepped on stage, Mimi captivated the audience with her powerful voice and magnetic presence.

The show kicked off at 11:00 pm, perfectly timed to allow fans who had spent the day at Lollapalooza to make their way over just a few blocks Northwest. Mimi opened with “Freezing,” setting the tone for an electrifying night. Her heartfelt performance of “Ghost of You” showcased her vocal range and emotional depth, leaving the audience in awe. “Erase U” brought a more upbeat vibe, with fans singing along and dancing to the infectious rhythm.

Other highlights include Mimi’s performance of “Mistake”, which was both powerful and catchy, resonating deeply with the audience. The energy spiked with last year’s “Red Flags,” a song that had everyone on their feet, dancing and cheering.

Reflecting on her journey, Mimi shared her love for Chicago, calling it one of her favorite cities. She reminisced about her 2022 performance at the same venue, highlighting how much both she and Tate McRae have grown as artists since then. This sentiment of growth and gratitude was palpable throughout her performance, making the night even more special.

In a spontaneous and delightful moment, Mimi even took a drink with the Windy City crowd, saying, “Usually I don’t do this, but it’s an aftershow so why not?” This gesture further endeared her to the audience, creating an intimate and memorable connection that set the tone for McRae’s forthcoming set.

Mimi Webb’s performance at the House of Blues Chicago was a testament to her talent and charisma. Her ability to engage the audience and deliver powerful performances makes her a standout artist in today’s music scene. As she continues to rise, moments like these highlight her journey and the strong bond she shares with her fans.

Catch Mimi Webb performing today at Lollapalooza, and if last night’s performance is any indication, it’s a show you won’t want to miss.

Setlist

  1. Freezing
  2. Ghost of You
  3. Erase U
  4. Dumb Love
  5. Mistake
  6. Red Flags
  7. Good Without
  8. House of Fire

 

Review: Gracie Abrams Captivates in Austin City Limits Debut

BY DAN GARCIA

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Gracie Abrams performs during a taping of Austin City Limits on July 30, 2024 (Photo by Scott Newton/Courtesy of Austin City Limits).

Los Angeles singer-songwriter Gracie Abrams, celebrated for her heartfelt lyrics and captivating voice, made her highly anticipated debut at Austin City Limits on Tuesday night, offering a performance that left a lasting impression. As part of the iconic PBS show’s huge 50th anniversary season, Abrams’ taping will broadcast in October and will also be available for streaming, allowing fans everywhere to experience the magic. Her appearance at the Moody Theater on Tuesday night marked her first time gracing the legendary ACL stage, solidifying her place in the pantheon of music stars.

While the “Close To You” singer has graced the stages of Austin before, performing at the Austin City Limits Music Festival in Zilker Park in 2021, her appearance at the Moody Theater marked her first performance for the legendary Austin City Limits show. This historic venue and program, with its picturesque backdrop of the Austin skyline, provided an intimate setting that perfectly suited Abrams’ soulful and heartfelt music. Within the walls of this hallowed venue, time seemed to stand still as Abrams delivered a performance that will be etched in the memories of those lucky enough to attend the private taping.

Abrams, dressed in an oversized unbuttoned blue dress shirt over a white bralette and light blue baggy straight-leg jeans, delivered a setlist that blended new tracks from her latest album, “The Secret of Us,” with beloved classics already cemented in the discography of her growing career. Released just weeks ago, many of the new album’s tracks were performed live for the first time, giving fans a special glimpse of her evolving artistry.

Opening with “Risk,” a standout single from her new album, Abrams immediately captivated the audience. The energy built as she seamlessly transitioned into “Blowing Smoke” and “I Love You, I’m Sorry,” before diving into older favorites like “Where Do We Go Now” and “21.”

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Gracie Abrams performs during a taping of Austin City Limits on July 30, 2024 (Photo by Scott Newton/Courtesy of Austin City Limits).

Throughout the night, Gracie’s gratitude was palpable. “I’m going to articulate this the best way I can, I love you and thank you so much for being here,” she told the audience midway through the show. Her heartfelt connection with the crowd was evident as she blew kisses to the crowd and made heart hands to young fans with a guitar pick in her mouth a smile from ear to ear. Her sincerity and emotional transparency added depth to her performance, making the night unforgettable for her fans.

After concluding her set with “Free Now,” the second to last track from her new LP, Abrams returned for a unique encore, re-recording the first three songs due to producers’ requests for extra footage for the forthcoming broadcast. This unexpected treat was met with overwhelming excitement from the audience, who sang along with even more energy than the first time.

Gracie Abrams’ performance at Austin City Limits was a testament to her undeniable talent and the genuine connection she shares with her fans. Her rise to fame is a testament to her artistry and dedication. As she prepares for her forthcoming sold-out headlining tour, her ACL performance now stands as a significant milestone in her rapidly growing career.

Gracie Abrams’ Austin City Limits debut will undoubtedly be a highlight of the show’s 50th season, celebrating half a century of performances from the biggest names in music. Her performance captured the essence of Austin’s rich musical heritage while showcasing her unique voice and talent, ensuring that fans both old and new will be eagerly awaiting its broadcast this October.

Season 50 of “Austin City Limits” is set to premiere on PBS on September 28th with a performance from Texas’ own, Kacey Musgraves.

Setlist

  1. Risk
  2. Blowing Smoke
  3. I Love You, I’m Sorry
  4. Where Do We Go Now
  5. 21
  6. Gave You I Gave You I
  7. Mess It Up
  8. Good Luck Charlie
  9. Friend
  10. Normal Thing
  11. Tough Love
  12. Let It Happen
  13. I Miss You, I’m Sorry
  14. Free Now

Review: Maren Morris Delivers a Soulful RSVP Redux Tour Stop at The Sylvee

Photo by Dan Garcia/The Early Registration

Maren Morris brought her RSVP Redux Tour to The Sylvee in Madison last summer, and the sold-out Saturday night crowd was treated to a performance that blended fan favorites, unexpected covers, and thoughtful moments that highlighted her growth as an artist. The tour itself was framed as a celebration of the five-year anniversary of her breakout Girl album, but in practice it felt more like a reflection on how far she has come since then—both musically and personally.

From the moment she opened with “RSVP” and “The Feels,” Morris had the audience locked in. Her voice carried a soulful edge that, as critics have noted throughout the tour, often lands just shy of a twang—straddling the line between country, pop, and singer-songwriter authenticity. The Sylvee’s intimate yet energetic setting gave her plenty of room to play with that dynamic. Songs like “The Tree” and “I Hope I Never Fall in Love,” which she performed alongside opener Delacey, brought the night’s most vulnerable moments, while her hits “Girl” and “My Church” reminded fans of the anthems that first put her on the map.

The setlist was cleverly constructed to balance personal storytelling with crowd-pleasing highlights. By the midpoint, Morris loosened things up with “Rich,” where she made one of the most talked-about changes of the tour. Instead of the original lyric referencing Diddy, she swapped in Dolly, a decision she’s made since Combs’s legal troubles came to light. The Madison crowd immediately picked up on the switch, cheering the homage to Dolly Parton, a beloved and unproblematic country icon. It was a subtle but powerful statement, one that aligned with Morris’s reputation for standing her ground and rewriting narratives in real time.

Later, she leaned into fan service by taking social media requests for “Drunk Girls Don’t Cry” and “Circles Around This Town,” proving she could make the cavernous room feel personal. A cover of Generation X’s “Dancing With Myself” added a dose of playfulness, and when she closed the main set with “The Bones” and “Cut!,” the night’s emotional range was on full display. Her encore brought everything full circle with the pop-leaning “The Middle,” the breezy “Shade,” and the nostalgic “80s Mercedes,” leaving the crowd on a high note.

Throughout the evening, Morris’s performance carried a sense of reinvention. She has been open about her complicated relationship with mainstream country, and at The Sylvee she seemed to lean further into her identity as an artist not confined to one lane. The show was polished yet personal, activist-minded yet fun, and above all a reminder of her singular talent. For Madison fans, it was a night that felt celebratory, communal, and quietly historic—one that showed why Maren Morris remains one of the most compelling voices in music today.

Photos: Jelly Roll and Hardy Deliver at Night 1 of Harley Davidson Homecoming

Jelly Roll shows off his Harley Davidson swag at the Harley Davidson Homecoming Festival in Milwaukee, WI on July 26, 2024 (Photo by Dan Garcia).

The Harley Davidson Homecoming festival roared into Milwaukee this weekend, and while the festivities technically kicked off on Thursday, it was Friday night that truly marked the beginning of the musical celebration. Veterans Park, set against the picturesque backdrop of Milwaukee’s lakefront, was transformed into a haven for music lovers and Harley enthusiasts alike.

Headlining the night were two powerhouse performers: Hardy and Jelly Roll. Hardy took to the main stage at 7:30 PM, delivering a 75-minute set that was nothing short of spectacular. His blend of country rock anthems had the crowd on their feet from the first chord, proving that he is a headliner in every sense of the word. His energy was infectious, and his performance set the tone for an unforgettable night.

Following Hardy’s explosive set, Jelly Roll took the stage and continued to elevate the night. His performance was not only musically impressive but emotionally resonant, as he connected with the audience on a deeper level. The crowd, estimated at around 40,000, was a mix of die-hard fans and loyal Harley riders who had journeyed from across the country to be part of this iconic event.

The highlight of Jelly Roll’s performance was undoubtedly the surprise appearance of Machine Gun Kelly. Together, they performed their brand new song “Lonely Road” for the first time ever live, sending the audience into a frenzy. The collaboration was a perfect fusion of their styles, and the debut of “Lonely Road” added an extra layer of excitement to an already electrifying night.

The Harley Davidson Homecoming festival is more than just a music festival; it’s a celebration of community, freedom, and the open road. The camaraderie among the Harley riders and the shared love for music created a unique and unforgettable atmosphere.

As the night came to a close, it was clear that this year’s Homecoming festival had set a high bar for the rest of the weekend. With performances like these, Milwaukee’s lakefront has become the ultimate destination for music fans and motorcycle enthusiasts. If Friday night was any indication, the rest of the festival promises to be a ride worth taking.

Check out our photos from Friday night of the Harley Davidson Homecoming festival below!