All posts by TER Staff

AC/DC Set to Bring the Thunder to Camp Randall Stadium This Month

Camp Randall Stadium is accustomed to shaking beneath the feet of tens of thousands of Wisconsin football fans. On Sunday, July 19, however, the noise coming from Madison’s most famous stadium will be powered by electric guitars, cannon fire and one of rock music’s most unmistakable voices.

AC/DC will bring its massive POWER UP Tour to Camp Randall for a 7 p.m. concert, with Taylor Momsen and The Pretty Reckless opening the evening. The stadium performance will mark AC/DC’s first Madison concert in approximately 25 years, following the band’s May 2001 appearance at the Kohl Center.

For Wisconsin rock fans, it is a long-awaited return from a band built for venues of this size.

AC/DC’s music has always sounded enormous. The opening guitar notes of “Back in Black,” the slow toll introducing “Hells Bells” and the rapid-fire riff of “Thunderstruck” were made to travel across football fields and through the upper decks of stadiums. At Camp Randall, the Australian rock legends will have one of the region’s largest stages on which to deliver them.

The concert is part of an extended 2026 run of the POWER UP Tour, named after AC/DC’s 2020 album. The current touring lineup features guitarist Angus Young, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bassist Chris Chaney. The Madison show is one of 18 North American stadium dates scheduled between July and September.

While the tour takes its name from the band’s most recent studio album, fans should expect the evening to function primarily as a celebration of AC/DC’s enormous catalog.

At the band’s most recent Mexico City performance, AC/DC opened with “If You Want Blood (You’ve Got It)” before moving immediately into “Back in Black.” The more than two-hour set also included “Thunderstruck,” “Hells Bells,” “Highway to Hell,” “Dirty Deeds Done Dirt Cheap,” “You Shook Me All Night Long” and “Whole Lotta Rosie.” Newer tracks “Demon Fire” and “Shot in the Dark” gave POWER UP a place alongside the classics.

The night’s expected final stretch is particularly difficult to beat. Recent shows have featured an extended Angus Young guitar solo during “Let There Be Rock,” followed by an encore of “T.N.T.” and “For Those About to Rock (We Salute You).”

AC/DC has also preserved the theatrical elements that have made its concerts spectacles for generations. Fans can anticipate the massive bell associated with “Hells Bells,” an inflatable Rosie, pyrotechnics and the traditional cannons that punctuate “For Those About to Rock.”

At the center of it all remains Young, whose schoolboy uniform, Gibson SG guitar and restless movement across the stage have become inseparable from the band itself. Brian Johnson’s sandpaper howl provides the other half of AC/DC’s most recognizable image, delivering songs that have remained staples of rock radio, sporting events and packed arenas for decades.

The Camp Randall concert will also feature a substantial opening performance from The Pretty Reckless. Fronted by Momsen, the New York hard rock group has become a familiar touring partner for AC/DC after supporting previous European and North American legs of the POWER UP Tour. The Pretty Reckless will open every date on AC/DC’s 2026 North American run.

Their inclusion makes this more than a brief warm-up followed by the headliner. The Pretty Reckless have developed their own formidable rock audience through songs including “Heaven Knows” and a live sound that should translate naturally to Camp Randall’s stadium setting.

Camp Randall only recently reestablished itself as a major concert destination after a lengthy absence from hosting large-scale music events. Following three stadium concerts during the summer of 2025, AC/DC will continue that momentum with a show whose sound, scale and production seem ideally suited to the venue.

For longtime fans, July 19 offers an increasingly rare opportunity to see one of rock’s defining bands perform its catalog with the full stadium production those songs deserve. For younger listeners, it may be the first—and potentially only—chance to hear “Back in Black,” “Highway to Hell” and “Thunderstruck” performed by AC/DC itself.

Either way, earplugs are probably a wise investment.

Limited tickets remain available through Wisconsin Athletics, with the official ticketing page currently listing seats beginning at $79. Doors are scheduled to open at 5:30 p.m., with the concert beginning at 7 p.m.

AC/DC with The Pretty Reckless
Sunday, July 19, 2026
Camp Randall Stadium — Madison, Wisconsin
Doors: 5:30 p.m. | Show: 7 p.m.

Only Wanna Be at Windy City Smokeout: 7 Reasons Day 2 and Hootie& the Blowfish Delivered

Photo by Dan Garcia/The Early Registration

Windy City Smokeout may be built around country music, smoked meats and cold drinks, but Day 2 demonstrated that its musical borders are wide enough to accommodate one of the most successful pop-rock bands of the 1990s.

Hootie & the Blowfish headlined Thursday night’s festivities outside Chicago’s United Center, delivering a nostalgia-heavy performance without allowing nostalgia to become the entire point. Earlier in the evening, Scotty McCreery brought his unmistakably deep voice and traditional-country sensibilities to the stage before creating the day’s defining surprise: the first live performance of his hit collaboration with Hootie & the Blowfish, “Bottle Rockets.”

From enormous choruses to an unexpected onstage reunion, here are seven reasons Day 2 of Windy City Smokeout delivered.

1. Hootie & the Blowfish remain one of music’s greatest singalong bands

Some artists have popular songs. Hootie & the Blowfish have songs that seem to activate an entire crowd within their opening notes.

The band’s catalog is filled with the type of choruses that listeners do not merely recognize—they instinctively join. Decades after songs such as “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You” first dominated the radio, their words remain embedded in the memories of fans who grew up with Cracked Rear View.

That familiarity made Hootie’s headlining performance especially well suited for a festival. Even attendees who may not have considered themselves devoted fans knew considerably more of the set than they might have expected.

When the biggest choruses arrived, the crowd did not need an invitation to participate. Thousands of voices transformed the performance into something resembling a reunion between old friends—even when many of those friends had never met before Thursday night.

2. Darius Rucker’s unmistakable voice still carries the show

Hootie & the Blowfish would not sound like Hootie & the Blowfish without Darius Rucker’s voice.

His rich baritone remains one of the most recognizable instruments to emerge from 1990s rock. Warm enough to sell the band’s most sentimental material and powerful enough to rise above its guitars, Rucker’s vocals gave every familiar song its signature character.

That voice has aged particularly well. Rather than attempting to recreate the exact sound of the band’s earliest years, Rucker performed the material with the depth of someone who has spent decades living alongside it.

The result was comforting without feeling overly polished. As soon as Rucker began singing, the festival grounds could have been almost anywhere: a country festival in Chicago, a summer amphitheater or a car with Cracked Rear View playing through its speakers.

3. The performance proved nostalgia does not have to feel like a novelty act

Nostalgia was undeniably part of Hootie & the Blowfish’s appeal Thursday night. For many fans, the performance offered an opportunity to revisit songs connected to high school, college, family road trips or the seemingly endless radio rotation of the 1990s.

But the set did not feel like a band simply cashing in on memories.

Hootie & the Blowfish still performed like a working group rather than a collection of musicians assembled to reproduce old recordings. The songs were treated as living pieces of the band’s catalog, not museum exhibits that needed to be preserved exactly as they sounded three decades ago.

There was comfort in hearing the hits, but there was also substance behind them. The performance reminded the crowd why the music became so successful in the first place: strong melodies, instantly memorable hooks and a band whose chemistry has always felt refreshingly unforced.

Nostalgia may have drawn some fans to the stage, but the performance gave them more than nostalgia in return.

4. Hootie brought welcome rock energy to a country festival

Windy City Smokeout has increasingly shown that country music does not need to exist inside rigid boundaries. Hootie & the Blowfish pushed those boundaries further by bringing a rootsy pop-rock sound to the festival’s Thursday-night headlining slot.

Their guitars gave the evening a different texture from the more traditionally country performances heard earlier in the day. The change never felt disruptive, though. Hootie’s music shares enough DNA with country—storytelling, acoustic foundations and melodies designed for communal singing—that the band fit comfortably into the Smokeout atmosphere.

At the same time, the group’s rock energy helped distinguish Thursday from the festival’s other days. It provided a refreshing reminder that a strong country festival can become more interesting, not less authentic, when its lineup leaves room for complementary sounds.

Hootie may not fit every narrow definition of a country band, but on Thursday night, the group certainly looked at home.

5. Darius Rucker’s country career made Hootie a natural Smokeout headliner

Had Hootie & the Blowfish appeared at a country festival during the height of the band’s initial success, the booking might have seemed unexpected.

That is no longer the case.

Rucker’s enormously successful country career has connected two major chapters of his musical life. Fans who first discovered him through Hootie now stand beside younger listeners who may know him best through his solo hits and his version of “Wagon Wheel.”

That crossover made Hootie uniquely qualified to headline Windy City Smokeout. The band could satisfy fans looking for 1990s favorites while remaining relevant to an audience accustomed to hearing Rucker on country radio.

Instead of feeling like an artist borrowed from another genre, Hootie felt like part of the extended country family. Rucker’s career has made the distance between those musical worlds seem considerably smaller than it once did.

6. Scotty McCreery’s baritone sounded even bigger in person

Long before Hootie & the Blowfish took the stage, Scotty McCreery gave the crowd one of Thursday’s most distinctly country performances.

McCreery possesses a voice that is almost impossible to mistake for anyone else’s. His low, resonant baritone immediately gave his set an identity of its own, cutting through the open-air festival environment with clarity and authority.

That voice has always made McCreery sound older than his years, but his performance demonstrated the confidence and control that have come with experience. He no longer feels defined by the television competition that introduced him to a national audience. He carries himself like an established country performer with a substantial catalog and a clear understanding of what his audience wants.

The depth of his vocals also created a compelling contrast with Rucker’s later performance. Day 2 featured two of popular music’s most recognizable baritones, each approaching country music from a different direction.

7. Scotty McCreery and Hootie & the Blowfish made “Bottle Rockets” history

The most memorable moment of Day 2 arrived before Hootie’s headlining set had even begun.

During his performance, McCreery welcomed Hootie & the Blowfish to the stage for “Bottle Rockets,” marking the first time the artists had performed their collaboration together in concert.

The song was already a natural fit for the festival. Its easygoing, summertime energy matched an event built around live country music, barbecue and spending an entire day outdoors with friends. Hearing it performed by McCreery alone would have worked perfectly well.

Bringing out Hootie, however, elevated it from another song in the set to a genuine festival moment.

The collaboration also tied the day’s two biggest performances together. Rather than Scotty McCreery’s set ending and Hootie’s beginning as completely separate attractions, “Bottle Rockets” created a bridge between them. It rewarded fans who arrived early, generated anticipation for the headliner and delivered something that could not simply be replicated at the next tour stop.

Festivals are at their best when they produce moments made possible by having so many artists gathered in one place. On Thursday, Windy City Smokeout gave Chicago exactly that.

Hootie & the Blowfish may have supplied the familiar songs that closed the evening, but their surprise appearance with McCreery ensured that Day 2 also offered something entirely new.

Preview: The Kid LAROI brings his “A Perfect World Tour” to The Salt Shed this Friday

Photo by Dan Garcia/The Early Registration

The Kid Laroi is bringing his global “A Perfect World Tour” to Chicago this Friday, May 22, with an outdoor show at The Salt Shed. The concert is set for 6:30 p.m., with Tommy Richman and WizTheMC joining the bill.

For Laroi, the tour arrives at a fitting moment. The Australian singer and rapper released his latest album, “Before I Forget” on Jan. 9 via Columbia Records, a 15-track project introduced by singles including “A Cold Play,” “A Perfect World” and “Back When You Were Mine.” The album marked a more vulnerable turn for the 22-year-old artist, leaning into emotional clarity, introspective songwriting and the genre-blurring pop, rap and R&B sound that has helped make him one of his generation’s most recognizable crossover stars.

Chicago fans can expect a set that balances that newer material with the hits that made Laroi a global name in pop and rap. His catalog already includes massive streaming-era staples like “Without You” and “Stay,” his Justin Bieber collaboration that became one of the defining pop singles of the early 2020s. The “A Perfect World Tour” setlists have also been spotlighting deeper cuts and recent favorites, giving the show the feel of both a new-era showcase and a full-career victory lap.

The Salt Shed should be an ideal landing spot for that kind of performance. Since opening, the venue has become one of Chicago’s most exciting mid-size concert destinations, and Friday’s outdoor Fairgrounds show gives Laroi a chance to turn a late-May night along Elston Avenue into a full-scale pop-rap singalong.

Adding to the draw is direct support from Tommy Richman, whose breakout hit “Million Dollar Baby” turned him into one of the most talked-about new names in pop and R&B, along with special guest WizTheMC. Richman is listed as direct support for the North American dates of the tour, making the Chicago stop a stacked bill rather than just a one-artist showcase.

Show info:
The Kid LAROI – “A Perfect World Tour”
With Tommy Richman and WizTheMC
Friday, May 22, 2026
The Salt Shed Outdoors / Fairgrounds, Chicago
6:30 p.m.

Check Out Our Photos of Highly Suspect’s Concert at The Sylvee in Madison

Photo by Dan DeSlover/The Early Registration

Madison’s The Sylvee hosted the opening night of Highly Suspect’s The Tour of Yellow Roses last night, giving Wisconsin fans the first look at the band’s latest run of shows. The Massachusetts rock trio brought a set that pulled from across their catalog, mixing newer tracks with longtime fan favorites and the kind of unpredictable live moments that have helped make Highly Suspect such a compelling concert draw.

The night opened with “Run for Your Death (More Pills)” before moving into songs like “Bath Salts,” “Mom,” “Yellow Roses,” “Lost,” “Mexico” and “Lydia.” One of the show’s biggest musical highlights came during “The Blue-Eyed Devil,” which stretched into an extended jam and gave the band room to lean into a looser, more improvisational side of its live show.

Later in the set, “The Silk Road” and “Fly,” both from the band’s MCID album, shifted the mood as frontman Johnny Stevens performed them solo with backing music. The stripped-back approach gave the songs a different feel inside The Sylvee, offering a quieter contrast before the show built back up with “Wasted,” “Plastic Boxes” and a chaotic run through “Serotonia.”

That chaos reached its peak during “Serotonia,” when a flood of crowd surfers made their way over the barricade, including one fan dressed as a banana, whom Stevens eventually invited onto the stage. It was the kind of surreal, only-at-a-rock-show moment that made the first night of tour feel especially memorable, and it gave the Madison crowd a story to go along with the music.

Highly Suspect closed the night with an encore of “Claudeland,” “My Name Is Human” and “Pink Lullabye,” wrapping up a 16-song set that set the tone for the rest of the tour. Photographer Dan DeSlover was there to capture the opening-night energy, from the band’s performance to the crowd-surfing madness inside the venue.

Check out our gallery below for a closer look at Highly Suspect’s concert at The Sylvee in Madison.

Shinedown Brings Their “Dance, Kid, Dance Act II” Tour to the Kohl Center in Madison

Photo by Dan DeSlover/The Early Registration

Madison’s Kohl Center hosted a massive night of hard rock on Saturday, May 16, as Shinedown brought their Dance, Kid, Dance Act II Tour to Wisconsin’s capital city. With Black Stone Cherry and Coheed and Cambria opening the show, the evening gave fans a full arena-sized lineup before Shinedown took the stage for a two-hour headlining set.

Shinedown’s Madison performance kicked off with “Safe and Sound” before quickly moving into heavier fan favorites like “Dead Don’t Die,” “Diamond Eyes (Boom-Lay Boom-Lay Boom),” “Devil” and “Enemies.” The set balanced the band’s explosive rock side with more emotional moments, giving the Kohl Center crowd plenty of chances to scream along, raise their phones and take in the kind of big-stage production Shinedown has become known for.

The night also pulled from across the band’s catalog, including “The Crow & the Butterfly,” “Save Me,” “Bully,” “A Symptom of Being Human,” “Cut the Cord” and “Monsters.” One of the more unexpected moments came when Shinedown worked in an acoustic snippet of 3 Doors Down’s “Kryptonite,” followed later by their cover of Lynyrd Skynyrd’s “Simple Man,” a long-running live favorite that gave the arena a chance to sing along together.

By the end of the night, Shinedown closed things out with two of their biggest anthems, “Sound of Madness” and “Second Chance,” sending fans home with the kind of soaring finish that has helped make the band one of modern rock’s most reliable arena acts.

Photographer Dan DeSlover was there to capture the highlights of Shinedown’s high-energy headlining performance.

Check out our gallery below for a closer look at Shinedown’s concert at the Kohl Center in Madison.

Photos: Puscifer Brings “The Normal Isn’t Tour” to The Sylvee in Madison

Photo by Dan DeSlover/The Early Registration

Madison’s The Sylvee welcomed Puscifer last night as the genre-blurring project brought The Normal Isn’t Tour to the downtown venue for a night of music, theatrics and offbeat visual storytelling. Led by Maynard James Keenan, alongside creative collaborators Mat Mitchell and Carina Round, Puscifer has long existed as something more than a traditional rock band, and their Madison stop leaned into that reputation.

The evening opened with comedian Dave Hill, giving the crowd a different kind of warmup before Puscifer’s strange and immersive world took over the room. Fans filled The Sylvee for an all-ages performance that mixed heavy grooves, sharp humor and a theatrical edge.

Puscifer’s live show has always been built around more than just the songs. The group’s universe includes recurring characters, visual narratives and a rotating cast of collaborators, creating a performance style that can feel part concert, part art project and part bizarre stage production. That unpredictability is a big part of the band’s appeal, and it made their Madison performance feel like a night where anything could happen.

Musically, the show highlighted the chemistry between Keenan, Mitchell and Round, whose voices and arrangements helped pull the audience through Puscifer’s mix of moody rock, electronic textures and cinematic atmosphere. The band has built a dedicated following through acclaimed albums, festival appearances and its distinct identity apart from Keenan’s work with Tool and A Perfect Circle, and The Sylvee crowd was ready to step fully into that world.

Photographer Dan DeSlover was there to capture the night’s biggest moments, from Dave Hill’s opening set to Puscifer’s visually rich performance and the crowd taking it all in.

Check out our gallery below for a closer look at Puscifer’s stop at The Sylvee in Madison.

Check Out Our Photos of Niko Moon’s Concert at The Sylvee in Madison

Photo by Deanna Glatczak/The Early Registration

Country fans packed The Sylvee in Madison on Saturday, April 18, as Niko Moon brought The American Palm Tour to the city for a night of upbeat country anthems and laid-back, feel-good vibes. Moon drew a lively crowd to the downtown venue eager to experience his signature brand of positivity-driven country music.

Moon first broke onto the country scene with his triple-platinum smash “Good Time,” a song that quickly became a staple of summer playlists and helped establish him as one of country music’s most upbeat new voices. Since then, the Texas-born, Nashville-based singer and songwriter has leaned into that same sunny outlook, crafting songs that celebrate good vibes, good friends, and living life in the moment.

The current tour highlights music from his latest album American Palm, a project that expands on his laid-back country style while drawing inspiration from beachside imagery and carefree moments meant to lift listeners’ spirits. That same atmosphere carried into the Madison show, where fans sang along and embraced the upbeat energy that has become a hallmark of Moon’s live performances.

Inside The Sylvee, the performance felt equal parts country concert and good-time celebration, with the crowd fully leaning into Moon’s message of positivity. His mix of catchy hooks, country rhythms, and relaxed stage presence made the evening feel like a welcome escape from the everyday, exactly the type of experience his music is built around.

Photographer Deanna Glatczak was there to capture the highlights from the night, documenting the vibrant energy inside the venue and Moon’s engaging performance on stage.

Check out our gallery below for a closer look at Niko Moon’s stop at The Sylvee in Madison.

Photos: Soulja Boy Takes on The Sylvee in Madison

Photo by Dan DeSlover/The Early Registration

Madison’s The Sylvee turned into a full-blown hip-hop party on Wednesday night as Soulja Boy brought The Drip Tour to the city for a high-energy night filled with throwback hits, viral dance moments, and a packed crowd ready to relive the soundtrack of the late 2000s. The lineup, which also featured rapper Lil Xan, drew fans to the downtown venue for an evening centered on one of rap’s earliest internet-era superstars.

The tour featured a lineup of supporting artists that kept the energy high from the start. DJ Pain 1, Flame The Ruler, and Lil Xan warmed up the crowd before Soulja Boy eventually took the stage, each performer bringing their own style to the night and helping build momentum inside the venue. By the time the headliner arrived, the crowd was already buzzing.

Soulja Boy, best known for his breakout smash “Crank That (Soulja Boy)”, rose to fame during the early YouTube era and helped pioneer the internet-driven rise of viral hip-hop hits. Inside The Sylvee, fans jumped, danced, and rapped along as he ran through the songs that helped make him a household name, leaning heavily into the nostalgia that defined his late-2000s run.

One of the more unexpected and fun moments of the night came from the crowd itself. Members of the Wisconsin women’s hockey team were spotted in attendance, still proudly wearing their jerseys while dancing and celebrating with the rest of the audience. The national championship squad clearly knew the words just as well as everyone else, turning the night into an impromptu celebration.

Photographer Dan DeSlover was there to capture the night’s biggest moments, documenting the high-energy crowd, Soulja Boy’s larger-than-life stage presence, and the memorable scenes unfolding throughout the venue. Check out our gallery below for a closer look at Soulja Boy’s stop at The Sylvee in Madison.

Photos by Dan DeSlover.

Check Out Our Photos of John Butler’s Concert at The Sylvee in Madison

Photo by Dan DeSlover/The Early Registration

Fans packed The Sylvee in Madison on Tuesday, as acclaimed singer, songwriter, and guitarist John Butler brought his band to the popular downtown venue for a night of groove-driven rock, roots, and extended instrumental jams, giving fans a full evening centered entirely on Butler’s powerful live performance.

Unlike many touring shows, the night featured no opening act, meaning the audience’s full attention was on Butler and his band from the moment they stepped on stage. Backed by a lineup that included original John Butler Trio drummer Michael Barker, along with Ian Peres on bass and keys and Michael Boase on percussion, the performance showcased the full-band dynamic Butler has leaned into on his latest tour.

The tour follows the release of Butler’s latest album PRISM, and the Madison stop highlighted the artist’s trademark style, blending intricate fingerpicked guitar passages with groove-heavy rhythms and expansive jams. Butler has long been known for his ability to stretch songs into powerful live moments, building layers of sound before unleashing soaring instrumental sections that electrify the room.

The Sylvee, one of the Wisconsin’s most popular club-sized concert venues with a capacity of roughly 2,500, provided an intimate setting for Butler’s performance, allowing fans to experience the nuance of his guitar work while still delivering the energy of a full-scale rock show.

Photographer Dan DeSlover was there to capture the highlights of the evening, documenting Butler’s passionate performance and the atmosphere inside the packed Madison venue. Check out our gallery below for a closer look at John Butler’s stop at The Sylvee in Madison.

Photos by Dan DeSlover.

Photos: B2K, Bow Wow, Pretty Ricky and More Light Up Fiserv Forum

Photo by Dan Garcia/The Early Registration

Even a tornado watch couldn’t keep fans away from Fiserv Forum last night as B2K headlined The Millennium Tour Presents: The Boys 4 Life Tour, bringing a wave of early-2000s R&B and hip-hop nostalgia to the city.

Umbrellas and ponchos filled the streets outside the arena, but inside, thousands of fans were ready to relive the soundtrack of the Y2K era with a lineup stacked with artists who helped define it.

The evening unfolded as a rapid-fire celebration of throwback hits, beginning with Amerie, who kicked off the show with the kind of smooth R&B energy that immediately set the tone. From there the lineup rolled forward with Yung Joc, B5, Crime Mob, and Dem Franchize Boyz, each delivering short but energetic sets that had the crowd bouncing and singing along. The Millennium Tour has built its reputation on these stacked lineups, essentially turning the night into a living playlist of early-2000s radio favorites.

As the show moved deeper into the evening, the nostalgia only intensified. Pretty Ricky brought their signature R&B swagger to the stage before Bow Wow delivered one of the night’s most anticipated performances, running through hits that many fans in attendance grew up with. Throughout the night, the arena felt less like a traditional concert and more like a celebration of a musical era, with fans eagerly reliving songs that once dominated the charts and MTV.

By the time B2K finally took the stage to close out the night, the crowd was fully energized. Celebrating their 25th anniversary, the group delivered a headlining set packed with the songs that made them one of the most recognizable boy bands of the early 2000s. The performance served as both a reminder of their lasting influence and a fitting finale to a night dedicated to the artists who shaped the sound of the era.

Photographer Dan Garcia was there to capture the highlights from the stormy night inside the arena, documenting the stacked lineup of performers and the fans who refused to let the weather keep them from a night of nostalgia.

Check out our gallery below for a closer look at B2K’s Millennium Tour stop at Fiserv Forum in Milwaukee.

Photos by Dan Garcia.